tag:blogger.com,1999:blog-16482883125252431732024-03-19T06:43:57.145+00:00Words on a PageUnknownnoreply@blogger.comBlogger109125tag:blogger.com,1999:blog-1648288312525243173.post-90615330297847216382023-12-31T23:47:00.003+00:002023-12-31T23:47:48.318+00:00Review: The Passenger by Cormac McCarthy<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBKTDD4lcDGlrK7fu713sA7kaM98ukiUOJ5EWq-UUqcrhg1n-zBTSTwlLgUzmKJkiy_pvmN_YmzexJXXqMmgP7okyOnIoxSUQol44YLA9ppxKVcRywsol7RRiI8bDToz15bUyDrid2R6ooaOTRYMobpl_JlZ5_U927XOfET-ywdvhSQRMyvFvS4VXm/s2048/410803483_379665144584579_5436170892002982179_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1530" data-original-width="2048" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBKTDD4lcDGlrK7fu713sA7kaM98ukiUOJ5EWq-UUqcrhg1n-zBTSTwlLgUzmKJkiy_pvmN_YmzexJXXqMmgP7okyOnIoxSUQol44YLA9ppxKVcRywsol7RRiI8bDToz15bUyDrid2R6ooaOTRYMobpl_JlZ5_U927XOfET-ywdvhSQRMyvFvS4VXm/w640-h478/410803483_379665144584579_5436170892002982179_n.jpg" width="640" /></a></div><br /><p></p><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">Let me start off by saying that I love <b><a href="https://en.wikipedia.org/wiki/Cormac_McCarthy" target="_blank">Cormac McCarthy</a></b>, and
at the time of his death last summer I'd read all but his last two novels, </span><i style="text-align: left;"><b><a href="https://www.theguardian.com/books/2022/oct/26/the-passenger-by-cormac-mccarthy-review-a-deep-dive-into-the-abyss" target="_blank">ThePassenger</a></b></i><span style="text-align: left;"> and </span><i style="text-align: left;"><b><a href="https://www.theguardian.com/books/2022/dec/07/stella-maris-by-cormac-mccarthy-review-a-slow-motion-study-of-obliteration" target="_blank">Stella Maris</a></b></i><span style="text-align: left;"> (which at the time were only available in
hardback). I love his use of archaic, biblical and inventive language as well
as the demands he puts on his readers—you don’t turn to McCarthy for an easy,
straightforward read. His novels deal with complex themes (Love, Death, Violence,
the nature of Good and Evil, and the nature of God), and you get the sense that
McCarthy, himself, is grappling for understanding of both the world he has been
cast into and the worlds he has created. </span><i style="text-align: left;"><b>The Passenge</b>r</i><span style="text-align: left;"> is no different—in
fact, in many ways, it is even more challenging for its lack of a traditional narrative
structure: a beginning, a middle and an ending.</span></div><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;">On the surface, <i>T<b>he Passenger</b></i> feels familiar. It
feels like <i><b>genre fiction</b></i>. When Bobby Western and a fellow salvage diver investigate
a small plane that has crashed in the Gulf of Mexico, they find the fuselage
intact, but the black box and one of the passengers are missing. It feels like
the start of a mystery or even a thriller, a sense that intensifies as Bobby goes
on the run, followed by unknown but seemingly malevolent pursuants. But then
the story veers off course and never returns. Bobby’s story is a series of
loose ends. Nothing is ever finished. There are no resolutions. And interspersed,
throughout, is a second narrative—that of Bobby’s love interest, his long-deceased
sister Alicia: a mentally-ill mathematical genius, visited by a troupe of apparently
benign apparitions. <o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;">As for the style of writing, the language in <i><b>The
Passenger</b> </i>is seemingly more accessible than McCarthy’s masterpiece <i><b><a href="https://www.amazon.co.uk/Blood-Meridian-Cormac-McCarthy/dp/0330510940" target="_blank">BloodMeridian</a></b></i>, which is trance-like in its puzzle of biblical references. Peppered
as it is, though, with philosophical musings, questions about quantum mechanics
and mathematical quandaries, this novel is no less dense. <i><b>The Passenger</b></i>
is a novel that stretches this reader’s intellect and deserves more than one
reading. For me, this book—McCarthy’s penultimate gift—while not yet as
mesmerising as <i>Blood Meridian</i> is a book I feel compelled to read again.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;">Sadly, McCarthy is no longer America’s greatest living
writer. I have no doubts, however, that he will long be considered one of the
greatest American writers of all time. <o:p></o:p></p><p class="MsoNormal" style="text-align: justify;"><br /></p><p align="center" class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; text-align: center;"><span style="line-height: 16.05px;"><b><span style="font-size: x-large;">*</span></b></span></p><p align="center" class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; text-align: center;"><span style="line-height: 16.05px;"><span face="Roboto, sans-serif"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. </span><span face="Roboto, sans-serif">She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" style="background: transparent; color: #2196f3; outline: 0px; text-decoration-line: none;" target="_blank">Portsmouth Authors Collective</a></b>.</span></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-33602826941938471242023-12-03T19:55:00.000+00:002023-12-03T19:55:24.281+00:00PAC Interview: Richard Salsbury<p><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;">The past few months have been filled with activities revolving around the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a></b> - all of which have have required lots of time and energy and organisation - things that are in short supply in my world. Hence, it</span><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;">'s been a shameful length of time since I posted my last author interview.</span><b style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;"> </b><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;">Forgive me.</span></p><p style="text-align: center;"><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif;"><span style="font-size: large;"><b>*</b></span></span></p><p><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;">The Portsmouth Authors Collective<b> </b></span><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;">seeks to put the spotlight on local talent who live in and/or take inspiration from the city and its surrounding areas. I was thrilled, therefore, to be asked to interview <b><a href="https://www.richardsalsbury.com/about/" target="_blank">Richard Salsbury</a></b> a couple of months ago at the launch of his debut novel <i><b>Mute</b></i>. Here, we reprise that interview for this blog and for the <b><a href="https://portsmouthauthors.wordpress.com/" target="_blank">PAC website</a></b>. </span></p><p></p><p class="MsoNormal"><b><span style="font-size: 12.0pt; line-height: 107%;"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size: 12.0pt; line-height: 107%;">Author
Bio: <o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 107%;">Richard
Salsbury is a novelist and award-winning short story writer based in the south
of England. His work has appeared in <i><b>Artificium</b></i>, <i><b>Flash Fiction
Magazine</b></i>, <i><b>World Wide Writers</b></i>, <i><b>Portsmouth News</b></i>, the <b><a href="http://pigeonbooks.co.uk" target="_blank">FairlightBooks</a></b> website and on BBC Radio. He is an editor and website designer for
environmental writing project <i><b><a href="https://pensoftheearth.co.uk/" target="_blank">Pens of the Earth</a></b></i>. He also plays the
guitar and brews his own beer.<o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="line-height: 107%;"><b><span style="font-size: medium;">~</span></b><span style="font-size: 12pt;"><o:p></o:p></span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="line-height: 107%;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN_q1m6hmwrtaAkj0MCGJK3bLOvuJV-xnD3hFBad-brqDe3CzP3zev431_rs-uX6mHCqxcc3TfodFXbPmbuzypLVWibs6u7nc78-EK7dHnaR0GDI7cl-KB6bWgdWiSsoozyuS-5LIXt98mo-eFEzQjEMHmqJ0MweMECxP8TlPRz1B1mfOOoaD2Hgjm/s1200/Richard-Salsbury.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="611" data-original-width="1200" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN_q1m6hmwrtaAkj0MCGJK3bLOvuJV-xnD3hFBad-brqDe3CzP3zev431_rs-uX6mHCqxcc3TfodFXbPmbuzypLVWibs6u7nc78-EK7dHnaR0GDI7cl-KB6bWgdWiSsoozyuS-5LIXt98mo-eFEzQjEMHmqJ0MweMECxP8TlPRz1B1mfOOoaD2Hgjm/w640-h326/Richard-Salsbury.jpg" width="640" /></a></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><p></p><p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12.0pt; line-height: 107%;"> Hello, Richard, and welcome to my
blog. I’m thrilled to get another chance to interview you. <i>Mute</i> is a
great debut – intelligent and genuinely thrilling. Why don’t you kick things
off by telling us a little about the inspiration for your novel. Where did it
come from? How did it begin?<o:p></o:p></span></p><span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;"></span><p></p><div class="separator" style="clear: both;">
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">I’ve always been fascinated by the
idea of cults, about what leads people to become entangled with them and the
influence that cult leaders hold over their followers. Rather than featuring a
religious cult, I went for one based on rationalism and science, which appealed
to me in an ironic sense. Also, wouldn’t a cult based on science have a
particularly convincing argument? I mean, you can’t argue with the facts, can
you?<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><i><span style="font-size: 12.0pt; line-height: 107%;"><b>Mute</b></span></i><span style="font-size: 12.0pt; line-height: 107%;"> has quite a complex storyline. You
have several point of view characters and a number of different threads. How
did you juggle the various elements and keep track of each character’s
development?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><i><span style="font-size: 12.0pt; line-height: 107%;"><b>Mute</b></span></i><span style="font-size: 12.0pt; line-height: 107%;"> was very tightly plotted right from
the start – a lot happens in a relatively short space of time. To keep track of
it all, I used a spreadsheet (rock and roll, eh?) with the rows as units of
time and the columns as the various characters. It was colour-coded and showed
me exactly what each of the main characters was doing at any given time.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12.0pt; line-height: 107%;"> The point of view changes with each
chapter, alternating between Wes, his wife Alex, and two or three other
characters including Kieran – Wes’ would-be killer. Why did you choose to have
multiple viewpoint characters? I mean, all the advice cautions us against this
sort of structure, right?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">I don’t believe in advice that’s
universally applicable, there’s only advice that works for this specific story.
I usually default to a single point of view, but for <i><b>Mute</b></i>, the reader
really needs to see things from a number of perspectives in order to see what
has happened and why.<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">Was one of these viewpoints more
difficult to write?<o:p></o:p></span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSw31EItjz_hvGQJqZSmz4StPLkWX6VzbCluJfIHED4KWSuAEJijsB00bW0K1474fKkm8cbQZfVfxFzQG_JQ5as_V_aQLteMk8XajSVkEOutT-GBmD3K255vU5lPQPn2hgh2_jbfJ8WWtP8slPFwqXOZ57KurCK7F1jRHSJvMY2ncufBrXSVpGoNw2/s1500/123-Mute.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: right;"><img border="0" data-original-height="1500" data-original-width="976" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSw31EItjz_hvGQJqZSmz4StPLkWX6VzbCluJfIHED4KWSuAEJijsB00bW0K1474fKkm8cbQZfVfxFzQG_JQ5as_V_aQLteMk8XajSVkEOutT-GBmD3K255vU5lPQPn2hgh2_jbfJ8WWtP8slPFwqXOZ57KurCK7F1jRHSJvMY2ncufBrXSVpGoNw2/w260-h400/123-Mute.jpg" width="260" /></a></div><div style="text-align: justify;"><b style="font-weight: bold;">Richard:</b><b> </b>Alex and Clive were, simply because
they are the furthest from my own experience. But that in itself is a good
reason to write about them. As a writer, I feel I should be setting myself
challenges and trying to see things from another point of view, otherwise it’s
too easy to fall into a grey, comfortable space in which I’m just agreeing with
myself.</div><p></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">Which character was the most fun to
write?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">The would-be murderer, Keiran, was
alarmingly easy to write! Since he has a pretty rigid philosophy, it was not
hard to follow the logic of this thinking and how everything in his life has to
conform to it. But he’s not as fully invested in this philosophy as he thinks
he is, which made him all the more interesting.<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">I loved your portrayal of Keiran. He
and his brother felt frighteningly real in an Andrew Tate sort of way. Scary
stuff.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: 12.0pt; line-height: 107%;">Your main
character, Wes Henning, is intriguing, too. For some unknown reason, he’s
unable to speak. He’s been mute since birth, in fact. What was your thought
process when creating him? <o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">To an extent, the book is about the
way that communication is changing in a digital world, and how reliable it is,
so it fitted that theme to have a character who can’t depend on speech and has
to find different ways to express himself. I spent a couple of days trying to
live like he did – without speaking at all to my wife and finding other ways to
communicate – to see what it was like.<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">In the story, it appears there’s no
physical reason for Wes’ inability to speak. As someone who’s fascinated by why
people – why characters – are the way they are, this fact is incredibly
interesting. If there’s no physical reason for his inability to speak, it must
be psychological, right? Do you know why Wes can’t speak?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">It came from an old science fiction
novel – <i><b>More Than Human</b></i>, by <b><a href="https://en.wikipedia.org/wiki/Theodore_Sturgeon" target="_blank">Theodore Sturgeon</a></b> – in which one of the
characters can’t understand his fellow men because ‘the little link between
word and significance hung broken’. We take for granted the mysterious process
by which thoughts become words, and I wondered what it would be like for
someone born without that ‘little link’.<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">And what about Keiran and his brother
Grant? I believe you wrote these characters before the Tate brothers emerged
onto the world stage. Where did those characters come from?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">Yes, they were written long before I
knew about the Tates. Psychologists tell us that we are more different from
each other than we realise or acknowledge, and that has some pretty dark
implications. Keiran and Grant are an expression of that.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">You describe <b><i>Mute</i></b> as a ‘literary
thriller’. What does ‘literary’ mean to you, and how would you distinguish your
novel from a genre thriller?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard:</span></b><span style="font-size: 12.0pt; line-height: 107%;"> The ‘L’ word has become a real
problem – to one person it can mean pretentiousness, while another takes it as
a sign of good writing. A pure thriller might be written with an emphasis on
plotting, twists and a breakneck pace, but I’ve always been interested in books
that, while having a great plot, also take their foot off the accelerator to
spend some time exploring ideas and characters too.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">What strikes me about literary
fiction – and why I agree that <i><b>Mute</b></i> falls under that banner – is that
there’s an underlying question that is deeply important, somehow. Literary
fiction is often described as exploring the human condition, which <i><b>Mute</b> </i>certainly
does. It’s more than entertainment. It has something to say.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: 12.0pt; line-height: 107%;">One of the
underlying questions in <i><b>Mute</b></i>, is about the nature of ‘truth’. In this
day, when facts are so easily manipulated and one person’s ‘truth’ is another’s
fake news – when truth, itself, seems to have become subjective – how cynical
are you, and can we ever genuinely know what’s going on in the world?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">Subversive influence is a major theme
of the book – who is pulling whose strings and for what purpose? Yes, I’m
pretty cynical about the nature of truth, and I think we’re on a very dangerous
precipice. Our power to persuade has far outstripped our power to discern the
truth, which is why an alarming percentage of the population now believe the
earth is flat.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><i><span style="font-size: 12.0pt; line-height: 107%;"><b>Mute</b> </span></i><span style="font-size: 12.0pt; line-height: 107%;">asks some important philosophical
questions about our relationship with technology – how it empowers us, but also
how it makes us vulnerable. Where do you see us going in the future? Are you
optimistic?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">I’m not optimistic. Technology in and
of itself is not the problem - it’s the ends to which it is put by the people
who control it. Technology is used mostly to sell us things and tell us how to
vote. There are, of course, more altruistic cases (<a href="https://en.wikipedia.org/wiki/Main_Page" target="_blank"><b>Wikipedia</b></a>, <a href="https://www.gutenberg.org/" target="_blank"><b>The Gutenberg Project</b></a>) but it seems to me a pretty unbalanced equation.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">What’s your own relationship with
‘big tech’?<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">I used to work in IT. Perhaps it’s my
own bias, but it seems to me that the people who work in computing are the ones
who are most suspicious of it, because they see how it works (or doesn’t!) and
the uses to which it is being put.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">Artificial intelligence is all over
the news right now. What are your thoughts on AI – particularly in relation to
writing and publishing?<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard:</span></b><span style="font-size: 12.0pt; line-height: 107%;"> I think there are serious problems
emerging already and, as always, the legal and moral aspects are lagging far
behind the technology. There are, undoubtedly, areas in which AI is going to
benefit us. No-one is going to argue against earlier and more accurate
diagnosis of disease, for example. But I don’t want my art to be cobbled
together by a machine that has no empathy with the human condition, and I guess
my fear is that the majority of consumers would be quite happy with that, as
long as it’s cheap.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">Your wife – <b><a href="https://www.helensalsbury.com/" target="_blank">Helen Salsbury</a></b> – is also
a writer. What’s it like being in household with two novelists? Are you
competitive at all? Do you drive each other crazy with your differing writing
routines?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard:</span></b><span style="font-size: 12.0pt; line-height: 107%;"> We’re not competitive at all – in
fact, the thought has never even occurred to me! We do encourage each other a
lot, but we’re also very uncompromising about our feedback to each other –
there’s no sugar-coating, even if that can be a hard thing to hear on occasion.
We’re both committed to writing as well as we can, and to have Helen’s support
in that is invaluable.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12.0pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12.0pt; line-height: 107%;">So, what’s next? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12.0pt; line-height: 107%;">Richard: </span></b><span style="font-size: 12.0pt; line-height: 107%;">This is the first of the Strathurst
novels. There are two more to come, each being set in the same fictional town.
I also have nearly enough for a short story collection, and another novel – set
in Portsmouth in three different time periods – is tentatively underway.<b><o:p></o:p></b></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuQOFWr53h6dHA-O3ny2b0ELNTkwANjyXWP3SUTqcYCFnZrY_hH4-ufs4BwJzTrOoYmSka6CxOEUu8T4bHXqbkd6aS_UChdtha9IHFh4tQPkRn3S_xNDzVWlk_fGelOuY5YrNMKpWwBDtMGiBVUHOxPl3Zwiet4MHu0ZLlrofCgACIIzMYcNBfNnSO/s995/pen1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="114" data-original-width="995" height="46" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuQOFWr53h6dHA-O3ny2b0ELNTkwANjyXWP3SUTqcYCFnZrY_hH4-ufs4BwJzTrOoYmSka6CxOEUu8T4bHXqbkd6aS_UChdtha9IHFh4tQPkRn3S_xNDzVWlk_fGelOuY5YrNMKpWwBDtMGiBVUHOxPl3Zwiet4MHu0ZLlrofCgACIIzMYcNBfNnSO/w400-h46/pen1.jpg" width="400" /></a></div><p class="MsoNormal" style="text-align: center;"><b>Find out more about Richard</b></p><p class="MsoNormal" style="text-align: left;"><i style="font-weight: bold;">Mute </i>is available from Pigeon Books in Southsea, from online retailers, and from PAC events. </p><b><a href="http://RichardSalsbury.com">RichardSalsbury.com</a></b><p></p><p class="MsoNormal"><b><a href="http://www.facebook.com/profile.php?id=100089277817411" target="_blank">Facebook</a></b><span style="font-size: 12.0pt; line-height: 107%;"><br /></span></p><p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 107%;"><a href="@rjsalsbury" target="_blank"><b>Twitter</b></a></span></p><p class="MsoNormal"><a href="http://www.instagram.com/rjsalsbury/" target="_blank"><b>Instagram</b></a></p><p class="MsoNormal"><br /></p></div><p align="center" class="MsoNormal" style="text-align: center;"><span style="line-height: 107%;"><b><span style="font-size: x-large;">*</span></b></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="line-height: 107%;"><span face="Roboto, sans-serif" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. </span><span face="Roboto, sans-serif" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px;">She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" style="background: transparent; color: #2196f3; outline: 0px; text-decoration-line: none;" target="_blank">Portsmouth Authors Collective</a></b>.</span><b><span style="font-size: x-large;"><br /></span><span style="font-size: medium;"><br /></span></b></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-21302824423834023402023-07-18T10:50:00.003+01:002023-08-02T07:44:51.548+01:00Review: Trickle-Down Timeline by Cris Mazza<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGWD2Jt9MWqBlqZsxu9HFB-W9AXhqy9WEEPTLPJc3wr_ZBVxd34gUMGfQH-1G6NoBdjsohcW_NQo7eWFpXgYQ7SvgdcPluySNlKnpfBb5CIxEachZ-IaoRGBU3SEsOmufGw8YOI5DoDvySvEt7B1GXdkrkjwyBxr-OPK7w8dx8YFkvaeKAFM5eAYky/s1024/1-IMG_3765.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGWD2Jt9MWqBlqZsxu9HFB-W9AXhqy9WEEPTLPJc3wr_ZBVxd34gUMGfQH-1G6NoBdjsohcW_NQo7eWFpXgYQ7SvgdcPluySNlKnpfBb5CIxEachZ-IaoRGBU3SEsOmufGw8YOI5DoDvySvEt7B1GXdkrkjwyBxr-OPK7w8dx8YFkvaeKAFM5eAYky/w640-h480/1-IMG_3765.JPG" width="640" /></a></div><span style="font-family: arial;"><span style="background-color: white; color: #333333;"><p><span style="background-color: white; color: #333333;"><br /></span></p>In the 1980s, the <a href="https://en.wikipedia.org/wiki/Ronald_Reagan" target="_blank">Reagan</a>
administration claimed that tax breaks for corporations and the nation’s
highest earners would spur economic growth and allow wealth to ‘<a href="https://en.wikipedia.org/wiki/Trickle-down_economics" target="_blank">trickle-down</a>’
to those on the lower end of the economic scale. It was a lie, of course. Money
doesn’t trickle down. It pools at the feet of the already wealthy. Reaganomics
only led to the rich getting richer and the poor getting poorer at a faster
rate than before. For anyone who graduated from high school, went to
university, got married, and generally came of age in the United States in the
1980s, Cris Mazza’s short story collection </span><i style="color: #333333;"><a href="https://www.amazon.co.uk/Trickle-Down-Timeline-Cris-Mazza/dp/1597091332/ref=sr_1_1?crid=1Y234A3RKTL47&keywords=Trickle+down+timeline&qid=1689671924&sprefix=trickle+down+%2Caps%2C1516&sr=8-1" target="_blank">Trickle-Down Timeline</a></i><span style="background-color: white; color: #333333;"> brings
that decade into sharp focus again. </span></span><p></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;"><span style="color: #333333; font-family: arial; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">
<span style="background: white;">‘For ten or twenty years after leaving home,’
the narrator of ‘What If’<i> </i>tells us, ‘there’s little nostalgia
about where you came from.’ As young adults, loose upon the wider world, the
hometowns we moved away from – some of us as soon as we possibly could – held
little attraction. The same can be said of the ’80s. We were anxious to break
free of that decade, with no intention of looking back. When we finally do,
however, we tend to remember what we want to remember: how we were young and beautiful,
and life was full of adventure. Cris Mazza, though, reminds us what it was
really like.</span></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;"><span style="color: #333333; font-family: arial; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">
<span style="background: white;">The title piece opens the collection with a
review of the 1980s and, with a satirical edge, highlights some of the decade’s
most memorable political moments, including the administration’s attempt to
reclassify ketchup so that it qualified as a vegetable in school lunches (1981).
And the time Reagan warmed up for a speech to the nation with a little joke – forgetting
that his mic was already switched on: ‘My fellow Americans, I’ve signed
legislation that will outlaw Russia forever. We begin bombing in five minutes’
(1984). Ah yes…mired in the trenches of the Cold War, that was a truly
hilarious little joke.</span><br />
<br />
<span style="background: white;">In 1986, a spokesman stated that the president
knew nothing about the sale of arms to Iran or the funding of anti-Communist
rebels in Nicaragua on one day, and on the next claimed ‘The President knows
what’s going on.’ A month later, the spokesman suggested that Reagan might have
approved the arms deal ‘while he was under sedation.’ Reagan later admitted he
had authorised the sale of arms to Iran, but within a month he changed his mind
– apparently remembering that he had not. Four decades later, we look back at
that decade with a warm, nostalgic feeling: remember those shoulder pads and
all that big hair? And who doesn’t love <i>E.T. </i>and Michael J. Fox in <i>Back
to the Future?</i> We forget the dark times and the anxiety we felt about
nuclear Armageddon and ‘spontaneous human combustion’ (look it up, if you’ve
never heard of it).</span></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;"><span style="font-family: arial;"><span style="background: white; color: #333333; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">During the 1980s, the national
minimum wage was resolutely stuck at $3.35 an hour, while the cost of living
rose by forty-eight per cent. And we think we have it tough now… In a Christmas
speech in 1983, presidential advisor Ed Meese glossed over the nation’s
financial hardship, claiming Scrooge had received ‘bad press’ and blamed the
poor, the unemployed and the homeless for being so ‘by choice.’ Some people, it
seemed, were choosing not to avail themselves of the wealth that was trickling
down from the top… </span><span style="color: #333333; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><br />
<br />
<span style="background: white;">With <i>Trickle-Down Timeline</i> divided into
years, individual stories in the collection explore pivotal moments in the
lives of their emotionally fragile and isolated characters. In ‘What
Satisfies People’ (1980), Lee is tormented by memories of an old
relationship and so is unable to build a new life with his wife. In ‘Disguised
as Suicide’ (1981), Jan stops entering beauty pageants to pursue what she
sees as a more meaningful career as a hospital administrator only to find her
offers of help continually rejected. In ‘The Three Screwdrivers’<i> </i>(1982),
a woman has a history of falling for the wrong guy, but when her up-until-now
platonic friend declares his love she tells him, ‘No one ever said stuff like
that to me,’ before adding, ‘I wish you were someone else. Why couldn’t you be
anyone else.’ Each story carries a moment of heartbreak within it.</span><br />
<br />
<span style="background: white;">Love, it seems, was complicated in the 1980s.
The appearance of a mysterious immune-deficiency disease in 1981 put a damper
on sexual liberation, and whether from a lack of opportunity or
experimentation, sexual relationships in <i>Trickle-Down</i> are
decidedly strained. ‘Each Other’s History’ (1984) details a woman’s
life-long passion for her hometown baseball team and her short-lived and
sexless marriage. Damaged by the iniquities of Little League baseball and a
dearth of high school romance, she has never quite grown up or learned how to
go about living. </span><br />
<br />
<span style="background: white;">Sexlessness, in terms of both doing without and
being uninterested, is a common impediment in these stories. So too are
extra-marital affairs. But there is little joy to be found there, either. The
characters are stifled and stymied, repressed, suppressed, hung-up and damaged,
lacking the imagination and courage for adult relationships. </span><br />
<br />
<span style="background: white;">Two stories, in particular, stand out in this
strong collection: ‘What If’<i> </i>(1985) and ‘Cookie’ (1989).
Narrated in the second-person, ‘What If’ highlights the devastating
ecological effects that can occur when too many people move into a landscape that
can’t sustain them: </span><br />
<!--[if !supportLineBreakNewLine]--><br />
<!--[endif]--></span><span style="mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><o:p></o:p></span></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; margin-left: 1.0cm; margin-right: 1.0cm; margin-top: 0cm; margin: 0cm 1cm;"><b><i><span style="color: #333333; font-family: arial; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">The
number of residents had easily quintupled since the grid of streets and sewer
lines and water pipes and single-family homes had first been sketched on blue
tissue paper. Firemen jumped from trucks and attached hoses to hydrants only to
be met with a thin trickle oozing from the nozzle they aimed at the next fully
engulfed house.</span></i></b></p><p>
</p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; color: #333333; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">When your house is among those
that burn, the devastation becomes personal, and for an artist who loses
everything she has ever created – every poem, every sculpture – the loss is nearly
complete. </span><span style="color: #333333; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><br />
<br />
<span style="background: white;">The final story of the decade, ‘Cookie’ exposes
the endemic emotional isolation of the American suburbs. When an East European
family moves into the house next door, Nan wonders about the little girl whose
only word seems to be ‘hi’ but makes no attempt to welcome them to the
neighbourhood. Later, the girl learns to say ‘cookie’, a word she repeats at
volume on a random but frequent basis. Lacking communication skills of her own,
Nan is at the centre of misunderstandings and conflicts, and it’s only through
the courage of the child’s mother that true neighbourliness begins to
emerge. </span><br />
<br />
<i><span style="background: white;">Trickle-Down Timeline</span></i><span style="background: white;"> is a strong collection of short fiction that is
anything but nostalgic. But in guiding us through those anxious years with
humour and insight, Cris Mazza helps us to understand something that is oddly
comforting: if we survived the 1980s, we can probably survive anything.</span></span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><span style="color: #333333; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="background: white; font-family: arial;">*</span></span></p><p><span style="font-family: arial;">An earlier version of this review was first published on The Short Review, and is reprinted here with permission from the editor. Loree Westron is the author of <a href="https://loreewestron.blogspot.com/p/buy-book.html" target="_blank"><i><b>Missing Words</b></i></a>, available from online and physical retailers.</span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-8850153130162657062023-05-27T06:00:00.004+01:002023-05-27T23:19:27.562+01:00PAC Interview: Tina MacNaughton<p> </p><p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">The Portsmouth Authors Collective </a></b>seeks to put the spotlight
on local talent who live in or take inspiration from the city and its surrounding
areas. Today’s interview is with the poet and debut novelist Tina Cathleen MacNaughton.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: #00b0f0; font-size: 12pt; line-height: 107%;"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Author Bio: <o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina Cathleen MacNaughton has written and published four
books: a collection of poetry entitled <i>On the Shoulders of Lions</i> (The
Choir Press, 2021); two children’s books, <i>When the Elves Rescued Christmas</i>
and <i>Santa’s Still Asleep</i> (WriteRhymes, 2020 and 2021), and a novel with
a 1980s music background <i>Delphy Rose – the Girl Who Wrote Songs</i>
(Troubador).<o:p></o:p></span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">~<o:p></o:p></span></b></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl2cRzg547x4FHsYczr3vvB4grLlCYttwusWA7WCzAXX3Z97k3OqQYIpd9dG1ztyLewd4UfuNmtnKw8wzbg2_Ff1Kfvpv1kBQM5OhPyJaxbVJ8CAFoLx8PmjyVd1WfzJXNDnBvE23cnWzSquR655jAjh9r1IelA7Rvj4VslZzl9UUOSnRDE2UbzA/s1107/Tina%20MacNaughton.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="710" data-original-width="1107" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl2cRzg547x4FHsYczr3vvB4grLlCYttwusWA7WCzAXX3Z97k3OqQYIpd9dG1ztyLewd4UfuNmtnKw8wzbg2_Ff1Kfvpv1kBQM5OhPyJaxbVJ8CAFoLx8PmjyVd1WfzJXNDnBvE23cnWzSquR655jAjh9r1IelA7Rvj4VslZzl9UUOSnRDE2UbzA/w640-h410/Tina%20MacNaughton.jpeg" width="640" /></a></div><br /><p class="MsoNormal" style="text-align: left;"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Welcome to my blog, Tina. And thanks for agreeing to be interviewed. Every time I scroll through
Facebook, lately, I see that another of your poems has been accepted for
publication. What is your biggest achievement to date?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Finishing and publishing my
novel <i><b>Delphy Rose</b></i>. It was my dream to publish a novel before I was
fifty. I am eight years late, but what the hell, I did it!<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> </span><span style="font-size: 12pt;">Has writing always been a
part of your life? When did you start? And what was the first piece of your
writing that was published?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I have written on and off
throughout my life. First piece was a letter to <i><b>The Portsmouth Evening News</b></i>
‘Chipper Club Page’, telling everyone about my eighth birthday. I won a badge
and I can still remember the thrill of seeing my letter in print. Inspired, I
sent off a poem about trees which was published in <i><b>The News</b></i> a couple
months later. I didn’t submit anywhere after that for about twenty years,
though.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Other people I’ve spoken to
about publishing short stories have described it as a numbers game. If you
submit one story, chances are it won’t be accepted. But if you submit 100
stories, chances are good that some of them will be. Is that what you’ve found
with getting your poetry published?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR0MB2nRtjszaIKqP39Icfj0rDR85dMeLEHIryEy2hGXlJklBCvHNxizdrunTEH2D1BnMvUUxdzelyUGpBM5SHEimt9khrBp8C7NSwqHkkx-gYVvoLAOxNYZIEHr_KlUmmqIRSpywl-C4xAPVSz5NqnNoaXhXxeSNdwo7pbaoezC_wFUYLEnBYow/s499/51ourudhoaL._SX351_BO1,204,203,200_.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="353" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR0MB2nRtjszaIKqP39Icfj0rDR85dMeLEHIryEy2hGXlJklBCvHNxizdrunTEH2D1BnMvUUxdzelyUGpBM5SHEimt9khrBp8C7NSwqHkkx-gYVvoLAOxNYZIEHr_KlUmmqIRSpywl-C4xAPVSz5NqnNoaXhXxeSNdwo7pbaoezC_wFUYLEnBYow/s320/51ourudhoaL._SX351_BO1,204,203,200_.jpg" width="226" /></a></span></b></div><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><br />Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Not at all. I don’t think it
works like that. I do not submit frequently or widely or for the sake of it. I
don’t have a lot of spare time for submissions, so I choose very carefully and
make good use of my time. If I know I already have a suitable piece, or am
particularly inspired, I will probably give it a go. I would advocate ‘quality
over quantity’. There is also an element of luck and timing. I don’t waste time
on a theme or competition that I am not particularly interested in and tend to
stick to what I am good at.<b><o:p></o:p></b></span><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> I’ve been reading a lot of
George Saunders’ posts exploring the writing process. It’s a mysterious topic,
and perhaps not one that a writer wants to think about too deeply, but perhaps
you can share something about the technicalities of your process for writing
poetry. Do you, for instance ‘write big’ in the first draft, then edit down (or
even edit up) and refine over a series of drafts?<span style="mso-spacerun: yes;"> </span>Do you have a set schedule and write every
day, or do you wait for inspiration?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I don’t have a set schedule,
but I write as and when I feel like it. I guess I wait until I am inspired or
just feel the need to write something. I go for periods when I’m not writing,
for example, when I’m particularly busy with my family or my acupuncture
clinic. But then I really miss it and need to sit down and write something. I
do write ‘big’ yes, in the first draft. I’m not a big planner in my writing and
was never academically, either. I tend to just go for it, and only start
structuring and planning when I’m in the middle, and have quite a bit down on
paper or on screen. I think I would find a blank page too scary, so I just dive
in before I lose my nerve!<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Your website says you take commissions,
writing poems for anniversaries and other special events. That seems quite a
task! How does that process differ from that for the poems you feel inspired to
write?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">It’s not that hard really. I’ll
be given quite a few details to tell the ‘story’, so I just piece it all
together in a rhythmic, rhyming scheme. They make a very special, personal gift
and people love them. It’s nice to think that my poems are part of significant
occasions, such as weddings and funerals. My own poems come from my imagination,
or some kind of inspiration, so the process is far less structured and more
sporadic. I enjoy both kinds of writing. I also have a contract to write poetry
with <i>The People’s Friend</i> and these poems are very different from my
other work. I get paid for the commissioned pieces which is rather nice!<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> And now you’ve just published
your debut novel <i><b>Delphy Rose – The Girl Who Wrote Songs</b>.</i> Congratulations!
That’s a big achievement. What’s it about? <o:p></o:p></span></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiExrvE0gu19EfVyifPyEF3Zq-HBdCAxhH4tekTszZPFCjAgYhBSGTQmIZGqWLiHrzKPjLE_hrkiowurkz917DkdXdqLPaCwTr4tDnr1ITT6hRARdh5FpH0sXRaVNHcGTX1EzVmdN21Z3wwL5knYELHK9A_v475zB59SYnokUd423oUWWmb9ccWtg/s500/Delphy%20Rose.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="500" data-original-width="325" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiExrvE0gu19EfVyifPyEF3Zq-HBdCAxhH4tekTszZPFCjAgYhBSGTQmIZGqWLiHrzKPjLE_hrkiowurkz917DkdXdqLPaCwTr4tDnr1ITT6hRARdh5FpH0sXRaVNHcGTX1EzVmdN21Z3wwL5knYELHK9A_v475zB59SYnokUd423oUWWmb9ccWtg/w260-h400/Delphy%20Rose.jpg" width="260" /></a></div><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b>Delphy Rose</b> </span></i>is
the story of a young, working-class girl growing up in the fictional seaside
town of Cowlington, in Thatcher’s Britain. The novel has a dual narrative,
swinging between her younger, student years gigging with a local alternative
band, The Thistles, and her later years when she reconnects with Ben, the former
bass player of the band. Many chapters begin with a song or poem, reflecting
Delphy’s singer/songwriting background. I wrote the lyrics myself, and they
chart her emotional journey as she seeks to escape an increasingly toxic
relationship. I do like a happy ending, so there is a reconciliation of kinds,
but not in a traditional ‘romcom’ sense.<p></p><o:p></o:p><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Have you always written
fiction as well as poetry, or was the novel an entirely new literary
endeavour? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina:<span style="mso-spacerun: yes;"> </span></span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I write
short stories and flash fiction, too, but I’ve always wanted to write a novel. I’ve
written two previous novels and a collection of stories, but they’ve been
shelved. I wasn’t happy with them. I adore reading novels and devour them, but
I prefer writing poetry. I think of myself as a poet, rather than a novelist,
and this will be my one and only novel.<b> </b><o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Would you say that the process of fiction
writing differs markedly from writing poetry? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina:<span style="mso-spacerun: yes;"> </span></span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I like
the short-term project process of writing poetry – well, my poetry anyway! I
know some people spend months and months perfecting a poem, but I write them quickly.
I do edit and ‘play’ with them, but I like the fact that if they come to
nothing, then I have not wasted too much time on them! Coming to the middle of a
novel and realising it is going nowhere is very disheartening!<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> When you wrote <i><b>Delphy Rose</b></i>,
did you have a clear sense of the plot when you started out, or did you let the
story take you where it wanted to go?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I knew I wanted to write a
novel with a 1980s music background and I knew the central character would be a
girl called Delphy. Delphy is the name of my paternal grandmother’s sister and
I always liked it. Similarly, if I’d had a daughter, her middle name would have
been Rose. I wanted to use a dual time frame and I like novelists, such as <b>Elizabeth
Strout</b>, whose chapters often stand as short stories on their own, but which
have linking threads and a central connecting character. Once I got down to it,
yes! Delphy did have a bit of a mind of her own. I hadn’t intended to write in
the first-person, but she would not let me switch to third-person, even though
I tried! I wasn’t sure about writing in the first-person, as I didn’t want the
reader to think it is a true, or my story. It’s not – but I quite like the
personal, memoir style that the first-person gives.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I started out writing short
stories—which need to have a very narrow focus. That made the transition into
longer forms of story writing a big challenge for me</span><span style="font-size: 16px;">: juggling numerous characters and events, and that huge narrative arc.</span><span style="font-size: 16px;"> </span><span style="font-size: 12pt;">Were there any particular
challenges you faced when writing </span><b style="font-size: 12pt;"><i>Delphy Rose</i>?</b></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I found <i><b>Delphy Rose</b></i>
fairly easy to write and I wrote it very quickly in just a few months. The
challenge was editing, editing, editing and remembering who played what, and
who went out with who, and who had fallen out with who. I very much enjoyed
writing the colourful characters in the Greek chorus such as Big Trev and
horrendous Dirty Joe. Great fun!<b> <o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Who are the writers who
inspire you and what have you learned from them?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I’ve already mentioned<b> Elizabeth
Strout</b>. I also like the Canadian writer <b>Carol Shields</b>. My favourite
novel is <b><i>A Colour Purple</i></b> by <b>Alice Walker</b>. A novel I read,
and loved, recently is <b><i>My Coney Island Baby</i></b>, an unusual novel by
Irish writer <b>Billy O’Callaghan</b>. Read it and weep. I also really like <b>Colm
Toibin</b>, another Irish writer. I love his economic use of diction and
sparse, really well-structed sentences. Nothing is wasted, and I often re-read
his sentences several times, because they are so perfectly crafted. I don’t
generally like overly ‘wordy’ novelists who use too many adjectives for my liking.
I suppose my style is based on what I enjoy as a reader.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Are you working on anything
at the moment that you can tell us about?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I’m currently promoting <i><b>Delphy
Rose</b></i> and doing the odd submission. I need a rest really, so will be doing lots
of reading. I find this is a good way to improve my future writing and gain
some stimulation.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">What advice would you give to
people just starting out?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Tina: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">A good musician friend once
told me to forget about making money, or being famous, and to just create for
the sake of creating. I think that is pretty good advice. Stop trying to be as
good as your favourite writers. Be yourself, and write for your own enjoyment
and satisfaction. That’s my addition to her advice.<b> <o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Thank you, Tina. I think that’s
great advice. And thanks for taking time out of your busy schedule for a chat. <o:p></o:p></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirQL7YVsI0E1TByJZIZ__vi_izCVBeBOkSUVCw6NPrzk0XouEOW83Lg7G5PvtFp2Fjk8MoQ_zmSbkpl_gArLDdAXf5BducXRuda8FxsfSPIOtq7D_ee_7EqYmvUvhCHtCLT8F3kzglE2POWa-o2qfQipvyiYXl6NnbPAmkXjwFbCd2XBzipU6wqA/s2681/IMG_20230123_181739.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="2681" height="66" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirQL7YVsI0E1TByJZIZ__vi_izCVBeBOkSUVCw6NPrzk0XouEOW83Lg7G5PvtFp2Fjk8MoQ_zmSbkpl_gArLDdAXf5BducXRuda8FxsfSPIOtq7D_ee_7EqYmvUvhCHtCLT8F3kzglE2POWa-o2qfQipvyiYXl6NnbPAmkXjwFbCd2XBzipU6wqA/w400-h66/IMG_20230123_181739.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><b>Find out More About Tina</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: left;"><p class="MsoNormal" style="background: white; line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span face="Arial, sans-serif" style="font-size: 12pt;">Tina’s books can be purchased at PAC events, from
<b><a href="https://pigeonbooks.co.uk/" target="_blank">Pigeon Books</a></b> (Southsea), <a href="https://leebookshop.co.uk/" target="_blank"><span style="color: blue;">T<b>he Book Shop</b></span></a> (Lee-on-the-Solent),
Amazon, or <a href="https://www.writerhymespoetry.com/" target="_blank"><span style="color: blue;"><b>directly from author</b></span></a>. Delphy Rose can also be purchased from <b><a href="https://www.troubador.co.uk/bookshop/contemporary/delphy-rose/" target="_blank">Troubador</a></b>.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span face="Arial, sans-serif"><b><a href="https://www.writerhymespoetry.com/" target="_blank">WriteRhymes</a></b></span></p><p class="MsoNormal" style="background: white; line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span face="Arial, sans-serif"><b><a href="https://portsmouthauthors.wordpress.com/tina-macnaughton/" target="_blank">Portsmouth Authors Collective</a></b></span></p></div><br /><div style="text-align: center;"><span face="Arial, sans-serif"><b><span style="font-size: large;">*</span></b></span></div><div style="text-align: center;"><span face="Roboto, sans-serif" style="background-color: white; color: #757575;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. </span><span face="Roboto, sans-serif" style="background-color: white; color: #757575;">She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" style="background: transparent; color: #2196f3; outline: 0px; text-decoration-line: none;" target="_blank">Portsmouth Authors Collective</a></b>.</span></div><p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-82733087173001717302023-04-22T06:00:00.004+01:002023-05-24T08:56:40.573+01:00PAC Interview: Paul Newell<p> <span style="text-align: justify;">So far in this series of interviews with writers from the </span><b style="text-align: justify;"><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a></b><span style="text-align: justify;">, I've focussed on novelists. But we also have many non-fiction writers in the Collective, and in this interview I speak with Paul Newell who has published numerous books on Portsmouth History, as well as books on a number of other historical subjects.</span></p><p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Author
Bio: </span></b>Paul was born in Portsmouth and returned
after studying in London. He now works as an HR Manager. A keen genealogist,
Paul has a passion for local history and in recent years has been researching
the history of Portsmouth during Victorian and Edwardian times. Paul’s first
publication, <b><i><a href="https://www.amazon.co.uk/gp/product/1905597819/ref=dbs_a_def_rwt_bibl_vppi_i8" target="_blank">Shocking Tales from Victorian Portsmouth</a></i></b>, was a huge
success, and several books around these topics have followed.</p>
<p class="MsoNormal" style="text-align: center;"><span face="Arial, sans-serif" style="font-size: x-large;"><b>~</b></span></p><p class="MsoNormal" style="text-align: center;"><span face="Arial, sans-serif" style="font-size: x-large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span face="Arial, sans-serif" style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEildbGBQZsKkeZ7QdTZePU10LtPAP-9_AVvzPdu1gzMsuMLvjda4PgRerALPJyU3PiE3bcBu_MZFfX3eRhbZK6aASpsN6uwKid2TpJB8TtYjykra8eUlcuiW805YcM157p-Xv4P5n7DdbU8zgw5UnyJcwiz7ke_GoBuIKyRrymf6GpWzB0zfBMfZg/s5120/PAC%20Books-002.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2560" data-original-width="5120" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEildbGBQZsKkeZ7QdTZePU10LtPAP-9_AVvzPdu1gzMsuMLvjda4PgRerALPJyU3PiE3bcBu_MZFfX3eRhbZK6aASpsN6uwKid2TpJB8TtYjykra8eUlcuiW805YcM157p-Xv4P5n7DdbU8zgw5UnyJcwiz7ke_GoBuIKyRrymf6GpWzB0zfBMfZg/w640-h320/PAC%20Books-002.jpg" width="640" /></a></span></div><p></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Welcome to my blog, Paul.
It’s great to have you hear. Let’s jump right in. You write historical
non-fiction. How did it all start? <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I was researching some
family info after I found out a great grandfather had been killed on the
railway line at Botley. I found the newspaper article online and the way it was
reported made me think about what other stories could be available. I began
researching and it snowballed very quickly from there. I also contacted fellow
author John Sadden, the archivist at Portsmouth Grammar, my old school, who put
me touch with my publisher.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> How many books have you
written now? Is it ten?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:
</span></b><span face=""Arial",sans-serif" lang="EN-US">To date I
have thirteen books published with another due out soon. But I have completed
another eight which need proofreading and I am compiling another eight at the
same time.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Boy! You are definitely a
man with a mission. And what a fantastic mission it is. My novel-in progress
has drawn a lot from old newspapers and archives. Tell me a bit about the
process you go through. Where do you start, and how do you go about compiling
it all?</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face="Arial, sans-serif" lang="EN-US"></span></p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-VpWx5FfQcv48795YYbmwZJOYT8XIaGAFkXuqyeuWogSZfPBBv2zCJDrGOEOvfUtv_NFmyDWDuVeMzITwdI-z_9z4IcVFRK5yOrejOH62sy5KDqBo3OCWI0ziaeXIm9fR7_tyuV_m7s_LoVQnsXsLx5NjrF7Tf9yEyCnJtFoDwhMg1qBh0hQAMQ/s817/Paul%20Newell.jpg" style="clear: left; display: inline; float: left; font-weight: bold; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="817" data-original-width="793" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-VpWx5FfQcv48795YYbmwZJOYT8XIaGAFkXuqyeuWogSZfPBBv2zCJDrGOEOvfUtv_NFmyDWDuVeMzITwdI-z_9z4IcVFRK5yOrejOH62sy5KDqBo3OCWI0ziaeXIm9fR7_tyuV_m7s_LoVQnsXsLx5NjrF7Tf9yEyCnJtFoDwhMg1qBh0hQAMQ/s320/Paul%20Newell.jpg" width="311" /></a><span style="text-align: justify;"><div style="text-align: justify;"><span lang="EN-US"><b>Paul:</b></span><span lang="EN-US"> I type in key words in the
search engine on <a href="https://www.britishnewspaperarchive.co.uk/" target="_blank"><b>British Newspapers Archive</b></a> and see what comes up. It’s as
simple as that. Local knowledge helps, too, with the different areas of
Portsmouth. Whilst reading an article I might be drawn to something else on the
page which would fit into a different volume or would spark an idea for another
book. For example, the <i><a href="https://www.amazon.co.uk/gp/product/1905597916/ref=dbs_a_def_rwt_bibl_vppi_i7" target="_blank"><b>Dear Sir</b></a></i> book came about like that. I
found a correspondent’s page and went off on that tangent. Newspapers such as <i><a href="https://www.britishnewspaperarchive.co.uk/titles/the-graphic" target="_blank"><b>The Graphic</b></a></i> or the <i><a href="https://www.britishnewspaperarchive.co.uk/titles/illustrated-london-news" target="_blank"><b>Illustrated London News</b></a></i> are
packed with<b> </b>pictures.</span></div></span></div><p></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> What have been the main
challenges you’ve had?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Starting too many things at
once and not proofreading as I go. I learnt that early on as the articles are
usually short so I proofread as I write which saves a lot of time at the end.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face="Arial, sans-serif" lang="EN-US"> Writers often complain about
not having enough time to work on their books. How on earth do you fit it all
in?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Yes, I have a day job, so evenings
and weekends are usually when I write. And when I’m listening to the football
on the radio!</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Your books seem like a real
passion project for you. Would you agree? Do you see yourself as someone with a
calling to preserve a memory of the past?</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US"><b>Paul: </b>Yes, definitely. I have always loved history and
especially the history of Portsmouth, so to document through the words of those
who were there at the time, I think, brings the past alive.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">I’m
proud that my books are in the libraries and have pride of place in the Grammar
school library so my legacy is secure there. Portsmouth Museum have been
helpful, but I am finding the Dockyard and other museums difficult to crack.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> And what an important
legacy, too! I’m sure future researchers will thank you for the work you’ve
done. You’ve created a true archive of Portsmouth history. Are there any
particular stories you’ve uncovered that really stand out for you?</span></p><p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzj-18EF178PUhJeq6LuOIakA4VYaz1KBLw_TfzWM0e4SvIO9FQ-oHMD0StYJu0Jwxe-r8o83bOWA-ASvxGlrwvJ21wvKO5n0rS_9ADCPQu80VPGA4urv5B2U6c-mb7SFT-4rbVFKx7IBSdP-2QastO_5BlTzV_XXK5djlIFjjwm-nT5thJISaSA/s5120/PAC%20Books1-001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2560" data-original-width="5120" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzj-18EF178PUhJeq6LuOIakA4VYaz1KBLw_TfzWM0e4SvIO9FQ-oHMD0StYJu0Jwxe-r8o83bOWA-ASvxGlrwvJ21wvKO5n0rS_9ADCPQu80VPGA4urv5B2U6c-mb7SFT-4rbVFKx7IBSdP-2QastO_5BlTzV_XXK5djlIFjjwm-nT5thJISaSA/w640-h320/PAC%20Books1-001.jpg" width="640" /></a></div><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face="Arial, sans-serif" lang="EN-US"> There was one article in <b><i>Shocking
Tales Volume 1</i></b> which described life in Kingston prison around 1899. It
had pictures of the treadmill and described the food rations and activities the
prisoners endured. Personally, I think it is a crying shame the prison has been
developed into flats and that at least the historic part wasn’t turned into a
Victorian Crime and Punishment Museum. I would happily have been the curator!</span><p></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">Another
story from the same book centres around the murder of a little girl who was
found in a well near Albert Road. Quite harrowing.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">The <b><i>Victorian
Portsmouth</i></b> series is a history buff’s dream as it charts the social
growth of the city and firmly shows how vital Portsmouth was in Victorian times.
Every royal dignitary came to Portsmouth on their way to the Isle of Wight to visit
the Queen at Osborne House, and the mighty Navy was based here, too.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I’ve been writing an historical novel for some time now, which is based on documented events and real
people. Do you have any particular interest in historical fiction? And how do
you feel about writers who fictionalise historical events or fill in the gaps
of historical events with fiction?<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Yes, I do, and I’ve
attempted to start two novels, myself, one set during WWII and the other in Victorian
Portsmouth. My creativity has limits, though, so whilst my writing style is
quite easy going, I don’t have the depth in plot, or the commitment to force it
through. I admire those who can do so.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> As well as Portsmouth
history, you’ve also published books on Victorian Whitechapel, Charles Dickens
and ghosts and the unexplained. How do you choose the topics for your books and
where to focus your researcher’s eye? Is it purely related to your own
interests or are you consciously gauging what will appeal to the public?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> One of my favourite books
was the <b><i><a href="https://www.amazon.co.uk/gp/product/1913529843/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i4" target="_blank">Victorian Whitechapel</a></i></b> one. I wanted to report on what else was going on
around the time of Jack the Ripper. Again, there was a wealth of information
and it became quite a big book.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">It
is purely my own interests that drive me, but sometimes if I find enough
articles I start compiling them as I go. This happened with the Victorian Christmas
books. There are four in total (only one has been published so far). I compiled
everything I found into one huge book then split it into four. This happened
with the Shocking Tales as well. I had enough material for five books, so they
have been split out. Volume four of that series is at the printers, now.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">I
did think that having some general titles might widen the appeal, though. The
<b><a href="https://www.amazon.co.uk/Victorian-Portrayal-Charles-Dickens/dp/1913529924/ref=sr_1_1?crid=3W4VZ82FWACM0&keywords=Paul+Newell+Charles+Dickens&qid=1681029537&s=books&sprefix=paul+newell+charles+dickens%2Cstripbooks%2C97&sr=1-1" target="_blank">Charles Dickens</a></b> book I compiled with a friend who is also a Dickens fan. I’m currently
halfway through a second volume.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> You’ve written three volumes
of <b><i>Shocking Tales from Victorian Portsmouth</i></b>, but only one from
the Edwardian period. Was Victorian Portsmouth really so much more shocking, or
is it just that it went on for much longer?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Purely because there was
over sixty years’ worth of information available for the Victorian books
compared to ten years for the Edwardian. There will be two volumes of Edwardian
Portsmouth 1901-1910 when I come to split them out.</span></p><p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ2wstQSSYlEiQier6peb6ckA__Kj44C_6MwgKJlNsZUWRM6Ql8Wxj_jLdSNjhznStOtyuU8uZTlAQXtDlv3459MH4DATqwqbfloSRlt27vto8f2WrFkS6VBRH1hvnkal8Qt5Bl6QNZB3IvsK_jZLz5z9AQdv-Vwty9uon-uuQTH8JI5EurJv8aA/s5120/PAC%20Books2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2560" data-original-width="5120" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ2wstQSSYlEiQier6peb6ckA__Kj44C_6MwgKJlNsZUWRM6Ql8Wxj_jLdSNjhznStOtyuU8uZTlAQXtDlv3459MH4DATqwqbfloSRlt27vto8f2WrFkS6VBRH1hvnkal8Qt5Bl6QNZB3IvsK_jZLz5z9AQdv-Vwty9uon-uuQTH8JI5EurJv8aA/w640-h320/PAC%20Books2.jpg" width="640" /></a></div><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face="Arial, sans-serif" lang="EN-US"> Is there a particular
shocking tale you can tell us about?</span><p></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> There are way too many to
remember. But one that sticks in the mind is the sinking of <b><a href="https://en.wikipedia.org/wiki/HMS_Eurydice_(1843)" target="_blank">HMS Eyridice</a></b> in the
1870s. It was caught in a freak squall on its way into harbour and only two of
the crew survived. The general living conditions of those living around Portsea
were themselves quite shocking, making it a haven for violence and vice.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> What’s next? Have you
finished with Portsmouth history, now, or do you have other projects you’re
thinking about? Perhaps a series on Portsmouth in the second Elizabethan era?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I am currently
compiling the following books, in no particular order – <b><i>Portsmouth
1911-1920</i></b>; <b><i>Portsmouth 1921-1930</i></b>; <b><i>A Victorian Portrayal
of Newgate Prison</i></b>; <b><i>A Victorian Portrayal of the Crimean War</i></b>;
<b><i>A Victorian Portrayal of Charles Dickens Volume II</i></b>.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">I've also written an autobiography called <b><i>50 Not Out</i></b> which is
about my life growing up in Portsmouth in the 1970s and 80s. It is purely self-indulgence
but that one I have actually had to write!</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Wonderful! You’re writing
yourself into your own archive. Very clever!</span></p>
<p class="MsoNormal" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US">One
final question to wrap up: what advice would you give to someone just starting
out? Is there something about the publishing process, perhaps, that you wish
you’d been told before you started down that road?</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Paul:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I was lucky to find a really
good publisher (<b><a href="http://www.moyhill.com/" target="_blank">Moyhill Publishing</a></b> – run by David and Sally Cronin) who have been patient and helpful
(and not too expensive). I suppose one piece of advice is to write because you
enjoy it, not to make money. Any money made is a bonus. I have been lucky
enough to earn a few pennies but that isn’t the point.</span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Thank you so much for joining
me, Paul. It’s been fantastic getting to know you a bit better, and learning
more about your books. <o:p></o:p></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdETZ0JUiy6NSxxyWktjf26pfYKhpivH4Mli3RP92VhF4ObGEdDVJHxbmoIlzY5DeOvhodkUxc-QWejIumtE7dJPmgHetwJOL6u8CpBzoRjyLxFr8mzWXh6EVCOsBVYNxIcpbZU9ylh2dw0cxLvx3siTInixu76gEKwhI3jeIOMjTpq0fRAgE5PA/s2873/IMG_20230123_181551.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="828" data-original-width="2873" height="115" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdETZ0JUiy6NSxxyWktjf26pfYKhpivH4Mli3RP92VhF4ObGEdDVJHxbmoIlzY5DeOvhodkUxc-QWejIumtE7dJPmgHetwJOL6u8CpBzoRjyLxFr8mzWXh6EVCOsBVYNxIcpbZU9ylh2dw0cxLvx3siTInixu76gEKwhI3jeIOMjTpq0fRAgE5PA/w400-h115/IMG_20230123_181551.jpg" width="400" /></a></div><div style="text-align: center;"><b>Find Out More About Paul</b></div><p></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">Paul’s
books can be purchased at New to You Books in Cosham, at the Bridge Bookshop in Fratton, and on <b><a href="https://www.amazon.co.uk/Paul-Newell/e/B07RX8BG4Z?ref=sr_ntt_srch_lnk_9&qid=1680445576&sr=8-9" target="_blank">Amazon</a></b>.<o:p></o:p></span></p><div style="text-align: left;"></div><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: left;">Portsmouth Authors Collective: <b><a href="https://portsmouthauthors.wordpress.com/paul-newell/" target="_blank">Paul Newell</a></b></div><p></p><p class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; text-align: center;"><span style="font-size: x-large;">*</span></p><p class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px;"><span face=""Arial",sans-serif" lang="EN-US"></span></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US"></span></p><p class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; text-align: center;"><span style="font-size: x-large;"><span style="font-size: medium;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. </span><span style="font-size: medium;">She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" style="background: transparent; color: #2196f3; outline: 0px; text-decoration-line: none;" target="_blank">Portsmouth Authors Collective</a></b>.</span></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-33588353833926763122023-04-08T06:00:00.007+01:002023-05-24T08:57:05.545+01:00PAC Interview: Christine Lawrence<p><b style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 16px;"><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">The Portsmouth Authors Collective</a></b><span face="Roboto, sans-serif" style="background-color: white; color: #757575; font-size: 16px;"> was created to promote the work of the city’s current crop of authors, and this series of interviews offers a glimpse into the work their doing and their writing lives. This time around I'm speaking the the thriller writer Christine Lawrence.</span></p><p></p><p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Author
Bio: Christine Lawrence is an ex-psychiatric nurse turned author and
spoken word performer whose fiction draws on real life experiences and local
settings. She was one of the BookFest 2012 </span></b><span dir="RTL"></span><span dir="RTL"></span><b><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>‘</span></b><b><span face=""Arial",sans-serif" lang="EN-US">Writers to Watch</span></b><span dir="RTL"></span><span dir="RTL"></span><b><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>’</span></b><span dir="LTR"></span><span dir="LTR"></span><b><span face=""Arial",sans-serif" lang="EN-US"><span dir="LTR"></span><span dir="LTR"></span>. Since then, her
shorter fiction has been featured in a variety of local anthologies and
projects including <i><a href="https://www.amazon.co.uk/Portsmouth-Fairy-Tales-Grown-Ups-ebook/dp/B00L2BFBE6/ref=sr_1_1?crid=3NTZ3U06KC33Z&keywords=Portsmouth+Fairy+Tales&qid=1679770255&s=books&sprefix=portsmouth+fairy+tales%2Cstripbooks%2C147&sr=1-1" target="_blank">Portsmouth Fairy Tales for Grown Ups</a></i>, the Writing
Edward King project, the transmedia event <i><a href="https://one000plateaus.com/2020/03/25/cursed-city-dark-tide-a-transmedia-story-experience-saves-portsmouth-from-disaster/" target="_blank">Cursed City Dark Tide</a></i>,
and <i><a href="https://www.amazon.co.uk/Pompey-Writes-Best-Star-Crescent/dp/0995639477" target="_blank">Pompey Writes: the Best of Star & Crescent</a></i>. In 2021, she
facilitated a series of writing workshops as part of the Libraries Connected/BBC
project, <a href="https://www.librariesconnected.org.uk/news/100-novels-shaped-our-new-world" target="_blank">‘Novels that shaped the world’</a>. A creative writing tutor, she is
passionate about writing for well-being. She was a founder of T</span></b><span dir="RTL"></span><span dir="RTL"></span><b><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>’</span></b><b><span face=""Arial",sans-serif" lang="EN-US">Articulation and a workshop
leader for the environmental writing platform Pens of the Earth.</span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span face=""Arial",sans-serif" lang="EN-US" style="font-size: 22pt;">~<o:p></o:p></span></b></p><p align="center" class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVZSUxoKq1q9bnF-93bee79cn8uW1dev7isOIHIXA8R7pv1JDptR7nc4qw6QBz2mVkQZs6s2PauRDg8DyOVuIkkvto1vbVVjvXXLVuh9S_nBTXY_mcmHLiQco8ef8Uf6iJeBeKJzcs2wEeAk3RUVu5cudJjymEKxrhQ3xRXZ2p_24HP-ePUx1HKw/s5120/PAC%20Books.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2560" data-original-width="5120" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVZSUxoKq1q9bnF-93bee79cn8uW1dev7isOIHIXA8R7pv1JDptR7nc4qw6QBz2mVkQZs6s2PauRDg8DyOVuIkkvto1vbVVjvXXLVuh9S_nBTXY_mcmHLiQco8ef8Uf6iJeBeKJzcs2wEeAk3RUVu5cudJjymEKxrhQ3xRXZ2p_24HP-ePUx1HKw/w640-h320/PAC%20Books.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><b style="text-align: left;"><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face="Arial, sans-serif" lang="EN-US" style="text-align: left;"> Thanks for meeting with me, Christine. We</span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" face="Arial, sans-serif" lang="AR-SA" style="text-align: left;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face="Arial, sans-serif" lang="EN-US" style="text-align: left;">ve
travelled in the same circles for quite a while, but it</span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" face="Arial, sans-serif" lang="AR-SA" style="text-align: left;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face="Arial, sans-serif" lang="EN-US" style="text-align: left;">s only in the last year or so that we</span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" face="Arial, sans-serif" lang="AR-SA" style="text-align: left;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face="Arial, sans-serif" lang="EN-US" style="text-align: left;">ve begun working together, so I</span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" face="Arial, sans-serif" lang="AR-SA" style="text-align: left;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face="Arial, sans-serif" lang="EN-US" style="text-align: left;">m looking forward to learning more about you and your
writing. Let</span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" style="text-align: left;"></span><span dir="RTL" face="Arial, sans-serif" lang="AR-SA" style="text-align: left;"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face="Arial, sans-serif" lang="EN-US" style="text-align: left;">s
begin at the beginning. How long have you been writing and how did it all
start?</span><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I have always loved to
write. I started writing poetry as a teenager and still have books of work that
I have kept over the years. Later, I would write long letters to friends who
had moved away and enjoyed writing humorous accounts of my life. Poetry has
been something that I’ve always dipped into writing at times when I needed to
get something off my chest.</span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">Once
I started work as a nurse, my writing skills were channelled into report
writing rather than creative writing. But I still wrote the occasional poem.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> That all sounds very familiar. I started out writing poetry, too. There's an immediacy to it that I think we really respond to at that age. </span></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">You received an MA in
Creative Writing at Portsmouth University. What was that like?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> <span style="mso-spacerun: yes;"> </span>The MA followed on from a BA in Creative Arts
so was a natural process. I enjoyed the opportunity to take on a large writing
project and most of the tutors were amazingly supportive. However, it was the
writing community that was probably the best thing about it.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> That was my experience, too - connecting with a group of people who were on the same wavelength and helped to nurture those creative sparks. </span></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">You</span><span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face=""Arial",sans-serif" lang="EN-US">ve published three novels, now? Or is it four?</span></p>
<p class="MsoNormal"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwNvoyZGA--xagL69Vsm-X9GZ93EBvmsH2GRCbaL3Wk0W1W-QuCXCQY19_Xra_xQnl0qg7gesXREapC_JMeNED1R3KqQCFDFQuyDhr5DUmqcpCRSQ36wbuNS5bcQ_kNlJZmRc_4spp0eX_2jW4Z1v74IojkYhEnGF1IGpEkc8nhDyOjRGfo3Lblg/s960/Christine%20Lawrence.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="Christine Lawrence" border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwNvoyZGA--xagL69Vsm-X9GZ93EBvmsH2GRCbaL3Wk0W1W-QuCXCQY19_Xra_xQnl0qg7gesXREapC_JMeNED1R3KqQCFDFQuyDhr5DUmqcpCRSQ36wbuNS5bcQ_kNlJZmRc_4spp0eX_2jW4Z1v74IojkYhEnGF1IGpEkc8nhDyOjRGfo3Lblg/w240-h320/Christine%20Lawrence.jpeg" title="Christine Lawrence" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Christine Lawrence</td></tr></tbody></table><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> My fourth novel, <b><i><a href="https://www.amazon.co.uk/Emily-christine-lawrence-ebook/dp/B0BWL6DT7V/ref=sr_1_4?crid=316FUXKBOUBND&keywords=Christine+Lawrence&qid=1679770527&sprefix=christine+lawrence%2Caps%2C146&sr=8-4" target="_blank">Emily</a></i></b>,
is soon to be launched. It’s set in the Portsmouth Borough Asylum during World
War 1, and is a love story based on real life accounts of those in the asylum
at the time.</span><p></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">My
three earlier novels are psychological thrillers, starting with <b><i><a href="https://www.amazon.co.uk/Caught-Web-Christine-Lawrence/dp/1849142599/ref=sr_1_2?crid=316FUXKBOUBND&keywords=Christine+Lawrence&qid=1679771514&sprefix=christine+lawrence%2Caps%2C146&sr=8-2" target="_blank">Caught in the Web</a></i></b>. Set in 1973, Karen, who's struggling in a controlling relationship,
begins working in a mental hospital and becomes obsessed with Evelyn, who was locked
away in 1950 when she gave birth to an illegitimate child.</span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">The next
book, <b><i><a href="https://www.amazon.co.uk/Payback-Christine-Lawrence/dp/1787232204/ref=sr_1_1?crid=316FUXKBOUBND&keywords=Christine+Lawrence&qid=1679771514&sprefix=christine+lawrence%2Caps%2C146&sr=8-1" target="_blank">Payback</a></i></b>, is set in 1986, when Karen is working in the
community, helping clients address their drug addictions. Gemma, her client,
volunteers in a charity shop and makes an unlikely alliance with a colleague who takes her on a journey in search of a missing woman. It’s filled
with suspense— is there a body in the cellar, or is it in the imagination? </span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">My
third novel, <i><a href="https://www.amazon.co.uk/Dont-Step-Cracks-christine-lawrence/dp/1838326103/ref=sr_1_3?crid=316FUXKBOUBND&keywords=Christine+Lawrence&qid=1679771514&sprefix=christine+lawrence%2Caps%2C146&sr=8-3" style="font-weight: bold;" target="_blank">Don’t Step on the Cracks</a>,</i> brings us nearly up to
date. It’s 2019, and Karen is shocked at the amount of homeless in Fareham. She
takes a job at the homeless hostel where a young resident is attacked, and
several people are suspected. Karen tries to help a homeless man she finds
sleeping in her shed and soon finds herself in danger again.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Wow. Impressive.</span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US">How do your experiences as a psychiatric nurse influence or inspire your writing?</span></p>
<p class="MsoNormal"><a name="_Hlk122854059"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b></a><span style="mso-bookmark: _Hlk122854059;"></span><span face=""Arial",sans-serif" lang="EN-US"> <span style="mso-spacerun: yes;"> </span>I have always been
passionate about letting the world know about people’s lives, and trying to
dispel the myths around mental health and addictions. I believe that we can
overcome our difficulties with help and hope that my books show that recovery
is possible.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> What is it that draws you to
the </span><span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>‘</span><span face=""Arial",sans-serif" lang="EN-US">psychological thriller’
genre?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I think I was initially
trying to tell the story of some of the people I worked with in the early days
of my nursing career, but there is a huge influence from my own personal life
too. It’s almost as if I have used my writing as a way to have a voice again
after years of being in a coercive controlled relationship.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> As a reader, who are some of
your favourite authors?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> <b><a href="https://en.wikipedia.org/wiki/Charles_Dickens" target="_blank">Dickens</a></b>, <b><a href="https://www.sarahwaters.com/" target="_blank">Sarah Waters</a></b>, <b><a href="https://www.andrealevy.co.uk/" target="_blank">AndreaLevy</a></b>, <b><a href="https://www.joanne-harris.co.uk/" target="_blank">Joanne Harris</a></b>, <b><a href="https://www.bobdylan.com/" target="_blank">Bob Dylan</a></b>.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> What would you say these writers have taught you about writing?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> They’ve taught me various
things, I guess. Dickens’ characters and scene-setting and great stories of
life in his time; Sarah Waters - great story-telling and brilliantly
researched; Andrea Levy’s ability to write from different characters’ views and
to get their voice so real; Joanne Harris, magical stories which really touch
me; Bob Dylan was a major influence in my poetry writing as a youngster.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> What would you say is the
most challenging part of the writing process?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"><span style="mso-spacerun: yes;"> </span>For me, it’s starting. Getting the first few
words down on paper. I’m a terrible procrastinator. Then once I’ve started,
it’s keeping disciplined to write regularly.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Ah yes. Procrastination. We’re
famous for it, aren’t we? Dozens of books have doubtless remained unwritten on
the subject. How do you deal with it? Do you have a writing routine? Do you
write daily?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I seem to have half answered
this one. I try to write regularly, but life does get in the way.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> It does, indeed. I</span><span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face=""Arial",sans-serif" lang="EN-US">ve got a couple of writing friends from my MA who keep me motivated. Their feedback and
encouragement has been invaluable. Do you belong to a writing group, or have
other writing colleagues to whom you turn for feedback and advice?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Yes, I belong to
Springwood Writers group, and I’m also a part of Will Sutton’s groups - Write
Your Novel/Take Your Novel Further. I regularly attend Scribblers Salon. I have
several writing colleagues I trust and share my work with. I’m also a member of
Portsmouth Writers</span>’ Hub.</p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> As well as being a writer,
you</span><span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face=""Arial",sans-serif" lang="EN-US">re also a regular spoken word
performer and a keen amateur actor. How did that come about? Have you always
been interested in acting or do you just like being the centre of attention?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> Haha. I do like being the
centre of attention, I suppose. I have been acting all my life but probably
more seriously since my 30s when I regularly attended Adult Theatre Workshops
at the <a href="https://www.ashcroft.org.uk/" target="_blank"><b>Ashcroft</b></a> in Fareham. When <a href="https://www.titchfieldfestivaltheatre.com/" target="_blank"><b>Titchfield Festival Theatre</b></a> started in 2001, I
was in the first play there in the grounds of <b><a href="https://www.english-heritage.org.uk/visit/places/titchfield-abbey/" target="_blank">Titchfield Abbey</a></b>. Since then, I
have been involved in many ways, running the wardrobe, acting, directing, stage
managing, even writing a play.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> <span style="mso-spacerun: yes;"> </span>I had the great pleasure of joining the Speak
Up course that you ran with Jackie Green at this year</span><span dir="RTL"></span><span dir="RTL"></span><span dir="RTL" face=""Arial",sans-serif" lang="AR-SA"><span dir="RTL"></span><span dir="RTL"></span>’</span><span face=""Arial",sans-serif" lang="EN-US">s Portsmouth BookFest. You were both so supportive and
encouraging, and I came away feeling much more confident about reading in
public. Do you enjoy teaching?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"> I do love helping people to
find their strengths and overcome fears. I don’t consider myself to be a
teacher, more as a facilitator. It’s a great feeling to see people shine that
you have helped.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Loree:</span></b><span face=""Arial",sans-serif" lang="EN-US"> What advice would you give
to someone just starting out as a writer?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" lang="EN-US">Christine:</span></b><span face=""Arial",sans-serif" lang="EN-US"><span style="mso-spacerun: yes;"> </span>Join a group, attend as many workshops as you
can afford, use books that are out there to help. You don’t need to do an MA to
be a good writer, just be excited about what you want to say. Mixing with other
writers is essential, I think.<o:p></o:p></span></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US"><b>Loree:</b> That’s great advice. So many people struggle on their own, but I’ve always found the creative community to be very supportive. Thanks again for joining me, today, Christine. I wish you all the best with the latest novel. </span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ88lsdVzUR_x2lUiozmQDqlbnDg-z3pERUk6Ny227TCn4u1Ktan577v2jrgI7ak-z3v-6wlP_1b_6mdReonr53L1XDIucvmoquMd2q1wwX324WW5LGFMuoYt5WjkyV2spMiq3mCiuOLM9oFU0Rw7fumDpXG2bStiNgF7JJl9CeAu_j1DkUJQZIA/s995/pen1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="114" data-original-width="995" height="46" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ88lsdVzUR_x2lUiozmQDqlbnDg-z3pERUk6Ny227TCn4u1Ktan577v2jrgI7ak-z3v-6wlP_1b_6mdReonr53L1XDIucvmoquMd2q1wwX324WW5LGFMuoYt5WjkyV2spMiq3mCiuOLM9oFU0Rw7fumDpXG2bStiNgF7JJl9CeAu_j1DkUJQZIA/w400-h46/pen1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Find out More About Christine</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: left;"><span face=""Arial",sans-serif" lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Arial Unicode MS"; mso-fareast-language: EN-US;">Christine’s novels
can be purchased from <b><a href="https://leebookshop.co.uk/" target="_blank">The Book Shop</a></b>, Lee-on-the-Solent, or direct from the author by contacting her at: </span><span face="Arial, sans-serif" style="font-size: 12pt;"><a href="mailto:christinelawrence14@btinternet.com">christinelawrence14@btinternet.com</a></span></div><br /><span face=""Arial",sans-serif" lang="EN-US"><b><a href="https://www.facebook.com/Novelist2021" target="_blank">Facebook</a></b></span><p></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US"><b><a href="https://twitter.com/Payback58312432?s=20" target="_blank">Twitter</a></b></span></p><p class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; text-align: center;"><span style="font-size: x-large;">*</span></p><p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US"></span></p><p class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; text-align: center;"><span style="font-size: x-large;"><span style="font-size: medium;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. </span><span style="font-size: medium;">She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" style="background: transparent; color: #2196f3; outline: 0px; text-decoration-line: none;" target="_blank">Portsmouth Authors Collective</a></b>.</span></span></p><span face="Roboto, sans-serif" style="background-color: white; color: #757575; font-size: 16px;"></span><p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-12111350647579361542023-03-25T06:00:00.017+00:002023-05-24T08:57:24.474+01:00PAC Interview: Chris Blackwater<p style="text-align: justify;"><span style="font-size: 16px;">Portsmouth and its environs have inspired an impressive number of well-known writers over the years, and the area continues to be a hub of creative activity for writers of every persuasion. </span><b style="font-size: 16px;"><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">The Portsmouth Authors Collective</a></b><span style="font-size: 16px;"> was created to promote the work of the city’s current crop of authors, and this series of interviews offers a glimpse into what they're doing.</span></p><p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Author
Bio: </span></b><b><span style="font-size: 12pt;">Chris
Blackwater is an engineer-turned-writer from Leeds, who now lives in Fareham.
His first novel, <i><a href="https://www.amazon.co.uk/Emergency-Drill-Chris-Blackwater-ebook/dp/B0BRDDJMWC/ref=sr_1_1?crid=14T1FE0EFPG4J&keywords=Chris+Blackwater&qid=1678356589&s=digital-text&sprefix=chris+blackwater%2Cdigital-text%2C280&sr=1-1" target="_blank">Emergency Drill</a></i>, set on a North Sea oil rig, was
shortlisted for the 2020 CWA Debut Dagger Award and was published by Dark Edge
Press in 2022.</span></b></p>
<p align="center" class="MsoNormal" style="line-height: normal; text-align: center;"><b><span style="font-size: large;">~</span><span style="font-size: 12pt;"><o:p></o:p></span></b></p><p align="center" class="MsoNormal" style="line-height: normal; text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHEvPTCtyOI5HhgCww3MdJWBp9NVGRwBUM2QiaxqvbiXvDRfGq3Dsp-EC84jgWf5QW-2PSQmprumYsocMTWI44p4EJTIfxBsx4MNsIuOmxzjwLARe4qsdoOFg9A_m66yi9mUO9TEX7_gQF8KqvFCcLBTbDuZZrTtlfqjJdrEVq1zM5ECn5Op0TNg/s5120/PAC-001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4096" data-original-width="5120" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHEvPTCtyOI5HhgCww3MdJWBp9NVGRwBUM2QiaxqvbiXvDRfGq3Dsp-EC84jgWf5QW-2PSQmprumYsocMTWI44p4EJTIfxBsx4MNsIuOmxzjwLARe4qsdoOFg9A_m66yi9mUO9TEX7_gQF8KqvFCcLBTbDuZZrTtlfqjJdrEVq1zM5ECn5Op0TNg/w640-h512/PAC-001.jpg" width="640" /></a></b></div><span style="text-align: left;"><span style="font-size: 12pt;"><p align="center" class="MsoNormal" style="font-weight: bold; line-height: normal; text-align: center;"><b style="text-align: left;"><span style="font-size: 12pt;"><br /></span></b></p><div style="text-align: justify;"><span style="font-weight: bold;"><span style="font-size: 12pt;">Loree:<span style="font-weight: normal;">
</span></span></span><span style="font-size: 12pt;">So, Chris, welcome to the interview.
I’m looking forward to getting to know you a bit better. You’ve said you began
writing stories to pass the time when working away from home. Was working on
oil rigs really that boring?</span></div></span></span><p></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">Working offshore can be quite tough: it’s
a 12-hour shift for 14 days with no time off. However, I was only going out
there to do specific jobs which would often conflict with the smooth running of
the rig. I might end up spending my whole shift sat in the control room with
nothing to do but drink tea and wait for a permit to work. So it can be hard
work and occasional scary, but sometimes very boring indeed.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:</span></b><span style="font-size: 12pt;"> The environment of a North Sea oil rig is pretty foreign
to most of us, but it’s also intriguing for just that reason. What was it about
that setting that inspired you? Was there something or someone in particular
that set things in motion?<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">I think it was the isolation that
struck me, first. You are on a tiny island, maybe a hundred miles from the
nearest land and if anything goes wrong, you can’t just phone for help. The
weather can be spectacular. On my first trip, I was getting hit by spray on the
top deck, several hundred feet above sea level. But most of all, I was inspired
to write about the people I met. There are some very eccentric characters out
there who might be considered unemployable in any other environment.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:</span></b><span style="font-size: 12pt;"> Crime/thriller/suspense novels are hugely popular,
and as a literary fiction writer (I know, what’s that, right?) I’m jealous of
the size of your potential audience. Were you always attracted by this
particular genre, or was it a calculated move in the direction of the biggest
bucks?<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris: </span></b><span style="font-size: 12pt;">I’ve written short stories in many
genres, from comedy to gritty realism and fantasy. One of my first publishing
successes was a comic story for a crime magazine. That inspired me to sign up
for a crime-writing course in Portsmouth, run by <b><a href="https://www.william-sutton.co.uk/category/portsmouth/" target="_blank">Will Sutton</a></b> and <b><a href="https://www.dianabretherick.co.uk/home/" target="_blank">DianeBretherick</a></b>. When I got there, all the other writers seemed to have
well-developed plots and I had a blank notepad. I decided I had better write
about something I knew well and the oil rig crime novel was born!<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;">I recently took part in the <b><a href="https://www.nycmidnight.com/" target="_blank">NYCMidnight Short Story Challenge</a></b>, which challenges participants to write a short
story of an assigned genre. This year, the genre I was given was ‘suspense’ and
I failed miserably. What tips would you give to a budding
crime/thriller/suspense novelist?<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal;"></p><div style="text-align: justify;"><span style="font-weight: bold;"><span style="font-size: 12pt; font-weight: bold;">Chris:</span><span style="font-weight: normal;">
</span></span><span style="font-size: 12pt;">Keep your cards close to your chest. For a
suspense story, you need to be hiding a few secrets which you are only prepared
to reveal to the reader once they are desperate to know what’s going on. The
suspense can come in many forms: psychological tension, or menace, or just one
long desperate chase if that suits the plot. In many ways, I think a crime
short story is harder to write than a longer piece where you have time to
develop the plot.</span></div><o:p></o:p><p></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjp_3VpoA7hsKcmYs-qamGfQGaQOk4PNLjsX-dQ_TmykYcT8XzOL0EjDkv1cowFkOffK8M5hrARFdSBdEFPEHgzy0kQhVk3GxhAwJGr4BjVf3WDoyy5GFW2yUfVwri9K3tt4vKAjeQL20TXpSb_iP9qWm_dXh2v6PfjivA6HXa5L9HdBDPpDQgdA/s473/IMG_0706%20(2).JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="473" data-original-width="347" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjp_3VpoA7hsKcmYs-qamGfQGaQOk4PNLjsX-dQ_TmykYcT8XzOL0EjDkv1cowFkOffK8M5hrARFdSBdEFPEHgzy0kQhVk3GxhAwJGr4BjVf3WDoyy5GFW2yUfVwri9K3tt4vKAjeQL20TXpSb_iP9qWm_dXh2v6PfjivA6HXa5L9HdBDPpDQgdA/s320/IMG_0706%20(2).JPG" width="235" /></a></div><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;">As a reader, is crime fiction or
thrillers your go-to genre? Who are some of your favourite authors?<o:p></o:p></span><p></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">I seem to read a lot of quirky books
that don’t always fit neatly in one genre. One of my favourite crime novelists
is <b><a href="https://www.kateatkinson.co.uk/" target="_blank">Kate Atkinson</a></b>, who manages to be comic and literary whilst writing a
page-turning detective story. I like a good thriller and was addicted to the
likes of <b><a href="https://www.fantasticfiction.com/i/hammond-innes/" target="_blank">Hammond Innes</a></b> and <b><a href="https://www.fantasticfiction.com/b/desmond-bagley/" target="_blank">Desmond Bagley</a></b> in my youth. I also love
writers like <b><a href="https://www.neilgaiman.com/" target="_blank">Neil Gaiman</a></b> who bring a bit of magic into our humdrum everyday
world.<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;">What lessons have you learned from
these writers?<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:</span></b><span style="font-size: 12pt;"><span style="mso-spacerun: yes;"> </span>To write what
you enjoy writing and not to worry too much about genre or current trends. Very
few of the books I love fit the requirements you’d find listed on a publisher’s
or an agent’s website. Good writing will usually find a way of being read.
Though you could easily starve in your garret whilst you are waiting for you
genius to be discovered!<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:</span></b><span style="font-size: 12pt;"> What would you say is the most challenging part of
the writing process? <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:<span style="mso-spacerun: yes;"> </span></span></b><span style="font-size: 12pt;">For
me it’s the plotting. I love the creative process of writing and I even quite
like a lot of the editing. However, the business of giving the story a coherent
structure uses the logical part of my brain. Usually that’s too busy worrying
about other things and has to be cajoled into working with endless promises of
coffee and cake.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree</span></b><span style="font-size: 12pt;">: Some people have had negative experiences when
seeking feedback from other writers, feedback that has knocked their confidence
or been unhelpful in other ways. I believe you have been a member of the Havant
and District Writers Group for some time now, and I wonder if you could say
something about the benefits of these workshops and the support you've
received. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><b><span style="font-size: 12pt;">Chris: </span></b><span style="font-size: 12pt;">The feedback I’ve had from Havant Writers and other
groups has almost always been encouraging and helpful. It’s safe to say my
writing would be a lot poorer without them. Even just the act of reading your
work to other people will help you improve. However, there is a skill to giving
feedback in a way that is positive, but still manages to point out ways the
writing could be improved. Some writers (including me) are not so good at it
and likewise some writers are not great at accepting criticism. Personally, I
like suggestions on how to improve as much as I like having my writing praised,
but not everyone is quite so thick skinned. I think the key is not to take
criticism personally. I know that’s difficult to do, but people are trying to
be helpful, even if it doesn’t always work out that way.</span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;">As a writer, how disciplined are you?
Do you have a writing routine? Do you write daily?<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">Very undisciplined, unless I have a
deadline coming up. A lot of writers try to stick to a routine, but that sounds
too much like work to me. I enjoy writing and I don’t want to crush all the fun
out of it. Having said that, when I’m inspired or under pressure, I can knuckle
down and get a lot of writing done in a short time. That has got me out of some
sticky situations at college, at work and now in my writing life!<b><o:p></o:p></b></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;"><span style="mso-spacerun: yes;"> </span><i><b><a href="https://www.amazon.co.uk/Emergency-Drill-Chris-Blackwater-ebook/dp/B0BRDDJMWC/ref=sr_1_1?crid=14T1FE0EFPG4J&keywords=Chris+Blackwater&qid=1678356589&s=digital-text&sprefix=chris+blackwater%2Cdigital-text%2C280&sr=1-1" target="_blank">Emergency Drill</a></b></i> was shortlisted for the
<b><a href="https://thecwa.co.uk/" target="_blank">Crime Writers’ Association</a> <a href="https://thecwa.co.uk/awards-and-competitions/the-daggers/debut-dagger" target="_blank">Debut Dagger Award</a></b>. That must have been pretty
exciting. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">At first it was a blind panic. I sent
off my first three chapters to the CWA and the longlist date came and went
because the email telling me I had been selected was sitting in my spam folder.
When I finally found it, the CWA were asking for another three chapters and I
only had four days left to send them. Perhaps that focus helped me get through
to the next round. In any case, when I found out I’d made the shortlist, the
neighbours must have thought I’d electrocuted myself again. Sadly, the promised
glamourous awards event turned into a Zoom meeting due to the pandemic. I sat
in front of my laptop in a dinner jacket, poured myself a glass of Prosecco and
waited for my name to be drawn from the envelope. That never happened, but it
still gave me the impetus to finish the book and find a publisher.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:</span></b><span style="font-size: 12pt;"> You’re a softly-spoken guy in the flesh, but I’ve
seen a few photos on Facebook where you’re looking pretty rugged. Beneath that
mild-mannered exterior, are you actually an Action Man of sorts?<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">I’m no adrenaline junkie, but I love
exploring and being outdoors, which is a bit unfortunate for a writer! I’ve
done a bit of mountaineering and skiing and even took up hang gliding until I
had a close encounter with an electricity pylon. Since moving to the south
coast, I’ve taken up sailing and I’ve been on some interesting sea kayaking
expeditions, including circumnavigating the Isle of Wight and paddling with
killer whales in Canada.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;">You’ve got another book on the way, I
believe. Are you able to tell us anything about it, yet? <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Chris:
</span></b><span style="font-size: 12pt;">It’s called <b><i>Dead Crude</i></b>
and is set in an oil terminal in the Orkney Islands (dead crude is the type of
oil you get in storage tanks). It features Danny Verity, the hero of <b><i>Emergency
Drill</i></b> and a couple of other characters who managed to survive the first
book. There is also a third one on the way called <b><i>Head Hunting</i></b>,
which draws on my time working in Malaysia.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span style="font-size: 12pt;">Loree:
</span></b><span style="font-size: 12pt;">It’s been great talking to you, Chris.
Thanks for joining me. And thanks for being part of the Portsmouth Authors
Collective!<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvqW6kx6why1BqoSNIU5MebQYTJ0aHzd7iltbeVaI1D9WIqyiUQ0YpKNYKqOgs1rGHSJKH90sFZKQ5pqTFyG_cususetzx4_1ijmRY8PLPZEiKWzVn5-5usCmGnLe0Dvow8TbvpglUpf2PKfajJT361VHz64M1mljX0kyCuByQYzVJwtSf5ooY0g/s2873/IMG_20230123_181551.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="828" data-original-width="2873" height="115" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvqW6kx6why1BqoSNIU5MebQYTJ0aHzd7iltbeVaI1D9WIqyiUQ0YpKNYKqOgs1rGHSJKH90sFZKQ5pqTFyG_cususetzx4_1ijmRY8PLPZEiKWzVn5-5usCmGnLe0Dvow8TbvpglUpf2PKfajJT361VHz64M1mljX0kyCuByQYzVJwtSf5ooY0g/w400-h115/IMG_20230123_181551.jpg" width="400" /></a></div><p></p><p class="MsoNormal" style="line-height: normal; text-align: center;"><span style="font-size: 12pt;"><b>Find Out More About Chris</b></span></p><p class="MsoNormal" style="line-height: normal; text-align: left;"><span style="font-size: 12pt;"><b>Website: <a href="http://chrisblackwater.co.uk/" target="_blank">ChrisBlackwater</a></b></span></p><p class="MsoNormal" style="line-height: normal; text-align: left;"><span style="font-size: 12pt;"><b>Twitter: <a href="https://twitter.com/BlackwaterChris" target="_blank">@BlackwaterChris</a></b></span></p><p class="MsoNormal" style="line-height: normal; text-align: left;"><span style="font-size: 12pt;"><b>Facebook: <a href="https://www.facebook.com/chrisblackwaterauthor/?show_switched_toast=0&show_invite_to_follow=0&show_switched_tooltip=0&show_podcast_settings=0&show_community_review_changes=0&show_community_rollback=0&show_follower_visibility_disclosure=0" target="_blank">Chris Blackwater</a></b></span></p><p class="MsoNormal" style="line-height: normal; text-align: left;"><span style="font-size: 12pt;"><b>Instagram: <a href="https://www.instagram.com/blackwaterauthor/" target="_blank">BlackwaterAuthor</a></b></span></p><p class="MsoNormal" style="line-height: normal; text-align: center;"><span style="font-size: x-large;">*</span></p><p class="MsoNormal" style="line-height: normal; text-align: center;"><span style="font-size: x-large;"><span style="font-size: medium;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Missing Words</a></i></b>. </span><span style="font-size: medium; mso-bidi-font-family: Arial;"><span>She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a></b>.</span></span></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-72219958468849453052023-03-19T09:17:00.005+00:002023-05-24T08:57:47.762+01:00Review of Douglas Bruton's novella With or Without Angels<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMla98o25NlsvfmCiRx9lcIBxFiqwl9cAIWrt1zXDzi9F3WKiFu6m-Fc5yrIJIbHZn4EfJGs0-nBv-MQEuIiYoNFjidtkDC4BvfD3ZjqQNJW8rH4P8JHFvYHHcel7yFL713lDwcDCrmBMQR1u60cyufXeASq3dWNmg3Cy4z8sh5HI1YfcbPax51g/s1280/Douglas%20Bruton-001.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="960" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMla98o25NlsvfmCiRx9lcIBxFiqwl9cAIWrt1zXDzi9F3WKiFu6m-Fc5yrIJIbHZn4EfJGs0-nBv-MQEuIiYoNFjidtkDC4BvfD3ZjqQNJW8rH4P8JHFvYHHcel7yFL713lDwcDCrmBMQR1u60cyufXeASq3dWNmg3Cy4z8sh5HI1YfcbPax51g/s320/Douglas%20Bruton-001.jpg" width="320" /></a></div>Douglas Bruton’s latest novella is as stunning as his last –
the wonderful <i><b><a href="https://www.fairlightbooks.co.uk/blue-postcards/" target="_blank">Blue Postcards</a></b></i>, also published by <b><a href="https://www.fairlightbooks.co.uk/" target="_blank">Fairlight Books</a></b>. Like the
earlier novella, <i><b><a href="https://www.fairlightbooks.co.uk/with-or-without-angels/" target="_blank">With or Without Angels</a></b></i> glisten’s with finely-wrought
prose. But there are other similarities, too: a contemplative aging protagonist
attempting to untangle memory from illusion; a fragmentary structure; and use
of real artists as inspiration. In <i><b>Blue Postcards</b></i>, one of the storylines
follows the enigmatic artist Yves Klein, and according to the author’s
acknowledgements, <i><b>With or Without Angels</b></i> was inspired by the Scottish
artist <b><a href="https://alansmithartist.com/about--contact.html" target="_blank">Alan Smith</a></b>. The unnamed protagonist, an artist himself, draws inspiration
(as did Smith) from the 18<sup>th</sup> century Venetian painter <b><a href="https://en.wikipedia.org/wiki/Giovanni_Domenico_Tiepolo" target="_blank">GiandomenicoTiepolo</a></b>’s painting <i><b><a href="https://www.museodelprado.es/en/the-collection/art-work/maskers-at-the-mondo-nuovo/935310c3-491e-4eb4-84d4-20e418215980" target="_blank">Il Mondo Nuovo</a></b></i> ‘The New World’.<o:p></o:p><p></p>
<p class="MsoNormal">No longer able to paint, but still with ‘too many thoughts
in his head’ the artist takes a young assistant, Livvy, to help him express his
artistic vision. As his hands have become unsteady, he has swapped his
paintbrush for a camera, and with Livvy’s technical expertise, he is able to
create a new form of artwork – the photo montage. <o:p></o:p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZL8pTBkHVE2BuDW0PtL6bEF9dohw2QQR4_07P9lEnQLRQroID8bb6OWou1w4cy44rJVANxLh7pibELD8Tr_GsgbpYcltbM2DhWutNhIamddOQrxFw_YRGuv853FEL174KuqPx2UkESolvDhixlDHFFNZcSCMKYA619iTDCPjAWPKXQNthgFh3Q/s300/With-or-Without-Angels-Douglas-Bruton-195x300.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZL8pTBkHVE2BuDW0PtL6bEF9dohw2QQR4_07P9lEnQLRQroID8bb6OWou1w4cy44rJVANxLh7pibELD8Tr_GsgbpYcltbM2DhWutNhIamddOQrxFw_YRGuv853FEL174KuqPx2UkESolvDhixlDHFFNZcSCMKYA619iTDCPjAWPKXQNthgFh3Q/s16000/With-or-Without-Angels-Douglas-Bruton-195x300.jpg" /></a></div>As they create a series of images, each building upon the
last in much the same way that Giandomenico Tiepolo depicted the same
characters over and over before realising <i><b>Il Mondo Nuovo</b></i>, the artist is
able to ‘work out his thoughts’ and find an answer to the question we all must
face: what will be left when we are gone?</div></div><o:p></o:p><p></p>
<p class="MsoNormal">It feels surprising that such a short novel – perhaps 25,000
words – can contain such depth of meaning. But that is often the way with stories
where there are great gaps of unwritten text. They allow the reader to be an
active participant, contemplating their own circumstances alongside the
protagonist, and finding that common humanity where no words are needed.<o:p></o:p></p>
<p class="MsoNormal">Bruton’s work is poignant, philosophical and achingly human.<o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><br /></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: x-large;">*</span></p><p class="MsoNormal" style="text-align: left;"><span>Alan Smith's series of images: <b><a href="https://www.alansmithartist.com/the-new-world.html#" target="_blank">The New World (after Il Mondo Nuovo by Giandomenico Tiepolo)</a></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: x-large;">*</span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: x-large;"><span style="font-size: medium;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Missing Words</a></i></b>. </span><span style="font-size: medium; mso-bidi-font-family: Arial;"><span>She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Author’s Collective</a></b>.</span></span></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-7883348151403072532023-03-11T06:00:00.006+00:002023-05-24T08:58:08.895+01:00PAC Interview: Pete Adams<p> </p><p>The<b> <a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a> </b>is<b> </b>a group of local authors who have come together to promote not only their own work but also that of other members. Members of the Collective publish a full array of fiction and non-fiction titles. In our latest interview, I talk to crime novelist Pete Adams.</p><div class="separator" style="clear: both; text-align: center;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"></span></div><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><div style="text-align: justify;"><b style="font-size: 12pt;">Author Bio:</b><span style="font-size: 12pt;"> </span><b style="font-size: 12pt;">Pete Adams is a Portsmouth-based architect and writer. He describes himself as an inveterate daydreamer, and escapes into those
dreams by writing crime thrillers with a thoughtful dash of social commentary.
He has a writing style shaped by his formative years on an estate that
re-housed London families after WWII, and his books have been likened to the
writing of Tom Sharpe. Pete lives in Southsea with his partner June, the
children having flown the coop, and has three beautiful granddaughters who will
play with him so long as he promises not to be silly.</b></div><o:p></o:p></span><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span face=""Arial",sans-serif" style="line-height: 107%;"><span style="font-size: large;"><b>~</b></span><o:p style="font-size: 12pt;"></o:p></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span face=""Arial",sans-serif" style="line-height: 107%;"><span style="font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span face=""Arial",sans-serif" style="line-height: 107%;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnsPP3OoPOVOjdLITTAbr9SDBrVSkh4S3BjF83GNoDtZYVxHcB88RcYs6BtJfQrR_6weCbrTNjlt7Sa7lFem2DtFNzU_nDcVUkUuC_NsSR4MswtSx517F_84PADYi_tNwDw3xfN8QnRzLDth05Vlbxk5q8aSHhOoPHL1QLC-_LR8grIi61XrKoLw/s5120/PAC%2015%20Oct%2022.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2756" data-original-width="5120" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnsPP3OoPOVOjdLITTAbr9SDBrVSkh4S3BjF83GNoDtZYVxHcB88RcYs6BtJfQrR_6weCbrTNjlt7Sa7lFem2DtFNzU_nDcVUkUuC_NsSR4MswtSx517F_84PADYi_tNwDw3xfN8QnRzLDth05Vlbxk5q8aSHhOoPHL1QLC-_LR8grIi61XrKoLw/w640-h344/PAC%2015%20Oct%2022.jpg" width="640" /></a></span></span></div><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Welcome to the blog, Pete,
and thanks for agreeing to the interview. </span><span style="font-size: 12pt;">We’ve known each other for some time, now, but I’m looking
forward to finding out more about you and your ‘writing journey’. </span></p><p class="MsoNormal"><span style="font-size: 12pt;">By your own
account, you came to writing fairly late. Can you tell us a little about that?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"><b></b>I
came to reading (novels) late. I’ve a slightly obsessive nature. I am also an
architect and my thoughts were filled always with this, as a student, meeting
my architect heroes – growing intellectual thought in design. I have a
successful practice but when I was 40, a recession hit me. I couldn’t sleep. My
doctor suggested a hobby but I had no other interests. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I went to the central library,
the hobbies section – it was a blur. A librarian took an interest, and when I
told her of my plight she suggested <i>reading </i>(der). I confessed to an
interest in mediaeval history: she suggested </span><b style="mso-bidi-font-weight: normal;"><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><a href="https://en.wikipedia.org/wiki/The_Name_of_the_Rose" target="_blank">The Name of the Rose</a></span></i></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"><b> </b>by <b><a href="https://en.wikipedia.org/wiki/Umberto_Eco" target="_blank">Umberto Eco</a></b>. And
so commenced my second obsession – I read so much: history, crime and psychological
thrillers.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I would take out ten or more books
at a time, and after a while I built an email dialogue with the head librarian,
renewing books and then commenting on the books I read. Later, I received an
email asking why I was not taking out so many books. I responded that I’d
started writing. She actively encouraged me. Libraries and Librarians are so
important.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> You’ve published nine novels
so far. That’s pretty impressive. Do you have a writing routine? <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"><b>Pete: </b>I’ve written 14 books altogether (three are nonsense
tales, written and illustrated by me). Nine books are published, and the other five
are contracted to my publisher. Book ten, </span><span style="mso-bidi-font-weight: normal;"><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Blood
Sport</span></i></span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">, is due out end of January/February
2023. The immediate sequel, </span><span style="mso-bidi-font-weight: normal;"><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">A
Choir of Assassins</span></i></span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"> is planned for
later in the year.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I don’t have a routine as such, unless
you count being an early riser (stupid ‘a’ clock according to June, my partner),
always between 4 and 5 a.m. For me it’s important NOT to have a writing routine.
It’s setting myself up for failure – what if I didn’t write at that time?
Having said that, I cannot stand deadlines and try to be at least two books
ahead of my publisher.</span></p><div class="separator" style="clear: both; text-align: center;"></div><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">What’s your writing process
look like? Do you set yourself goals?<o:p></o:p></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRQnFEfmqiBSdh9fQeJ0XNFCgYl_1hqQc_OwBsyL4TgDzC87fEGmuTRap103XLHgckXz5p_Bi9BZTWevd4aFeQ4JWUrT6WXANQ-0sO4goEPCSkdhqDLxXUAR2RRd0Izv7_5p1jBaG6W7QhHSopIKbNItgM3X-V72sg1U5aYlfewcufVPOS3Oc1zg/s504/Pete%20Adams.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="376" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRQnFEfmqiBSdh9fQeJ0XNFCgYl_1hqQc_OwBsyL4TgDzC87fEGmuTRap103XLHgckXz5p_Bi9BZTWevd4aFeQ4JWUrT6WXANQ-0sO4goEPCSkdhqDLxXUAR2RRd0Izv7_5p1jBaG6W7QhHSopIKbNItgM3X-V72sg1U5aYlfewcufVPOS3Oc1zg/w238-h320/Pete%20Adams.jpg" width="238" /></a></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I
edit strongly as I go along, often rewriting and restructuring, so when I
finish it’s hardly a ‘first draft’. I also have several WIP running at the same
time; currently three books, </span><span style="mso-bidi-font-weight: normal;"><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">A
Deadly Queen</span></i></span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">, </span><span style="mso-bidi-font-weight: normal;"><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Extreme Unction</span></i></span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"> and </span><span style="mso-bidi-font-weight: normal;"><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pop’s
Dead</span></i></span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">. I’m also writing for an American
cookbook publication that invited writers from around the world to send a short
story attached to a recipe – my story is called: ‘Cooking the Books’.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">Goals? No, except I do know the series
will be 14 books long, with an all-embracing title ‘Divine Breath – Sub Rosa’.
It is an emotional journey revealing a lot about myself, my history, my beliefs
and motivations; sometimes hard to talk about in public.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Do you seek feedback from beta
readers? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">Beta
readers can confuse the hell out of you – I put faith in my abilities. I do use
book tours that cover the world and this has given me excellent feedback and reviews
from all over—the USA and Australia, India, Philippines, Scandinavia and
Europe. <b><a href="https://www.nextchapter.pub/" target="_blank">My publisher</a></b> is Scandinavian, with an HQ in Tokyo, and they market internationally,
even in China.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> What are the themes you find
yourself returning to?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete:<span style="mso-spacerun: yes;"> </span></span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I write crime thrillers, but you must look beneath
the surface for the real meanings. I always have an underlying theme of social
justice but there is more. I’m a strong and proud socialist. As the momentum
gathers in the 14-book series, readers are now also realising that the central
protagonists are ‘foils’ and the strong characters, driving the plots, are
women. Men, with a few exceptions, have fucked this world up … <i style="mso-bidi-font-style: normal;">Sub Rosa. </i>All will be revealed in book
13<i style="mso-bidi-font-style: normal;">.</i></span></p><div class="separator" style="clear: both; text-align: center;"><i style="mso-bidi-font-style: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeIUxLdKSbheHRDTuHT9QbGNPI31SeHzqy0lWJXr84P8cDx8K5y-vDLTGDY_FOdSUhIgd0rDcJNvyEA_PrH5ROv3NF7ntgcIqef2i39iyT6gx5aYtZcYFNe9Dk8_7MK9c80HihS3rs67OrhPTqVPwBVEMOHfs7_MwRUGgM3v1VGpKjrTLyPUOhhA/s5120/PAC%2015%20Oct%20221.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2756" data-original-width="5120" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeIUxLdKSbheHRDTuHT9QbGNPI31SeHzqy0lWJXr84P8cDx8K5y-vDLTGDY_FOdSUhIgd0rDcJNvyEA_PrH5ROv3NF7ntgcIqef2i39iyT6gx5aYtZcYFNe9Dk8_7MK9c80HihS3rs67OrhPTqVPwBVEMOHfs7_MwRUGgM3v1VGpKjrTLyPUOhhA/w640-h344/PAC%2015%20Oct%20221.jpg" width="640" /></a></i></div><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">You write about some pretty dark
stuff. Why crime fiction? Do you have connections with the criminal underworld?
Please, fess up.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I
come from a large London family. Dad was from Stepney, East End, from a ‘shady’
family. He went to school with Charlie Kray. He was a window cleaner in Stepney
where I had a car cleaning round. Dad cautioned me about the East End but I was
in awe of the family and friends. He was a well-liked ‘gentle’ character, a
truly lovely man who did not fit and, he was right. I know this now.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">My mum was the 13<sup>th</sup>
child of 14 from Bermondsey, south of the river. A loving beautiful family full
of London humour and goodwill – everyone a socialist. “We never sing Land of
Hope and Glory because we were forced to sing it in school and we had no shoes”.
I grew up with that passion – NOTE: 14 books, revelations in book 13 – coincidence?</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Wow. That’s quite a backstory. I’m sure
there’s still a lot of unmined material there for you.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">You started out self-publishing, and your books were later
picked up by a traditional publisher, how did that happen? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">An
agent said that describing my books as comedy would not get me a publisher,
suggesting that if I self-published I would almost certainly get picked up. He
liked my books and guided me. On meeting my first publisher I was told: “I like
your <i style="mso-bidi-font-style: normal;">crime thrillers</i>. They make me
laugh, cry and think.” They marketed my books under crime thrillers.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Having experienced both sorts
of publishing, do you have any advice to pass on?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">Think
before defining your genre.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">To self-publish you need to know
what you are doing. I didn’t, but I was guided and I was lucky, or maybe naïve.
When asked whether I could do something, I answered yes, then worked out how to
do it. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I am currently with Next Chapter,
an excellent publisher. Not one of the mainstream, but certainly one of the
stronger independents. They are supportive, especially considering my books are
not ‘traditional’. A blogger in the US labels them ‘quirky’ and loves them for
that. My current publisher has opened up world-wide markets, with my books,
ebooks, paperbacks, and hardbacks now for sale in bookshops internationally. My
titles are also out in audiobook. If you self-publish that is a hell of a lot
of work and COST.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">Whichever route you take, you
will have to immerse yourself in the marketing (sigh).</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lyE-ApBcc2AUwiIhZSWRxoW7TS48O5oo2GJb0gnMVds1LVzCXKb-NKE8SgahlBCnLVRtcbMJ8qx6Qj2EbETHlsgvz7PPWn8nOpq23_UnIRaW_vIbPu8xNzQaNASLbJCIz7I9Coq7KBPAwmZ8gKxZOQaVr6vLTZF3nptR_Y000rhc3-B2i68Jxg/s5120/PAC%2015%20Oct%20222.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2756" data-original-width="5120" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lyE-ApBcc2AUwiIhZSWRxoW7TS48O5oo2GJb0gnMVds1LVzCXKb-NKE8SgahlBCnLVRtcbMJ8qx6Qj2EbETHlsgvz7PPWn8nOpq23_UnIRaW_vIbPu8xNzQaNASLbJCIz7I9Coq7KBPAwmZ8gKxZOQaVr6vLTZF3nptR_Y000rhc3-B2i68Jxg/w640-h344/PAC%2015%20Oct%20222.jpg" width="640" /></a></div><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> You’re infamous on Facebook
for your eye-rolling sense of humour and there’s a lot of dark humour in your
books. Ever think about doing stand-up?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">I
used to do after dinner speaking. These days I’m <i style="mso-bidi-font-style: normal;">too</i> serious, my books ARE serious. If I speak in public these days,
sometimes, I cry. I’m an embarrassment. Despite my outgoing persona, I love the
solitude of my study and the inside of my head.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> As a writer, what’s been your
proudest achievement?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"> Having
police officers contact me to say I have it right. I despise cliché cops: ‘Shut
it. You— my office now!’ It’s why I introduced </span><span style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pride and Prejudice</span></i></span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;"> into the police station. The central character is
Jack (nicknamed Jane) Austin (deliberate misspelling). It all grew from there.</span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> How has Portsmouth inspired
you?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Pete: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; mso-bidi-font-weight: bold;">Portsmouth
is my adopted home and I love it. Only the Larkin’s Barkin’ books are not set in
Portsmouth, being set in the past in the East End of London. These books provide
roots to how ‘Divine Breath – Sub Rosa’ evolved. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Thank you for talking to me,
Pete. You’ve given us a fascinating glimpse into the man beneath the hat.</span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoVK5YMkn41okwnTSK1Ofv8sCWcanFV-EV48SfXwstf06DYmno9DYGABbssQXRF0uh1Pv3d0B4A_9QKhanW5QTcLenePNT9_9jCvGpxzdZA1VVDUdN3WYDN2AmPtS7q7tNqf6OhmXG8mK7sQR6wXxd_ls5hN-2xcRjLS9nFvijqkpGEClxP4y-OA/s1280/9000014377__74261_zoom.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="316" data-original-width="1280" height="79" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoVK5YMkn41okwnTSK1Ofv8sCWcanFV-EV48SfXwstf06DYmno9DYGABbssQXRF0uh1Pv3d0B4A_9QKhanW5QTcLenePNT9_9jCvGpxzdZA1VVDUdN3WYDN2AmPtS7q7tNqf6OhmXG8mK7sQR6wXxd_ls5hN-2xcRjLS9nFvijqkpGEClxP4y-OA/s320/9000014377__74261_zoom.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;"><b>Find Out More About Pete</b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b>Order Pete's books from <a href="https://www.waterstones.com/author/pete-adams/2383508" target="_blank">Waterstones</a></b></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><a href="https://www.nextchapter.pub/authors/pete-adams" target="_blank"><b>Next Chapter Publishing</b></a></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><b><a href="https://www.facebook.com/Peteadamsauthor/" target="_blank">Facebook</a></b></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span face=""Arial",sans-serif" style="background: white; color: #050505; font-size: 12pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"><b>Twitter:</b> </span><span face=""Arial",sans-serif" style="background: white; color: #536471; font-size: 12pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"><b><a href="https://twitter.com/Peteadams8" target="_blank">@Peteadams8 </a></b></span></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: center;"><span style="font-size: x-large;">*</span></div><div style="text-align: center;"><span><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Missing Words</a></i></b>. </span><span style="mso-bidi-font-family: Arial;"><span>She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a></b>.</span></span></div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span><p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-42562619675742374492023-02-25T08:18:00.005+00:002023-05-24T08:58:30.097+01:00PAC Interview: Helen Salsbury<p> </p><p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Portsmouth and its environs have inspired an impressive
number of well-known writers over the years, and the area continues to be a hub of creative activity for writers of every persuasion. <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">The Portsmouth Authors Collective</a></b> was created to promote the work of the city’s
current crop of authors, and this series of interviews offers a glimpse into what they're doing.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Author Bio: Helen Salsbury’s debut novel, <i>Sometimes
When I Sleep</i>, was published in 2021. Her fiction has been published in
anthologies, and shortlisted and longlisted for a number of prizes, including
the Mslexia novel competition. She’s a trained community journalist and the
founder of the environmental writing platform </span></b><a href="http://pensoftheearth.co.uk/"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%; text-decoration: none; text-underline: none;">Pens of the Earth</span></b></a><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">.<o:p></o:p></span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span face=""Arial",sans-serif" style="font-size: 18pt; line-height: 107%;">~<o:p></o:p></span></b></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFahz9d3wtXj5jzUZSU801gj4Ezryv3w180o5zNQ30y-vdqPY7acYTNfcFY77NAC2dIoZ7DwrsbBECPdvr3Adks_Swoy6lTXYOIse-1FFRzTnR2p7rw-PstRmTJXaVYsHH9VwAlsx3O8-8xFblnPIbnfAdNRn9EGvl9zbaotB5H4osjc1_shUeiQ/s1600/Helen%20Salsbury.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1201" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFahz9d3wtXj5jzUZSU801gj4Ezryv3w180o5zNQ30y-vdqPY7acYTNfcFY77NAC2dIoZ7DwrsbBECPdvr3Adks_Swoy6lTXYOIse-1FFRzTnR2p7rw-PstRmTJXaVYsHH9VwAlsx3O8-8xFblnPIbnfAdNRn9EGvl9zbaotB5H4osjc1_shUeiQ/w640-h480/Helen%20Salsbury.JPG" width="640" /></a></div>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">We’ve known each other for a
number of years now, and have exchanged feedback on our WIPs from time to time,
but I don’t know a great deal about your journey as a fiction writer. When did
you begin writing stories?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I have a box in the attic of
the stories and stories-in-poem-form I scribbled down when I was in junior
school. I created entire imaginary worlds in my head, far more than I was ever
able to capture. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Your debut novel <b><i><a href="https://www.troubador.co.uk/bookshop/contemporary/sometimes-when-i-sleep/" target="_blank">Sometimes When I Sleep</a></i></b> is set in a brooding northern landscape which immediately
attracted me to the story. There are scenes where I could almost smell the
earth and the trees. And in one of the final scenes, my bones ached from the
cold. What came first for you—the story or the setting?<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">It was a mixture of the two. I
always knew I wanted a university setting with a certain feel. Although I
researched a number of places before settling on the Eden Valley. Once I had
that, the other landscapes evolved along with the story. A pin in the map is a
wonderful stimulus to the imagination, you attach a string to it and ask,
‘Where might my characters go from here?’<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Oh! I like that idea a lot.
I’ll have to try it. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Landscape and place are very important in my writing, too.
The settings become characters in their own right, driving the narrative
forward. How did you go about capturing these wild Cumbrian landscapes in your
novel? Were they already familiar to you?<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b>Helen: </b>I was
deeply rooted in them. My parents, my dad in particular, loved being out
amongst mountains and wilderness. Holidays and weekends involved ascents to
viewpoints and trekking across moors, building short-lived dams across rivers
and trying to swim to the other side of lakes. The Yorkshire Peaks and Dales,
the Scottish and Cumbrian mountains all felt like home to me.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I researched for <b><i>Sometimes When I Sleep</i></b> by
spending weeks in each place: notebook in hand, ordinance survey map in
backpack. What did being in this landscape feel like to Harriet and Iquis? What
might they do here?<o:p></o:p></span></p>
<p class="MsoNormal"><b><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"></span></i></b></p><blockquote style="text-align: center;"><b><i><span style="font-family: times; font-size: x-large;">‘The trees sneak up on her, solitary sentinels
that draw closer together until they surround her, the tops of their branches
reaching out to each other far above her head. They eat the light.’</span></i></b></blockquote><b><i><o:p></o:p></i></b><p></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">The woods and the river were my very first finds: nestled
in the Eden Valley in the place where I’d decided you could fit a university.
They are both real, as is so much of the landscape I wove my plot around. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Stunning!<b> <i>Sometimes When
I Sleep</i></b><i> </i>is a contemporary gothic coming-of-age novel. It’s full
of angst and moody rebellion, and we get a clear sense that Harriet is dealing
with hidden trauma from the start—the source of which is later revealed. There
are strong connections with classic gothic literature, here. Can you tell us
something about the novel’s literary influences? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">The influences are varied.
However, the strongest influences were <b><i><a href="https://en.wikipedia.org/wiki/The_Yellow_Wallpaper" target="_blank">The Yellow Wallpaper</a></i></b> and <b><i><a href="https://en.wikipedia.org/wiki/Frankenstein" target="_blank">Frankenstein</a></i></b>;
both penned by women. There is so much to admire in both novels. The use of
gothic tropes to explore psychological disturbance was at the heart of what I
set out to do.<o:p></o:p></span></p>
<p class="MsoNormal"><b><i><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><a href="https://en.wikipedia.org/wiki/Wuthering_Heights" target="_blank">Wuthering Heights</a></span></i></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> has
always influenced my writing in the way it weaves the wild elemental nature of
landscape into its narrative. That was something I wanted to riff on: <o:p></o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; text-align: center;"><b><i><span style="color: black; line-height: 150%;"><span style="font-family: times; font-size: large;">‘Iquis is
silhouetted against the raging sky.’</span></span></i></b><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 150%;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Your writing really is quite
stunning—at times it’s quite lyrical, and it’s full of sensual detail and
finely crafted imagery. Writing like that takes time. How long did it take you
to complete the first draft of your novel? And how long before the novel was
ready to submit for publication? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I started writing this novel
before I met my husband, fellow writer Richard Salsbury. We’ve been married for
16 years! So, the answer is ‘never give up!’ <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Yes! A similar experience to
me, then. ‘Perseverance’ is my motto.<o:p></o:p></span></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghnKoMT4RYcKi923wOPb3J5UTiMzORnH6e1zhT0Q49zIoXJiCVJgfckjVNb-2hEhWAITGy_k34FnG8pC4c8emI50wv08w6MTOj25TrjQM_L7OAewNBnVvkwNVLts7drLLHazJeJXMlgO9yGlTyLIAAaAHt653c3R4f9b6ZqbyGpaPHMgqpCZNThQ/s500/41IcD6P2nPL.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="500" data-original-width="323" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghnKoMT4RYcKi923wOPb3J5UTiMzORnH6e1zhT0Q49zIoXJiCVJgfckjVNb-2hEhWAITGy_k34FnG8pC4c8emI50wv08w6MTOj25TrjQM_L7OAewNBnVvkwNVLts7drLLHazJeJXMlgO9yGlTyLIAAaAHt653c3R4f9b6ZqbyGpaPHMgqpCZNThQ/s320/41IcD6P2nPL.jpg" width="207" /></a></div><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> There’s a draft zero—which
doesn’t even count as a manuscript. I’d been writing poetry, and the first
scenes of this novel were short and packed with imagery. I went on my first
Arvon writing course, with Patricia Dunker, who advised me to rip it up and
start again; and to do some in-depth research into what ideas and themes I’d
like to weave into it. <o:p></o:p></span><p></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Following a period of research (which included Victorian gothic literature, the late 20<sup>th</sup> Century Goth subculture, and of
course landscape!) I wrote my first draft. It took six months and a sabbatical
from my job. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I wrote it by hand, turning each page over once I’d written
it and refusing to allow myself to read it. I knew from experience that once I
looked back, I’d see what was wrong and get discouraged. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">The business of shaping it took years. I’m grateful to the critiquing
groups and creative writing tutors who helped me to improve as a writer, and to
my wonderful husband who was there every step of the way.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">It then went on a shelf for eight years while I worked on
developing my second novel. And only when I came back to it did I truly have
the distance to re-edit it and prepare it for publication.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Some people in the Collective are
self-published, and others are traditionally published. You’ve gone down a
hybrid route with <b><a href="https://www.troubador.co.uk/" target="_blank">Matador</a></b>. What was that like? Would you do it again?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Yes. I would do it again. It
was a good, though tough experience. Matador provide the<br /> quality of a
traditional publisher, while allowing you the freedom to make far more choices.
This is great, though overwhelming at times. I worked really hard to make sure
that everything was as good as it possibly could be: book cover, blurb,
promotional material, etc. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">It’s very much a partnership. They provided the expertise,
but I had the final say on every step of the publication process.<o:p></o:p></span></p><div class="separator" style="clear: both; text-align: left;"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face="Arial, sans-serif" style="font-size: 12pt; line-height: 107%;"> What was the most challenging
part of the writing journey for you? Did you have any particular surprises
along the way?</span></div>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">The hardest thing is the inner
critic. It turns up most days, telling me what I’m doing wrong and that I’ll
never be good enough, comparing me to other writers (many of them award
winning!) and suggesting that I don’t even start.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I have all sorts of inspirational material on my wall to
help overcome this. But ultimately, it’s practise and discipline which gets me
writing, day after day, despite the fear, despite the negative voices. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I find that I frequently
return to the same themes in my writing, not always intentionally. Are there
particular themes or ideas that haunt your writing?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">How landscape shapes us and
our relationship with ourselves. The search for healing, redemption and
meaning. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I also like to have fun. Creativity and self-expression in
all their forms fascinate me, and I often explore this in some way: art,
philosophical thought, literature, songs, poetry. They all have a place within
my writing. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> You’re the founder of <b><a href="https://pensoftheearth.co.uk/" target="_blank">Pens of the Earth</a></b>, a website that publishes local writing on ecological themes. How did
that come about?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I wanted to give something
back to the local writing community. This was something I felt passionate
about. I’d been covering some wonderful environmental initiatives as a reporter
for Star & Crescent, and I felt that by combining these two things we could
create something informative and empowering.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">We publish articles, video clips, stories and poems; we
also run workshops and provide spoken word performances for a variety of
events. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Although we started off with local themes, and continue to
work with local environmental experts, we’ve gradually widened our reach and
accept work both nationally and perhaps one day internationally. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">What advice would you give to
people just starting out?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Have fun. Create space. Don’t
take it too seriously. Write! The more you write the better you will get. Find
other writers: for inspiration, companionship, encouragement, shared expertise,
and feedback.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">When it comes to feedback, finding the right people is
essential. You need someone with a dispassionate, critical-but-kindly eye who
can help you make your writing more what you want it to be. Joining
well-established writing groups or attending creative writing workshops is a
good place to start. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Check out Helen’s hints and tips for writers, <b><a href="https://www.helensalsbury.com/?page_id=422" target="_blank">HERE</a></b>,
on her website. </span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"> Are you working on anything
at the moment that you can tell us about?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Helen: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Yes. My second novel. <b><i>The
Worry Bottles</i></b><i>. </i><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">A stressed businesswoman acts out a coping mechanism by
writing down the things which worry her and putting them into bottles which she
throws into the Bristol Channel.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Matthew, a painter who has retreated from the world to live
in isolation on Haffrey Island, finds them and they cause ripples in his
existence. He starts to look out for the bottles. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">Thank you so much for joining
me, today, Helen. It’s been really encouraging to hear your story. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></p><p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><span style="mso-spacerun: yes;"><br /></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mSjQ7YAYny8RLg5JquJLDzkaNpfVMHzxY5UtbVpSWaqSv0_hWwxejX8jkJuj26XCpVQsTsbwPf0scHQX-TyX9HJUKzHknVIeJDunDgnsy1vGdW1MFgkEnZN4K2RtQMBg-9YHivom5R5JQEV0lg2lPKmSutrUOLEixAQD47GOnpx8UC7rn_rP1w/s2681/IMG_20230123_181739.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="2681" height="66" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mSjQ7YAYny8RLg5JquJLDzkaNpfVMHzxY5UtbVpSWaqSv0_hWwxejX8jkJuj26XCpVQsTsbwPf0scHQX-TyX9HJUKzHknVIeJDunDgnsy1vGdW1MFgkEnZN4K2RtQMBg-9YHivom5R5JQEV0lg2lPKmSutrUOLEixAQD47GOnpx8UC7rn_rP1w/w400-h66/IMG_20230123_181739.jpg" width="400" /></a></div><br /><p class="MsoNormal" style="text-align: center;"><b style="font-family: Arial, sans-serif; font-size: 12pt;">Find Out More About Helen</b></p><p class="MsoNormal" style="text-align: left;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b>Website: <a href="http://HelenSalsbury.com">HelenSalsbury.com</a></b></span></p><p class="MsoNormal" style="text-align: left;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b>Twitter: <a href="https://twitter.com/HelenSalsbury" target="_blank">@HelenSalsbury</a></b></span></p><p class="MsoNormal" style="text-align: left;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b>Facebook: <a href="https://www.facebook.com/HelenSalsburyWriter/" target="_blank">Helen Salsbury - Writer</a></b></span></p><p class="MsoNormal" style="text-align: left;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"><b>Matador: <i><a href="https://www.troubador.co.uk/bookshop/contemporary/sometimes-when-i-sleep/" target="_blank">Sometimes When I Sleep</a></i></b></span></p><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; text-align: center;"><span style="font-size: x-large;"><b>*</b></span></div><p class="MsoNormal" style="text-align: center;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;"></span></p><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif;"><p class="MsoNormal" style="text-align: center;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/2023/01/portsmouth-authors-collective-interview.html" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Portsmouth Authors Collective</a></b>.</p></div><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-63382011761425265332023-02-11T06:00:00.005+00:002023-05-24T08:58:50.894+01:00PAC Interview: Wendy Metcalfe<div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;"><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">ThePortsmouth Authors Collective</a></span></b><span style="font-size: 12pt; line-height: 107%;"> includes authors from all genres of fiction and non-fiction
books, including a number of Science Fiction/Fantasy authors. This week, I am
pleased to be interviewing the first of these SSF authors, Wendy Metcalfe, a
prolific short story writer, and the author of the novels <i><b><a href="https://www.amazon.co.uk/Panthera-Death-Song-Wendy-Metcalfe-ebook/dp/B00MMSBZJ8/ref=sr_1_1?crid=1NEY4CESH63YE&keywords=Wendy+Metcalfe&qid=1674204046&sprefix=wendy+metcalfe%2Caps%2C505&sr=8-1" target="_blank">Panthera: Death Song</a></b></i> and <i><b><a href="https://www.amazon.co.uk/Panthera-Death-Spiral-Mrs-Metcalfe/dp/1491068191/ref=sr_1_2?crid=A10HJ8VGICU8&keywords=Panthera+Death+Spiral&qid=1674204185&sprefix=panthera+death+spiral%2Caps%2C174&sr=8-2" target="_blank">Panthera: Death Spiral</a></b>.</i><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Author’s
Bio: Wendy Metcalfe is a science fiction and fantasy writer. She has an MA in
Creative Writing from the University of Portsmouth, and is Chairwoman of Havant
and District Writers' Circle. She regularly performs her work with spoken word
group T'Articulation, and is a regular panellist at science fiction
conventions.<o:p></o:p></span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-size: 18pt; line-height: 107%;">~<span style="color: red;"><o:p></o:p></span></span></b></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPhiricvPuycIo0GGf9gr0hJEFvnNyrr7D0p5Lq9LMUPTOQv7S0CeOXVgm1bM9Iy7Js71OMP8zKHUXq5EASK_aza89BpPvW7pPT5owO_KrMAM--rqB3G2dfW4nx1pL2MObeqgtKxl-SXh2OSBbHTn1bR5QhVvv8tU3cwn_H20eSouA7_eZkTyZww/s5120/PAC1-001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4096" data-original-width="5120" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPhiricvPuycIo0GGf9gr0hJEFvnNyrr7D0p5Lq9LMUPTOQv7S0CeOXVgm1bM9Iy7Js71OMP8zKHUXq5EASK_aza89BpPvW7pPT5owO_KrMAM--rqB3G2dfW4nx1pL2MObeqgtKxl-SXh2OSBbHTn1bR5QhVvv8tU3cwn_H20eSouA7_eZkTyZww/w640-h512/PAC1-001.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: left;"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> Thanks for joining me, Wendy. We’ve
known each other for quite a few years, now, but there’s so I’m glad to have
the opportunity to find out more about you and your writing—so thanks for
agreeing to the interview.</span></div>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">I’m
interested in how people first came to writing, and I believe you used to
practice Law—is that right? Did you always write on the side, or did the
writing come later?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">I qualified as a Solicitor back in
1980, and worked in the profession for a dozen years. I became what Julia
Cameron in her book The Artist's Way calls a shadow artist. I chose a
profession which used words, but I always wanted to be a writer. I always took
my lunch break to sneak off and write somewhere, and often I'd arrive at work
very early and write in an early-opening café before going in to work. Writing
kept me sane through a series of jobs I didn't enjoy.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> Science Fiction has been a major
cultural influence for the past couple of hundred years. What first attracted
you to the genre?<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;"><b>Wendy: </b>I
was introduced to science fiction by my ex-husband back in the late 1970s. I
have Lambeth Library in London to thank for discovering that women write
science fiction too. When I worked for the Greater London Council I would get
six books a week out of that library to read on my commute. It was discovering
authors like <b><a href="https://www.fantasticfiction.com/m/anne-mccaffrey/" target="_blank">Anne McCaffrey</a></b>, <b><a href="https://www.fantasticfiction.com/c/c-j-cherryh/" target="_blank">C.J. Cherryh</a></b>, and <b><a href="https://www.ursulakleguin.com/" target="_blank">Ursula le Guin</a></b> there which told
me that women did have a place in the genre. Today most of my favourite authors
are female. Their works cover feminist issues, gay and minority rights, and
environmental issues. Those authors have told me I do have a place in the
genre.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12pt; line-height: 107%;">Yes, it’s odd that Science Fiction
has this reputation for being a sort of boys’ club, but it’s good to see the
diversity there, too. What have your favourite authors taught you about world
building and story-telling?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">Where to start? I don't generally
like military science fiction, but <b><a href="http://www.elizabethmoon.com/" target="_blank">Elizabeth Moon</a></b>'s <i><b>Serrano Legacy</b></i>
and <i><b>Vatta's War</b></i> and <i><b>Vatta's Peace</b></i> I love because
they show how the military serves civilians. C.J. Cherryh blew me away
with her <i><b>Chanur</b></i> books. The first book, published back in 1981,
has the most details descriptions of how to operate an interstellar starship
I've ever read. And the stories are told from an alien viewpoint.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">One recent
favourite is <b><a href="https://www.otherscribbles.com/" target="_blank">Becky Chambers</a></b>. Her characters are the most gloriously
multi-cultural misfit starship crews you'll ever find. <b><a href="https://www.arkadymartine.net/" target="_blank">Arkady Martine</a></b>'s
books about the sprawling Teixcalaani Empire I also love. I'm not usually a fan
of empires, but these stories are told from the viewpoint of an outsider
diplomat and are rich in detail. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;"><a href="https://nnedi.com/" target="_blank">Nnedi Okorafor</a></span></b><span style="font-size: 12pt; line-height: 107%;"> is an
author of Nigerian heritage, and her books draw on her Himba heritage to
provide a rich cultural backdrop for her stories.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;"><a href="https://www.garethlpowell.com/" target="_blank">Gareth L Powell</a></span></b><span style="font-size: 12pt; line-height: 107%;">'s <b><i>Embers
of War</i> </b>trilogy had me falling in love with a smart and sassy sentient
starship, and <b><a href="https://www.marthawells.com/" target="_blank">Martha Wells</a></b>' <b><i>Murderbot</i> </b>diaries, the
first-person stories of a half-human half-robot construct, are the most human
portrait of a person you will ever meet.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> Science Fiction and Fantasy have
become tied together in recent years, but aren’t they two different genres? Any
thoughts on that, from an insider’s point of view? <o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-size: 12pt; line-height: 107%;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNdpdUuQTYhaxK_GBQeHSmvvk8g0p8r0sqzARXIKkY0l39sYF4W-4YV5mvBQ1FcWhFo7YbD9740-Y1cHx2uCuGlj9XyHkr7yea3V9r5NR4P-xeefpb7MhELcBRpbFaO7qy7orBm7lcGIXoZ3B5j_AYk7KZzNA5p87scgxOgdm-1HTCc29mgjf2RQ/s800/1-Wendy.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="800" data-original-width="597" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNdpdUuQTYhaxK_GBQeHSmvvk8g0p8r0sqzARXIKkY0l39sYF4W-4YV5mvBQ1FcWhFo7YbD9740-Y1cHx2uCuGlj9XyHkr7yea3V9r5NR4P-xeefpb7MhELcBRpbFaO7qy7orBm7lcGIXoZ3B5j_AYk7KZzNA5p87scgxOgdm-1HTCc29mgjf2RQ/w149-h200/1-Wendy.jpg" width="149" /></a></b></div><p></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">There are still purists who like to
keep science fiction and fantasy separate, but these days all sorts of mash-ups
can be found under the title of speculative fiction. I've just written a story
about a dragon starship navigator for an anthology which wanted dragons in
unusual settings. A second story I wrote was about a strange throne. Does it
have magical powers, or is it an alien artefact? My characters can't decide. That's
how the lines get blurred these days.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12pt; line-height: 107%;">You’ve published two books—<i><b>Panthera:
Death Spiral</b></i> and <i><b>Panthera: Death Song</b></i>. Can you give us a
glimpse into the Panthera world?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">The Panthera books combine two of my
big loves—big cats and sentient artificial intelligences. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">Panthera is
a sentient artificial intelligence in cat form, and he's on the run, avoiding
the fate of being turned into a military weapon. The other main character is
Ren, a wildlife conservationist. In a way she's on the run too, relocating a
litter of endangered kingcat cubs across the galaxy to keep them safe.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">The books
gave me a chance to talk about issues relating to the destruction of the
natural world and the exploitation of other creatures for human greed.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12pt; line-height: 107%;">I find that I frequently return to
the same themes in my writing, not always by intention. Are there particular
themes or ideas that haunt your writing?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">I keep coming back to writing
characters who are defending isolated unspoiled worlds. The current novel I'm
editing is about wildlife vets in space who relocate and heal endangered
animals. Themes of habitat destruction and human overpopulation feature in most
of my work.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">More
recently I've started to out my characters as childfree by choice aromantic
asexuals. They'd always been that way, but now I'm using their identities to
explore those issues, too.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> I know you sometimes write in
cafes—something I find hard to do. Is that your preferred writing space? How do
you cope with the distractions?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">Cafes are one of my preferred writing
spaces. I write the first drafts of everything longhand, so writing with a
cappuccino to hand is part of my daily routine. My favourite café has wing
chairs in a large window, and I'll sit there and write all morning if the ideas
are flowing.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">I can cope
with the normal level of background conversation just fine, but very loud
people or screaming children have me heading swiftly for the door.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12pt; line-height: 107%;">You’re the chairperson of the <b><a href="https://www.facebook.com/groups/1442362206026888/" target="_blank">Havantand District Writers’ Circle</a></b>. How does belonging to a writing group help with
your own projects?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">I've been part of Havant Writers on
and off for over thirty years now. I was a member for many years as a youngish
but clueless writer. Over the years I've been Secretary, Treasurer, and now I'm
Chairwoman of the group.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">I've been in
many writing groups over the years, and Havant Writers stand out as a special
group. Writer <b><a href="https://charliecochrane.wordpress.com/" target="_blank">Charlie Cochrane</a></b> described the group as 'scarily good'. We have
regular manuscript evenings where I get honest and detailed feedback on my work
from people whose opinions I trust. If they're telling me that something is
confusing, then I need to fix it.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> What’s your writing process like? Do
you write every day? Do you have multiple projects on the go at the same time? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">I don’t have a day job, and I write
on every normal day. During lockdown I reorganised my workroom and cleared off
a desk just for writing. I wake early so I'm often at my desk at 5.30 a.m. with
a cup of Earl Grey tea. If I'm working on a new project I'll write for a couple
of hours, then go out to a coffee shop and write for another hour or so. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">I put the
chapters I'm working on into a plastic wallet with my notebook. I also always
have another wallet which contains my character table, copies of any maps I've
made, starship plans, and any other details I need. I've just finished writing
a fantasy novella for which I needed to have the times of watches aboard square
riggers with me.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">After lunch
I'll fire up the laptop and type up my handwritten drafts, which functions as
the first edit. I may do more writing in the afternoon, or not, depending on my
diary.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">I'm often
editing one piece and writing a new manuscript at the same time. They're
different disciplines, and I find it helps my concentration to switch from one
to the other.<o:p></o:p></span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7tY1VQpwzpHRFali7xrHdWe-qotwhMydrwvoYAVZJxm7ezqNIeoupUMJzsn2fuXW2Fejmh2klbyutaFDb6VAub6HH7948kbcpoLR8piWdFf2gX_mh8DfcEaviefdQxKzhFj-Gb7fZaUAeLkTIMbdMysqWFrWOlQxZzfEbg974amnJ9DMXxw3irQ/s5120/PAC-012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4096" data-original-width="5120" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7tY1VQpwzpHRFali7xrHdWe-qotwhMydrwvoYAVZJxm7ezqNIeoupUMJzsn2fuXW2Fejmh2klbyutaFDb6VAub6HH7948kbcpoLR8piWdFf2gX_mh8DfcEaviefdQxKzhFj-Gb7fZaUAeLkTIMbdMysqWFrWOlQxZzfEbg974amnJ9DMXxw3irQ/w640-h512/PAC-012.jpg" width="640" /></a></div><p class="MsoNormal" style="text-align: left;"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> What’s been the most challenging
part of the writing journey for you? Have you had any particular surprises
along the way?</span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy: </span></b><span style="font-size: 12pt; line-height: 107%;">The most challenging part of the
journey has been around trying to get published. Trying to persuade someone to
buy my work is a hell which regularly challenges my self-esteem and triggers
Imposter Syndrome. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; line-height: 107%;">The biggest
surprise has been how welcoming the community of science fiction and fantasy
writers has been. I've made several Twitter friendships which have led to
in-person meetings later at a convention.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree:</span></b><span style="font-size: 12pt; line-height: 107%;"> Can tell us about any of your
current projects?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Wendy:</span></b><span style="font-size: 12pt; line-height: 107%;"> I've just finished writing a fantasy
novella featuring sailing dwarves. That's about to go off to a beta reader. I'm
now plotting out a second series of novellas, and I have the first draft of the
new novel I wrote last year to edit.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="font-size: 12pt; line-height: 107%;">Loree: </span></b><span style="font-size: 12pt; line-height: 107%;">It’s been a really fascinating talk,
Wendy. Thank you so much for joining me. <o:p></o:p></span></p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm94CrvStz2hZ_ZvTi-11PCrYBuIgfHf50FCK4Lw6kbGdP9i62zrF3oaTBI60Jns6b2CDw48vz6n63b3uIgiEKJE9YKeSM7yCI6KiIqfuVllxOEoLwNS2LupuulHAaHjYow8vMsCRvKwDAHb2QOcfFeGbbFGPaul_ExwGJDW2jniW_NPxhtZ1Bvw/s995/pen1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="114" data-original-width="995" height="37" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm94CrvStz2hZ_ZvTi-11PCrYBuIgfHf50FCK4Lw6kbGdP9i62zrF3oaTBI60Jns6b2CDw48vz6n63b3uIgiEKJE9YKeSM7yCI6KiIqfuVllxOEoLwNS2LupuulHAaHjYow8vMsCRvKwDAHb2QOcfFeGbbFGPaul_ExwGJDW2jniW_NPxhtZ1Bvw/s320/pen1.jpg" width="320" /></a></div><br /><p style="text-align: center;"><b>Find Out More About Wendy</b></p><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><b>Blog:</b> <b><a href="https://wendymetcalfe.blogspot.com/" target="_blank">Wendy Metcalfe</a></b><div><br /></div><div><b>Twitter:</b> <b><a href="https://twitter.com/WendyMetcalfe1" target="_blank">@WendyMetcalfe1</a></b></div><div><br /></div><div><b>Buy <a href="https://www.amazon.co.uk/Panthera-Death-Spiral-Mrs-Metcalfe/dp/1491068191/ref=sr_1_10?crid=390LV5EPR65Q3&keywords=Panthera%3A&qid=1673723312&s=books&sprefix=panthera+%2Cstripbooks%2C152&sr=1-10" target="_blank">Panthera: Death Spiral</a></b></div><div><br /></div><div><b>Buy <a href="https://www.amazon.co.uk/Panthera-Death-Song-Wendy-Metcalfe-ebook/dp/B00MMSBZJ8/ref=sr_1_8?crid=390LV5EPR65Q3&keywords=Panthera%3A&qid=1673723286&s=books&sprefix=panthera+%2Cstripbooks%2C152&sr=1-8" target="_blank">Panthera: Death Song</a></b></div><div style="text-align: center;"><span style="font-size: x-large;"><b>*</b></span></div><p style="text-align: center;"><span><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Missing Words</a></i></b>. </span><span style="mso-bidi-font-family: Arial;"><span>She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/2023/01/portsmouth-authors-collective-interview.html" target="_blank">Portsmouth Authors Collective</a></b>.</span></span> </p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-9387372426771988492023-01-28T06:00:00.024+00:002023-05-24T08:59:17.483+01:00PAC Interview: Rob Ulitski<p> </p><p class="MsoNormal"><span face=""Arial",sans-serif" style="background: white; color: #757575; font-size: 11.5pt; line-height: 107%;">In the second of my interviews
with members of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank"><span style="color: #32c9f4;">Portsmouth Authors Collective</span></a> </b>I
talk to the filmmaker and horror writer Rob Ulitski.</span><span style="font-size: 12pt; line-height: 107%;"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Author Bio: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob writes visceral, concept-driven horror
stories, anchored by complex characters and offbeat narratives. Having trained
in filmmaking, and working as a director and producer on everything from music
videos to shorts to feature-length anthology films, Rob’s official writing
journey started in 2020. When not writing, he can be found watching cheesy 90’s
films, baking cakes and haunting local bookstores.<o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span face=""Arial",sans-serif" style="color: black; font-size: 20pt; line-height: 107%; mso-themecolor: text1;">~<o:p></o:p></span></b></p><p align="center" class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZvk4FWIhRNLHoUaDDZEw_ONg0brdBZoesbMTbUNZBQQzfbhpKSiYgZ82X56IJSFKWJ2tRKt8iVHhQ8FR_oD2qoi2UY8izBzPpsoDYYGJAV-7Algu3eUSQxVq6wGn6OkYZ6AyRgoUY_7nb5OTsVEqa62F3Azl0suqNuC4AqKVUzjNqBqZ18LZQig/s5120/PAC-009.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2756" data-original-width="5120" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZvk4FWIhRNLHoUaDDZEw_ONg0brdBZoesbMTbUNZBQQzfbhpKSiYgZ82X56IJSFKWJ2tRKt8iVHhQ8FR_oD2qoi2UY8izBzPpsoDYYGJAV-7Algu3eUSQxVq6wGn6OkYZ6AyRgoUY_7nb5OTsVEqa62F3Azl0suqNuC4AqKVUzjNqBqZ18LZQig/w640-h344/PAC-009.jpg" width="640" /></a></b></div><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> I’ve only met you once—at the launch of <i>Fleshed
Out</i>, your collection of body horror short stories (congratulations, by
the way)—so perhaps you can tell us a bit more about yourself. Where are you
from, what kind of dog do you have…that sort of thing. Oh yeah—and you also
make films. Tell us about that, too.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Thank you so much! I’m from Portsmouth,
studied at the University for the Creative Arts in Farnham and then spent a
year in London, before moving back here. Filmmaking was my first passion, I’ve
loved horror since I was about ten years old, and my driving goal in life has
always been to create horror projects. Initially, this was just through
filmmaking, but it’s now grown to fiction too. Aside from that, I love baking,
photography and walking. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> So—body horror. What’s <i>that </i>about?
You seem like a pretty mild-mannered kind of guy, but clearly there’s a lot of
weird stuff going on beneath the surface. Perhaps you can start out with a
definition. What exactly is body horror? <o:p></o:p></span></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgdDITudoctP0tAseAfaUvVvLlUQd6RAmlRV2K_tMcALjBh2K0s-8L0uVLSV_U7vSzb1RfaK8vGk5ZH-On-JllDXNiHS9I1sPzYvcoCFQcL9iikkKzMFAw4gtU19_FD3-Z13QYMVy7xj3NwDBd89bpOTmIXRe_3Yh83DojxdF2jQUP0H0v1w8dWjg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" data-original-height="510" data-original-width="450" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgdDITudoctP0tAseAfaUvVvLlUQd6RAmlRV2K_tMcALjBh2K0s-8L0uVLSV_U7vSzb1RfaK8vGk5ZH-On-JllDXNiHS9I1sPzYvcoCFQcL9iikkKzMFAw4gtU19_FD3-Z13QYMVy7xj3NwDBd89bpOTmIXRe_3Yh83DojxdF2jQUP0H0v1w8dWjg" width="212" /></a></div><a name="_Hlk122854059"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob:</span></b></a><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">So, I’d define body horror at its simplest
form as a range of defects that happen to the body—be it disease, destruction
or mutation. I think the actual scope of body horror is quite wide, but that’s
certainly a starting point. I’ve always been interested in body horror,
probably because I’ve struggled with health anxieties in the past, and it’s a
way of facing that fear, and in a strange way, a form of catharsis. <o:p></o:p></span><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Okay, let’s get down to the nitty gritty.
What draws you to this particular sub-genre of the long-respected field of
horror writing? Feel free to tell us your darkest secrets. We’re all friends,
here. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Of all of the forms of horror, I find body
horror the scariest. If you think about it, we are all trapped within our
bodies, and there is very little we can do if they get harmed or altered in any
way. The fact that we can’t run away from or escape these scenarios is a form
of primal fear, and not only can I create some really horrific concepts from
these, but it’s much easier to create empathy for a character if they’re going
through such an ordeal.<span style="mso-spacerun: yes;"> </span><b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> Ever freak yourself out? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob:<span style="mso-spacerun: yes;"> </span></span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">If I get freaked out by the first spark of an idea, that’s how I know
it’s a good one. I just have to make sure I carry that fear through to the
final story, and if it’s still there once I’ve shaped it, I think my work is
done! <b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"><span style="mso-spacerun: yes;"> </span>At
your book launch, I believe you said your favourite story in the collection is
‘Carnage’. Can you give us a synopsis and say more about why that story has a
particular importance for you?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Sure thing. I’m actually going to borrow the
synopsis that one reviewer on <b><a href="https://www.goodreads.com/book/show/62680961-fleshed-out?from_search=true&from_srp=true&qid=wSxIhy2YZp&rank=5" target="_blank">Goodreads</a></b> wrote, as I think it sums it up
perfectly. <i><b>Lezlie The Nerdy Narrative</b></i> says: </span></p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p class="MsoNormal" style="text-align: left;"><span style="color: black; font-family: georgia; font-size: large; line-height: 107%; mso-themecolor: text1;"><i><b>Carnage is Speed meets
The Blob if it were directed by Michael Bay. Morgan finds himself in a
situation that many of us will sadly relate to: his girlfriend admits to cheating
on him…with his brother. Fuelled by rage, explosive anger and deadly intent,
Morgan starts a chain of events that leads to unimaginable horrors that have
long lasting repercussions.</b></i></span></p></blockquote>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">‘Carnage’ is just pure
anger instilled into a story. My work is usually quite nuanced, the characters
all live in the grey area of right vs wrong, so writing this story allowed me
to just go full throttle descent into rage.<b> </b>It was my favourite writing
experience to date, and arguably the most cinematic story of this collection
(though it would probably be that B-movie you’d find on VHS at the back of the
video store back in the 80’s). <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Who are your favourite writers, and what have
they taught you about story writing?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">My favourite writers are <b><a href="https://en.wikipedia.org/wiki/Junji_Ito" target="_blank">Junji Ito</a></b> (who
creates a lot of body horror manga) and <b><a href="https://en.wikipedia.org/wiki/Koji_Suzuki" target="_blank">Koji Suzuki,</a></b> who wrote <b><a href="https://en.wikipedia.org/wiki/Ring_(Suzuki_novel)" target="_blank">The Ring</a></b> (which
was later adapted into Ringu in Japan, and The Ring in the US in 2002). Ito
taught me about the nuance of body horror and character, and the uncanny nature
of the subgenre. Suzuki taught me patience with how a story should unfold—I’ve
always been a <i>get in and get it done</i> kind of writer, yet Suzuki is
excellent at drawing out dramatic situations, and allowing the horror to come
from a slow build, so it’s really helped me get a little more patient. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Did you study prose story writing at all when
you were at university, or were you focused solely on film?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">I haven’t had any formal training in writing
fiction in an educational setting. However, I have worked extensively with my
mentor and friend Alex Davis, who is a brilliant author and teacher in his own
right. When I was writing <b><i><a href="https://godless.com/products/fleshed-out-by-rob-ulitski" target="_blank">Fleshed Out</a></i></b>, we had weekly review
sessions, and I owe a huge amount to him for really helping get me ready to
write in this format.<b> <o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> What does the writing process look like for
you? Do the stories arrive fully formed, or do they take time to develop? Do
you test your writing out on beta readers or workshop partners?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">I usually get a scene, or a vignette. With
‘Crystalline’, it was a woman who had crystals in her face, and popped them out
like acne. From there, I try and give it context—e.g. why is this happening to
this character at this time?—and then build the story from there. This is my
first release, so I haven’t use beta readers per se, but Alex (mentioned above)
and my sister read my drafts at different stages, so they were very much
integral to the process.<b> <o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">You’re from the mean streets of Portsmouth, I
believe. Has the city influenced your writing at all?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">That’s right! I wouldn’t say the city has
influenced my writing as such, but I do find a parallel between Portsmouth and
the settings of stories I’m really drawn to, such as The Ring – wet, somewhat
isolated and crawling with interesting characters.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> The collection is self-published—is that
right? What was the experience like? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">That’s right! For me, there wasn’t really
another viable option, as it’s my first release, and I’m not sure I would have
gone for a publishing deal even if it had somehow been offered. For me,
self-publishing means I get to stay in control of the marketing and every
aspect of the process. Aside from the actual writing, it was important to me
that I got to commission and lead the design of the cover and the book, the launch
plan, the merch etc, as the book was just one part of the overall release plan.
So whilst it was definitely a learning experience, I am committed to being
self-published now, and slotting it within a wider horror ecosystem as I move
forward. <o:p></o:p></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZvk4FWIhRNLHoUaDDZEw_ONg0brdBZoesbMTbUNZBQQzfbhpKSiYgZ82X56IJSFKWJ2tRKt8iVHhQ8FR_oD2qoi2UY8izBzPpsoDYYGJAV-7Algu3eUSQxVq6wGn6OkYZ6AyRgoUY_7nb5OTsVEqa62F3Azl0suqNuC4AqKVUzjNqBqZ18LZQig/s5120/PAC-009.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2756" data-original-width="5120" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZvk4FWIhRNLHoUaDDZEw_ONg0brdBZoesbMTbUNZBQQzfbhpKSiYgZ82X56IJSFKWJ2tRKt8iVHhQ8FR_oD2qoi2UY8izBzPpsoDYYGJAV-7Algu3eUSQxVq6wGn6OkYZ6AyRgoUY_7nb5OTsVEqa62F3Azl0suqNuC4AqKVUzjNqBqZ18LZQig/w640-h344/PAC-009.jpg" width="640" /></a></div><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"><br /></span><p></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> Merch? You have merch!? Now I <i>am</i>
impressed. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Film making has formed a
big part of your career. Any plans to make films of your stories?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">It has, I started working on film sets when I
was 13, and it’s always been my main passion. The big problem, as with every
other filmmaker I know, is getting the money to fund projects that are of a
good enough quality to represent you as a filmmaker. Exploring fiction has been
very freeing in terms of writing ideas that are big, bold and unabashed, and
that has been one of the highlights of the journey for me. I was looking at
adapting ‘Crystalline’ into a feature, initially, but realised it works best as
a short story. So I am now considering packaging it as an anthology project for
streaming. We’ll see how that develops! <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> Have you had any particular surprises along
the way?<o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">I think quite honestly, the biggest surprise is
just the fact that I can do it. I’ve always had a knack for visuals, and for
scriptwriting, but both processes are entirely different beasts. At the start
of this journey, I wasn’t sure that I would be able to tackle fiction in a way
that would translate well to a reader, but I’ve now gained so much confidence
with my writing, that I can’t wait to write another one! <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Loree:</span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"> What’s next? <o:p></o:p></span></p>
<p class="MsoNormal"><b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">Rob: </span></b><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;">I’ve just finished outlining my next project,
a novella that explores body horror and technology, which I’m really excited
about. I’ve also just finished the first draft of a feature film script, and am
launching my horror production company at the end of January. So plenty to keep
me busy!<b><o:p></o:p></b></span></p><p class="MsoNormal" style="text-align: center;"><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"></span></p><div class="separator" style="clear: both; text-align: center;"><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPU7AxFOpNs_KaJj4339LVw3WToXU9YajPajj1lgSgMRKSrzzXzRbKstOQluFZsl-bo1Udq3RgiQl6goL_R2WaYcCCp-TiGMJbUtQ90UdiGSBMv11W7KNmm7_No0R1D0CSYabiGlYFbzs7zb3xcjgIzpEMYOYDvBkv1Cg4fQEb7zx2yo0M_QMkSw/s703/356518123.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="174" data-original-width="703" height="79" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPU7AxFOpNs_KaJj4339LVw3WToXU9YajPajj1lgSgMRKSrzzXzRbKstOQluFZsl-bo1Udq3RgiQl6goL_R2WaYcCCp-TiGMJbUtQ90UdiGSBMv11W7KNmm7_No0R1D0CSYabiGlYFbzs7zb3xcjgIzpEMYOYDvBkv1Cg4fQEb7zx2yo0M_QMkSw/s320/356518123.jpg" width="320" /></a></span></div><p></p><p class="MsoNormal" style="text-align: center;"><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"><b>Find Out More About Rob</b></span></p><p class="MsoNormal" style="text-align: center;"><span face=""Arial",sans-serif" style="color: black; font-size: 12pt; line-height: 107%; mso-themecolor: text1;"><b><br /></b></span></p><p class="MsoNormal" style="text-align: left;"><span face="Arial, sans-serif"><b>Website: <a href="https://www.robwriteshorror.com/" target="_blank">RobWritesHorror</a></b></span></p><p class="MsoNormal" style="text-align: left;"><span face="Arial, sans-serif"><b><a href="https://www.instagram.com/robwriteshorror/" target="_blank">RobWritesHorror</a> on Instagram</b></span></p><p class="MsoNormal" style="text-align: left;"><span face="Arial, sans-serif"><b><a href="https://www.tiktok.com/@robulitski" target="_blank">TikTok</a></b></span></p><p class="MsoNormal" style="text-align: left;"><span face="Arial, sans-serif"><b>Twitter: <a href="https://twitter.com/robulitski" target="_blank">@robulitski</a></b></span></p><p class="MsoNormal" style="text-align: left;"><span face="Arial, sans-serif"><b>Buy the Book: <i><a href="https://godless.com/products/fleshed-out-by-rob-ulitski" target="_blank">Fleshed Out</a></i></b></span></p><p class="MsoNormal" style="text-align: center;"><span face="Arial, sans-serif" style="font-size: x-large;"><b>*</b></span></p><p class="MsoNormal" style="text-align: center;"><span face="Arial, sans-serif" style="color: black; line-height: 107%;"><span><span face="Roboto, sans-serif" style="background-color: white; color: #757575; text-align: left;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Missing Words</a></i></b>. </span><span face="Roboto, sans-serif" style="background-color: white; color: #757575; text-align: left;">She has an MA and a PhD in Creative Writing, and is the founder of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a></b>.</span></span></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-73349203730557625822023-01-21T06:00:00.046+00:002023-05-24T08:59:50.560+01:00Review: The Louisiana Purchase by Jim Goar<p><span style="background-color: white; color: #333333;"></span></p><div class="separator" style="clear: both; font-family: "DejaVu Sans", serif; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHtWBNnpM1SE-r8Yi4cSoiU0e0sgLerMmcoBPwXoHHw1wGwUlMJB_XfEo1g6uNx_Jyf0FFonuuZzH5-K8-vSjLcgVzyg8-xI32NV02jJ0Z_uljr0TuNJtOiaOA3qPzdEomJVlhZ3eX8qKAGPR4paHd3NQyJpqzwIErElWQvNOsulTVVH00dsltuw/s500/The%20Louisiana%20Purchase.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="479" data-original-width="500" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHtWBNnpM1SE-r8Yi4cSoiU0e0sgLerMmcoBPwXoHHw1wGwUlMJB_XfEo1g6uNx_Jyf0FFonuuZzH5-K8-vSjLcgVzyg8-xI32NV02jJ0Z_uljr0TuNJtOiaOA3qPzdEomJVlhZ3eX8qKAGPR4paHd3NQyJpqzwIErElWQvNOsulTVVH00dsltuw/s320/The%20Louisiana%20Purchase.jpg" width="320" /></a></div></div><p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">When historical research is used to recreate the
past on the page, it can offer us a view into a vanished world. It can educate
us about facts while entertaining us with narrative. When historical research
is used creatively, by exploring what is not known as well as what is, it can
offer powerful insights not only into the past but also into our contemporary
world. As a PhD student engaged in the creative use of research into the
history of the American West I came eagerly to Jim Goar’s <i style="font-weight: bold;"><a href="https://www.amazon.com/Louisiana-Purchase-Jim-Goar/dp/0984616632/ref=sr_1_1?crid=198TUE0PTE3AS&keywords=Jim+Goar&qid=1673696410&sprefix=jim+gear%2Caps%2C551&sr=8-1" target="_blank">The Louisiana Purchase</a> </i>(sadly now out of print). <br />
<br />
In the Author’s Note at the front of the book Goar sets the context for what
follows: at the beginning of the nineteenth century, the United States acquired
that portion of the continent, south of British-held territories, which at its
widest point extended from the Mississippi River to the Rocky Mountains.
Commonly known as the <b><a href="https://en.wikipedia.org/wiki/Louisiana_Purchase" target="_blank">Louisiana Purchase</a></b>, this vast area of some 820,000
square miles was largely unexplored. In 1804, American President <b><a href="https://en.wikipedia.org/wiki/Thomas_Jefferson" target="_blank">ThomasJefferson</a></b> commissioned <b><a href="https://en.wikipedia.org/wiki/Meriwether_Lewis" target="_blank">Meriwether Lewis</a></b> and <b><a href="https://en.wikipedia.org/wiki/William_Clark" target="_blank">William Clark</a></b> to lead an expedition
through the territory with the stated purpose of locating a viable trade route
to the Pacific Ocean. But Goar is not interested in going over the well-trodden
territory of the <b><a href="https://en.wikipedia.org/wiki/Corps_of_Discovery" target="_blank">Corps of Discovery</a></b> and points out that his is "a
different kind of book" which uses the "impossible vastness" of
The Louisiana Purchase "as a framework in which a new exploration can
occur". It is not, he states emphatically, a "representation or
recounting of the past event" but is instead an exploration into his own
life, "‘assembled from fractured myths, Westerns, Disney, fictions,
childhood memories, life abroad, and primary sources". So far, so
good. <br />
<br />
Before I go any further, I feel duty-bound to mention that <i>The
Louisiana Purchase</i> is a collection of prose poetry, not a collection
of short stories as I had originally expected. That said, there are stories
here – surreal, disjointed and oftentimes incomprehensible – but stories
nonetheless. Take this: <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><o:p> </o:p></span></p>
<p></p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;"><b><i><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">President Jefferson walks off the mound. The Cardinals
take the field. Ozzie Smith falls over dead. The crowd falls silent. Phil
Niekro throws a ball at the sky. The ball does not return. We call it the moon.
It becomes a crescent. When Jefferson holds up two fingers, the moon breaks
into the dirt.</span></i></b></p><p></p></blockquote><p>
</p><p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">Still wanting the historical references to be the
predominant motif, I grapple with that passage and try again to find meaning: <b><i>President
Jefferson walks off the mound. The Cardinals take the field.</i></b> Okay, I
think I’ve got it – having grown up in the States, I can recognise a baseball
analogy when I see one. But who are Ozzie Smith and Phil Niekro, I ask myself,
trying to place the names amongst the historical figures involved in the
Western myth. Eventually I resort to Google and learn that <b><a href="https://en.wikipedia.org/wiki/Ozzie_Smith" target="_blank">Smith</a></b> was a
shortstop for the St. Louis Cardinals in the 1980s and 90s, and <b><a href="https://en.wikipedia.org/wiki/Phil_Niekro" target="_blank">Niekro</a></b>
pitched for the Atlanta Braves from 1964 to 1987. After Lewis and Clark
returned from the west coast, Clark spent the rest of his life in St. Louis
where he was Superintendent of Indian Affairs. The pieces are falling into
place. But what’s all that about the moon? I turn the page and try again: <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><o:p> </o:p></span></p>
<p></p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;"><b><i><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">The President’s signature is printed on the face of
the moon. The moon is returning to the sky. A few days pass before the moon’s
rotations cease. An expert is summoned. Her explanation is brief: "The
moon has been doctored." Effigies of Niekro are burned. There is a run on
canned goods. We hide in our cellars and wait the tide.</span></i></b></p><p></p></blockquote><p>
</p><p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><br />
Right. I get it. We’re still talking baseball here. I search the internet for
information about a scandal involving Phil Niekro but only find reports about
his brother Joe (also a pro baseball player) and his inappropriate use of a
fingernail file. I start to feel exasperated. <br />
<br />
A few pages further on, and the moon is still playing a central role, but I’m
more confused than ever when I read: <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><o:p> </o:p></span></p>
<p></p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;"><b><i><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">I’m barbecuing in the snow. The red-faced bird is
watching me intently. I get the feeling that I’m late. I put some honey on the
moon. I offer the bird a Keystone. It accepts and drinks it quick. I’ve
forgotten how to serve a moon and ask the bird. It flies away. Worthless drunk.
The moon begins to burn. I begin to panic. I try to remove it. It falls through
my spatula and into the fire. I feel I’ve committed a great sin.</span></i></b></p><p></p></blockquote><p>
</p><p class="MsoNormal" style="margin-bottom: 0cm;"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">There are still moments, however,
when I get a sideways glance at an image and feel a glimmer of
recognition: <b><i>A tree sprouted from my penis</i></b> must, I
surmise, be a reference to the STDs spread to Native Americans by the <b><i>red-faced
bird</i></b>, aka White men. Am I seeing things which don’t exist? For a while
I ponder the sudden appearance of the elephant which bursts water lines and
causes widespread flooding. Then I link this symbol of the Republican Party
with earlier references to yellow ribbons and an election, and come up with the
year 1981, when Ronald Reagan took office and Iran released the <b><a href="https://history.state.gov/departmenthistory/short-history/iraniancrises#:~:text=On%20November%204%2C%201979%2C%20Iranian,diplomats%20hostage%20for%20444%20days." target="_blank">52 American hostages</a></b> it had held for the previous 444 days (yellow ribbons were a sign that
the hostages weren’t forgotten during their time in captivity). My head is
spinning now but I’m feeling quite smug. At last things are making sense. <br />
<br />
And when I encounter the speaker with <b><i>two blue eyes, one from cataracts,
the other from birth</i></b> I consider, giddily, that it is the subject
of <b><a href="https://loreewestron.blogspot.com/2010/03/gathering-historical-research-on.html#more" target="_blank">my own research</a></b>, Clark’s half Indian son. Am I, though, merely seeing –
through my own hazy vision – what I want to see? Once more I’m plunged into
self-doubt. <br />
<br />
<b><i>The Louisiana Purchase</i></b> is a beautifully produced little
book, full of obscure and surreal imagery. Read as a collection of stories, it
is all but incomprehensible. As a collection of poems, however, it just might
be stunning. </span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 115%;"><o:p></o:p></span></p><div style="text-align: center;"><span style="font-size: x-large;">*</span></div><p class="MsoNormal"><span face=""Arial",sans-serif" style="background: white; color: #333333; font-size: 12pt; line-height: 115%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span></p><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-size: medium; text-align: left;">This review was first published on The Short Review, and is reprinted here with permission from the editor.</span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-size: medium; text-align: left;"><br /></span></span></div><div style="text-align: center;"><span style="font-size: x-small;"><b>Loree Westron</b> is the author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Missing Words</a></i></b>. </span><span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;">She has an MA and a PhD in Creative Writing, and is the founder of the Portsmouth Author’s Collective.</span></span></div><span style="background-color: white; color: #333333;"></span><p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-48893988141058500642023-01-14T06:00:00.045+00:002023-05-24T09:10:50.077+01:00PAC Interview: Carol Westron<p> </p><p>In a new series of interviews, I'll be talking to members of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a> -</b> a group of local authors who have come together to help promote one another's books. Members of the Collective publish a full array of fiction and non-fiction titles, and in this, our first interview, we'll be meeting the crime writer Carol Westron.</p><p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: left;"><br /></div><b><div style="text-align: justify;"><b>Author Bio: Carol Westron</b> is an author, article writer, editor, reviewer
and creative writing teacher. She writes primarily crime fiction but also
writes children’s picture books, which are illustrated by her autistic
grandson. She is an expert on the Golden Age of Detective Fiction and has given
papers at many academic conferences. She is a founder member and moderator of
The Deadly Dames and the organiser of Mystery Fest, an annual part of
Portsmouth BookFest.</div></b><o:p></o:p><p></p>
<p class="MsoNormal" style="text-align: center;"><o:p><span style="font-size: large;"><b> ~</b></span></o:p></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-size: large;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSACSLx_vsGVlvHc1MMplJ0K8NOG-fQWkmcIN-LgPlhQkN7ubhX93XmthTq8vz1orhDvDLrNgh8ccemAIH-pofSdImM2a_kn99HkTr8UfC2GnbfFu1kXGJ4ju-nh57YZD--N6ttHffmClEY56ifrDdf5V_i9MFF1n3fLwwfLSIUTe8Mk4prpdYg/s2231/PAC.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1210" data-original-width="2231" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSACSLx_vsGVlvHc1MMplJ0K8NOG-fQWkmcIN-LgPlhQkN7ubhX93XmthTq8vz1orhDvDLrNgh8ccemAIH-pofSdImM2a_kn99HkTr8UfC2GnbfFu1kXGJ4ju-nh57YZD--N6ttHffmClEY56ifrDdf5V_i9MFF1n3fLwwfLSIUTe8Mk4prpdYg/w640-h347/PAC.jpg" width="640" /></a></span></div><p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Loree:</span></b> Welcome to the blog, Carol. I'm thrilled that yours is the very first in a series of new interviews with members of the <b><a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank">Portsmouth Authors Collective</a></b>, so thank you for agreeing to start things off! And for the benefit of anyone out there who doesn't already know, Carol and I are sisters-in-law, not sisters. That explains the difference in accent!</p><p class="MsoNormal" style="text-align: left;">We've known each other for a long time now, and my recollection
is that I invited you to go to a writing group about thirty years ago, at the
Portsmouth Arts Centre in Eastney, a group run by Keir Cheetham. Clearly, you have me to thank for getting your writing career off the ground! </p><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium; text-align: justify;"><b>Carol:</b></span><span style="text-align: justify;"> </span><span style="text-align: justify;">Gosh, that was a long time ago! At its prime, Penultimate
was a superb writing group and I was </span><span style="text-align: justify;">an active member for years. I’ve found
local writing groups a magnificent resource, offering support and
companionship. Many of my closest friends have been made via writing groups and
conferences. Sadly, Penultimate closed some years ago but the other group I’m
involved with, Havant & District Writers, is still thriving.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="text-align: justify;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEbAj6LmRDc_3jM6AtzwHTCJDWXxod7xM-duC2VyXFqIA6yedL_PFJfWnbeRfhNPHK83PmMq86JYGaW3_vZakKfZc6VldZBkjhmkCnnkMax0TFF6KjNjPFl2_Plxx2vZmib-D7FdnuglZjgkFisEaTw1VHrX0e4OdE62Z5qtHDytDtOn94dD0Pmg/s300/Carol%20Westron.jpeg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="283" data-original-width="300" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEbAj6LmRDc_3jM6AtzwHTCJDWXxod7xM-duC2VyXFqIA6yedL_PFJfWnbeRfhNPHK83PmMq86JYGaW3_vZakKfZc6VldZBkjhmkCnnkMax0TFF6KjNjPFl2_Plxx2vZmib-D7FdnuglZjgkFisEaTw1VHrX0e4OdE62Z5qtHDytDtOn94dD0Pmg/w200-h188/Carol%20Westron.jpeg" width="200" /></a></div></div><span style="text-align: justify;">Another thing I’m grateful to you for is suggesting we
attend the weekend writing conference that later became Winchester Writers’
Conference. I went back every year for many years and learned a great deal, and
Barbara Large, the organiser, became a dear friend. One conference led to many
others and I made some enduring friendships, including with Elizabeth Sirrett,
founder and editor of <b><a href="https://www.mysterypeople.co.uk/" target="_blank">Mystery People</a></b>. Lizzie encouraged me to become one of her
reviewers and write articles for her ezine, which resulted in my fascination
with the <b><a href="https://www.mysterypeople.co.uk/golden-age/" target="_blank">Golden Age of Detective Fiction</a></b>.</span><br /><o:p></o:p><p></p>
<p class="MsoNormal" style="text-align: justify;"></p><b><span style="font-size: medium;">Loree:</span></b> When did you begin to write, seriously? We were both
writing short stories when we attended the workshop group in Eastney, but I
suspect you were writing long before that. Were you?<p></p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Carol:</span></b> I can’t remember a time when I didn’t make up
stories, certainly I was doing so as a young teenager. It was immature stuff,
but useful to kickstart my craft. The only time I totally put writing on hold
was when I had three children under five. However, as soon as I got a bit of
free time and enough creative energy, I was back to writing. As a sweetener for
the kids, I undertook to write a chapter of a children’s fairytale/fantasy on
the days they were all in school, which I read to them, snuggled up together on
the sofa, when I’d collected them from school. Recently, I tidied up the two
books that came from this time, Enchanter’s Power and Enchanter’s Quest, and
thanks to the encouragement of my wonderful beta reader, Dot Marshall-Gent, may
well publish them in 2023.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: left;"><span style="text-align: justify;">Regarding the short stories, I was fortunate enough to have
the first story I submitted accepted by Woman’s Weekly and had several others
taken afterwards, which was a nice boost for income and ego while I was
re-establishing myself in teaching. However, when I was teaching in Adult
Education and travelling back and fore to Wales, where my mother was ill, I had
to make the time-management choice between writing short stories or full-length
crime fiction and chose the latter. As the copyright for the short stories
reverted to me, I will probably publish a short anthology of them when I have
time.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="text-align: justify;"><br /></span></div><div class="separator" style="clear: both; text-align: left;"><b style="text-align: justify;"><span style="font-size: medium;">Loree:</span></b><span style="text-align: justify;"> What about reading? Who are your favourite authors?
What books have stayed with you over the years? What writers have you learned
the most from?</span></div><p></p><p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Carol:</span></b> I’ve heard many crime fiction authors cite Enid
Blyton’s Famous Five as their earliest influence but, although I read them, I
think I always found the protagonists too privileged and their life experiences
too alien to count them as an influence. My early influences include <a href="https://en.wikipedia.org/wiki/Georgette_Heyer" target="_blank"><b>GeorgetteHeyer</b></a>, <a href="https://en.wikipedia.org/wiki/Mary_Stewart_(novelist)" target="_blank"><b>Mary Stewart</b></a> and <a href="https://en.wikipedia.org/wiki/Edith_Pargeter" target="_blank"><b>Ellis Peters</b></a>. From the former I discovered how to weave
historical language into lively comprehensible dialogue. The two latter authors
demonstrate how to set scenes, using rich evocative descriptions. The great
<a href="https://www.agathachristie.com/" target="_blank"><b>Agatha Christie</b></a> is the Mistress of Smoke and Mirrors, displaying clues in
full-sight but in such a way that you don’t recognise them until the detective
explains. Edmund Crispin is a genius at breaking the literary rules with flair.
Regarding contemporary authors, I enjoy humour, such as displayed by <a href="https://www.fantasticfiction.com/a/donna-andrews/meg-langslow/" target="_blank"><b>Donna Andrew</b>s</a> (my annual Christmas treat from my daughter.) I’m fortunate enough to
have reviewed many fabulous authors, such as <a href="https://peterlovesey.com/" target="_blank"><b>Peter Lovesey</b></a>, <a href="https://frances-brody.com/" target="_blank"><b>Frances Brody</b></a>, and
<a href="https://www.independentauthornetwork.com/m-k-graff.html" target="_blank"><b>M.K. Graff</b></a>, whose novel The Golden Hour is the most evocative cosy I’ve ever
read.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQJD5YOeqpY6lm5d7UPt0VNbQ2taSpC6_ZCPG6kS11bo_R6c1hJLM-jt17FXw-owjq6a83ggNLM14hTAc2-K-mldrDL_5glCIsPDJBeCL0NPCB8G2bU75-t6So-sz7xs3S3rUNncQdq1NPVF03VCSra7UDSW5PIDxnl3rUICrXCbXXYi7zwnBERw/s2952/PAC-007.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1205" data-original-width="2952" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQJD5YOeqpY6lm5d7UPt0VNbQ2taSpC6_ZCPG6kS11bo_R6c1hJLM-jt17FXw-owjq6a83ggNLM14hTAc2-K-mldrDL_5glCIsPDJBeCL0NPCB8G2bU75-t6So-sz7xs3S3rUNncQdq1NPVF03VCSra7UDSW5PIDxnl3rUICrXCbXXYi7zwnBERw/w640-h262/PAC-007.jpg" width="640" /></a></div><p></p><div class="separator" style="clear: both; text-align: justify;"><b style="text-align: left;"><span style="font-size: medium;">Loree:</span></b><span style="text-align: left;"> You crime fiction ranges from cosy crime to more
gritting police procedurals. By outward appearances, you seem like quite a
mild-mannered person, but you clearly have a dark side! Do you have direct
links with the criminal world, or do your books spring purely from your
imagination?</span></div><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Carol:</span></b> I’m intrigued by the ‘mild-mannered’ label. Have I
really not revealed my true colours over all these years? More common
descriptions are ‘stubborn’, ‘uncompromising’, ‘incisive’. Maybe we’ve not been
in situations where you’ve see that side of me. What provokes my anger is usually
injustice, especially to the vulnerable. This passion for justice does tie in
with my writing. I love crime fiction because it matters. There’s nothing worse
you can do to anyone than kill them or somebody they love. Of course, the
detective cannot restore the dead to life but they can offer answers and some
form of closure to the living. I have no criminal connections but I do have a
useful source to make sure I don’t stray too far from proper police procedure
and a brilliant psychological advisor who’d tell me if I made errors that way.</p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: medium;"><b>Loree:</b></span> As a writer, what are the things you enjoy most, and
what do you find most challenging? </p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Carol:</span></b> There’s nothing like the buzz of writing the first
draft but I don’t plot and if I have time gaps when writing it’s hard to keep
cohesion of the plot and style. Although that can be remedied when editing.<o:p></o:p></p><p class="MsoNormal" style="text-align: left;"><span style="font-size: medium;"><b>Loree:</b></span> Like many of the writers in the Portsmouth Authors
Collective you’ve gone down the self-publishing route. Was that an easy
decision to make? What are some of the pros and cons of self-publishing?</p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: medium;"><b>Carol:</b></span> This is such a large question we could spend the
whole interview discussing it.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">I didn’t find the decision hard: I’d already had a publisher
whose money-men pulled the plug at the last minute and an agent who loved my
writing but demanded I wrote sagas because she found those ‘easy to place’. It
was wonderful to take back control.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">Pros - you have control over editing, content, lay-out,
cover etc. Cons - the same as the pros. The buck stops with you—any bad decisions
are your responsibility.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Loree:</span></b> You’ve published seven novels, now, and four
children’s books that were illustrated by your grandson, Adam. And during a lot
of this time you were working and raising your family. You’ve been incredibly
prolific. How do you do it? You must be very disciplined. Do you have a
particular writing routine? Do you set yourself goals?</p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje6vkXGx0VjokS_nYCd3-JNLzCNmQltzpMXSETnxN5_5MdT7FjrmtrEVS_qFuwoLY6kBLR_UTR_rBTKyRJ1LIIcIqJ-w01LHtwiTQdNd4rqMMq4G7NBWfrC7qhNzSgM75uCgmztiAtMuU2hUsOto6ToB2IvjAfM3focOt_6pc_Jji3o548j6fsOg/s5120/PAC-008.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1396" data-original-width="5120" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje6vkXGx0VjokS_nYCd3-JNLzCNmQltzpMXSETnxN5_5MdT7FjrmtrEVS_qFuwoLY6kBLR_UTR_rBTKyRJ1LIIcIqJ-w01LHtwiTQdNd4rqMMq4G7NBWfrC7qhNzSgM75uCgmztiAtMuU2hUsOto6ToB2IvjAfM3focOt_6pc_Jji3o548j6fsOg/w640-h174/PAC-008.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium; text-align: justify;"><b>Carol:</b></span><span style="text-align: justify;"> My routine is that when I have two or three days
together I will write a first draft chapter or two. When it’s a matter of a few
hours I will edit or write a review. I’m not disciplined but I love all aspects
of writing.</span></div><p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Loree:</span></b> As a writer, what’s been your proudest achievement?</p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Carol:</span></b> This is a deceptively hard question because my roles
as writer, teacher and Golden Age expert are so intertwined. Here’s a selection
of proud moments.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">1. The superb reviews I’ve had for all of my novels, and the
wonderful Peter Lovesey saying that I was ‘a very good writer’.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">2. The pride and empowerment my autistic grandson feels from
illustrating the Adi and the Dream Train books and the development of his
illustrative and story-telling skills.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">3. My severely disabled students at the Horizon Centre
entered the Winchester Reaching Out competition and achieved 1st, 2nd and 3rd
places.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">4. Giving an academic paper at St. Hilda’s Oxford, and
sharing a platform with Martin Edwards.</p>
<p class="MsoNormal" style="text-align: left;"><span style="font-size: medium;"><b>Loree:</b></span> Do you have any advice for people just starting out?</p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><span style="font-size: medium;"><b>Carol:</b></span> Read widely in your genre and write until you
discover your own voice. Join a local writers’ group, preferably one that gives
feedback. Above all, be kind to yourself, there’s no reason to beat yourself
up.<b style="font-size: large;"><o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Loree:</span></b> Writing is a hard business. Why do it? </p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;"><b><span style="font-size: medium;">Carol:</span></b> I do it because it’s who I am. Next to my family,
it’s the most important thing in my life.<o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghBxN2ONTdUKrS3va11gsxaeMcZMGdNewff8QX5nVpuXPeRmIoRVDI0EdpwNTGxuDszOy0keITto2nG0b8-1V0H-52Esn5oTym93QOB1oUJdohQGDYAMwmV7LYKWFeE-gFFwFdISb2Zl6A8oNbDHu4pSb8QggrY1Ab2CQJCBBdBbLKsqGKbTPLTQ/s995/pen1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="114" data-original-width="995" height="37" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghBxN2ONTdUKrS3va11gsxaeMcZMGdNewff8QX5nVpuXPeRmIoRVDI0EdpwNTGxuDszOy0keITto2nG0b8-1V0H-52Esn5oTym93QOB1oUJdohQGDYAMwmV7LYKWFeE-gFFwFdISb2Zl6A8oNbDHu4pSb8QggrY1Ab2CQJCBBdBbLKsqGKbTPLTQ/s320/pen1.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b>Find Out More About Carol</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><b>Website:</b> <a href="http://CarolWestron.com"><b>CarolWestron.com</b></a><div><br /></div><div><b>Twitter:</b> <b><a href="https://twitter.com/CarolWestron" target="_blank">@carolwestron</a></b></div><div><br /></div><div><b>Articles and Reviews:</b> <a href="http://www.mysterypeople.co.uk" target="_blank"><b>Mystery People</b></a></div><div><br /></div><div><b>Portsmouth BookFest:</b> <a href="https://librariesandarchives.portsmouth.gov.uk/public-library-service/whats-on/events/portsmouth-bookfest-2022/" target="_blank"><b>2023 List of Events</b></a></div><div><br /></div><div style="text-align: center;"><span style="font-size: x-large;"><b>*</b></span></div><div style="text-align: left;"><p class="MsoNormal" style="text-align: center;"><span style="font-size: x-small;"><b>Loree Westron</b> is the
author of <b><i><a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Missing Words</a></i></b>. </span><span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;">She has an MA and a PhD in Creative Writing, and is the founder of the
<b><a href="https://loreewestron.blogspot.com/2023/01/portsmouth-authors-collective-interview.html" target="_blank">Portsmouth Authors Collective</a></b>. </span><o:p></o:p></span></p><span style="font-size: x-large;"><b></b></span></div><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-1648288312525243173.post-53346041463380562672022-12-24T10:38:00.001+00:002022-12-24T10:38:28.541+00:00Review: Diane Simmons' Little America<p> </p><p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><span style="background: white; color: #333333;"><span style="font-family: arial;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheKaMRGvEKpfi15pBRxSDbFe5p1tMDUrIRFzvLvYXPvrjx4yif9WDutxFdn2LSeQck8Q1BP8yhbU5HJCGrEL2E3uOMvO_nOT-aoRcncFBGL7qgNY5pCsBfbaqTdb7KPTP5pix1iMnIVD1XqzdG8xwk0ALDMYaOaDShhiNLaRBMZygryIMtYVfxOg/s500/Little%20America%20by%20Diane%20Simmons.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheKaMRGvEKpfi15pBRxSDbFe5p1tMDUrIRFzvLvYXPvrjx4yif9WDutxFdn2LSeQck8Q1BP8yhbU5HJCGrEL2E3uOMvO_nOT-aoRcncFBGL7qgNY5pCsBfbaqTdb7KPTP5pix1iMnIVD1XqzdG8xwk0ALDMYaOaDShhiNLaRBMZygryIMtYVfxOg/s320/Little%20America%20by%20Diane%20Simmons.jpg" width="320" /></a></span></div><span style="font-family: arial;">There is something about the open
spaces of the American West that tugs at the wanderers among us. Whether we've
explored it first-hand or paid only brief visits via the cinema screen, the
western landscape – in places devoid of human habitation, with a harsh and
rugged beauty – intrigues our vagabond spirits and draws us in. The eight
stories in Diane Simmons' <i>Little America </i>are set amid this
vast and unknowable backdrop and populated by a cast of rootless wanderers,
some trying to escape their pasts, others searching for a future somewhere
beyond the ever receding horizon. <br />
<br />
In the title story, we join Hank and Lorraine, a pair of small-time fraudsters
moving from one town to the next. With them is Hank's young daughter, Billie,
from whose perspective the story is told. As we travel beside her, we see that
the story is not so much about Billie's relationships with the adults in the
car, but instead about the unknown territory of her own identity: “Billie…knew
[Hank and Lorraine] were crooks of some sort. Beyond that, she didn't know
much, such as where they came from or what their real names were. Even the idea
of a ‘real name' – as opposed to the name you were using just then – was
something she didn't pick up until the third grade when the teacher asked why
she had started writing Bunny Miller on her papers instead of Billie Moore.”<o:p></o:p></span><p></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><span style="font-family: arial;"><span style="background: white; color: #333333;"><o:p> </o:p></span><span style="background-color: white; color: #333333;">Not only is Billie unsure of who she really is,
where she's from, and where she belongs but she cannot even be sure that
Lorraine is her mother. All of the most basic structures which connect members
of a family together – a shared history, a collective purpose, fidelity – are
missing in Billie's world and deceit is so thoroughly woven through her
relationships that "truth" and "trust" and
"loyalty" have no meaning. With so many empty spaces which she fills
and refills with parts of a fabricated identity, Billie's interior landscape is
a mutable one. For her, certainty does not exist; nothing has permanence. </span></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt;"><span style="background: white; color: #333333;"><span style="font-family: arial;">
A few years after <i>Little America</i>, we come across Billie again. This
time she's in Mexico, "driving north in a stolen Mustang" in the
story <i>Holy Sisters</i>. By now, she has left her husband, and the
cowboy she left her husband for, and has just been left by her Mexican lover.
She is still drifting from one place to the next, and is, by her own admission,
"a little crooked". Teaming up with Mary Anne, an American backpacker
who has just been robbed, Billie sets off to return to the States. <br />
<br />
In most respects, Billie is streetwise: she knows what she needs to do to
survive and she does it. But there is an innocence about her, too. When a man
"carrying a big belly in a dingy white shirt" offers the women three
hundred dollars to drive two nuns across the border to collect aid from a
convent in El Paso, it is Mary Anne who is immediately suspicious. Billie,
though, is captivated by thoughts of the ‘little heaven' of the mountain
mission where the nuns are ultimately to be delivered. "When you return
[from El Paso]," the man tells her, "you stay in the mission as long
as you wish." Billie's desire for the peaceful setting and the
"secret-of-life type stuff" she can learn from the indios hints of an
unspoken longing for permanence and meaning. But this desire overrides her good
sense and leads her into dangerous territory. <br />
<br />
Like many of the other tough but likeable women who populate the stories in
this collection, Billie is a survivor. She's canny and she's smart. But she is
also vulnerable, and the reader senses that one of these days her luck is bound
to run out. <br />
<br />
In<i> Suitcase</i>, we see precisely the sort of risks that Simmons'
impulsive characters are taking. It is 1972 and Marie, a Nebraska farm girl,
heads off to Guatemala "to join the Indians in their fight against a
repressive government". Young and idealistic, she is in search of a
purpose to her life, but a discovery in the Mexican jungle shatters her
illusions and gives her a glimpse of her own mortality. <br />
<br />
While most of the stories in <i>Little America </i>take place on the
move, <i>In the Garden</i> visits a group of former hippies who have
settled into a semblance of suburbia on an island off the coast of Seattle. Yet
still there is a restless energy. As two 30-something couples come together in
the narrator's garden to drink Red Zingers and gin, we sense they are all
teetering on the brink of change. <br />
<br />
Conversation between the couples is typically domestic at first, centred on the
blackberry vines encroaching upon the garden and the best methods for combating
slugs. As they become increasingly more inebriated, though, Lulu's
dissatisfaction with her life becomes apparent: “Can you believe the
people down the road from us came to the door and wanted us to buy tickets for
some PTA thing? Christ, I never thought I'd end up someplace where they
actually had the nerve to come around and sell stuff for the PTA.”<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white; color: #333333;"><span style="font-family: arial;">These are people who never
expected to grow up and settle down and though they remain on the fringes of
society with their gardens and goats and their "funky old houses", we
get the feeling that even this compromise might be too much. Yet the very act
of buying a house or planting a garden seems to belie the characters' nostalgic
visions of the ‘freedoms' they once possessed and the reader is left wondering
whether the open road really does still call to them, or if they only wished it
did. <br />
<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white; color: #333333;"><b><span style="font-family: arial;">This review was first published in
The Short Review.</span></b></span><o:p></o:p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-40460218248656427272022-11-04T11:50:00.006+00:002022-11-29T16:16:11.153+00:00Finding a Market: a new old way to sell books<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8pNZCOQuQZc1gjNFnjE5wMB4fOswfbq3zDY8cJbn_AvUckjdysO23etOIa2LVMmBKW5_i_xG67m-x_aks0Ou-m_0UPXJs-dd1JhoTCu6OXqsJMjhMeCrwg2vYagXbGP0Tv8xl825VbgJYIneUPnt5vJUgKn1m_ahKAuXUiAVMxn7jexM0BaQaSw/s2569/New%20Ad%205.1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2569" data-original-width="2355" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8pNZCOQuQZc1gjNFnjE5wMB4fOswfbq3zDY8cJbn_AvUckjdysO23etOIa2LVMmBKW5_i_xG67m-x_aks0Ou-m_0UPXJs-dd1JhoTCu6OXqsJMjhMeCrwg2vYagXbGP0Tv8xl825VbgJYIneUPnt5vJUgKn1m_ahKAuXUiAVMxn7jexM0BaQaSw/s320/New%20Ad%205.1.jpg" width="293" /></a></div><div style="text-align: justify;">When <i><b><a href="https://loreewestron.blogspot.com/p/buy-book.html" target="_blank">Missing Words</a></b></i> was published, I thought I could sit back and let the marketing folks do their business, watching the reviews roll in and the sales figures mount. I quickly learned, however, that's no longer the way things work in the publishing world. If you've been taken on by an independent publisher with a small marketing team and an even smaller budget, you'll already know how difficult it is to get your books noticed. </div><p></p><p style="text-align: justify;">Within a short time of publication, I'd spent my advance - and more - on Facebook ads and ads in print magazines, doing book giveaways, and speaking to librarians and booksellers on two continents. But it's never been clear to me whether that effort and expense resulted in actual sales. </p><p style="text-align: justify;">The situation is even more precarious for authors who've gone down hybrid or self-publishing routes because even more of the burden of promotion falls on their shoulders. Yes, there are indeed self-published authors who have had very impressive sales - by promoting their books on Instagram and Twitter and TikTok - but I've yet to crack their secret. I admire their creativity and their stamina, but quite frankly the mere thought of BookTok makes me want to weep. And Twitter has always bored me to tears. All this social media malarkey feels like a young person's game.</p><p style="text-align: justify;">But I'm not the sort of person to cry into my coffee for long. So, what to do? </p><p style="text-align: justify;">I know lots of local authors here in Portsmouth and the surrounding area and like me, many have struggled to keep positive while looking for ways of promoting their books. So what if we all joined forces and used our combined knowledge and social networks to help one another? I mean, if <i><b>two heads are better than one</b></i>, just think what twenty or forty heads can do!</p><p style="text-align: justify;">On impulse, I booked a pitch at a local arts and crafts market here in Southsea, then set about contacting people who might want to take part. Within days, we had a name - The Portsmouth Authors Collective - a <a href="https://www.facebook.com/groups/1170980796813274" target="_blank"><b>Facebook group</b></a>, and a couple of dozen members. </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinnvqeckVnijogRT1830Vb1tDvn67Ur2v0W6runQxu8OPkJDBvWZ6zFV2r9mcBrZWzqjbz43F_iQxPxX03GaLialvrXCYu9o373VjP3J6tbRflmEm8YZQ6ORN2KB0hn1On47-aQkKbOovpNLFmt0c820WZgypT7zRBOItAfbX3ApyMPbDVma6j2Q/s2960/IMG_20221015_134558.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" data-original-height="2960" data-original-width="1840" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinnvqeckVnijogRT1830Vb1tDvn67Ur2v0W6runQxu8OPkJDBvWZ6zFV2r9mcBrZWzqjbz43F_iQxPxX03GaLialvrXCYu9o373VjP3J6tbRflmEm8YZQ6ORN2KB0hn1On47-aQkKbOovpNLFmt0c820WZgypT7zRBOItAfbX3ApyMPbDVma6j2Q/s320/IMG_20221015_134558.jpg" width="199" /></a></div><div style="text-align: justify;">Six weeks on, and we now have 80 members signed up to the group - 30 of whom are active, and we've had book stalls at two local markets. I've encouraged people to post about their own books and to share posts about other people's books to help one another reach a wider audience than they would otherwise be able to reach on their own. In total, we've sold 132 books - ten of which were mine, I'm very pleased to say. I know the numbers are small, but that's 132 books that probably wouldn't have sold, otherwise. It's unlikely that any of us will reach <a href="https://www.thetimes.co.uk/article/the-sunday-times-bestsellers-list-books-reads-authors-writers-wtf0fg8v7" target="_blank"><b>The Sunday Times Best Seller List</b></a> any time soon; however, selling books direct to the public seems to have inspired and empowered us. It's certainly encouraged me. </div><p></p><p style="text-align: justify;">Selling our books on a market stall may sound like a retrograde step - limiting our reach to local book readers - but at the moment that feels okay. At the two events we've done so far, we've connected with hundreds of real people in the 3-dimensional world. And I like that. </p><p style="text-align: justify;">Perhaps those real people will tell other real people, and word about one of our books will reach the right ear. And then...and then... </p><p style="text-align: justify;">We can but dream. </p><p style="text-align: justify;">If you want to see what else The Portsmouth Authors Collective has planned, check out our <a href="https://loreewestron.blogspot.com/p/portsmouth-authors-collective.html" target="_blank"><b>upcoming dates</b></a> and our <a href="https://www.facebook.com/groups/1170980796813274" target="_blank"><b>Facebook Page</b></a>.</p><p style="text-align: justify;"><br /></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-36488661030729896782022-08-28T10:04:00.001+01:002022-08-28T10:14:01.050+01:00August Bank Holiday weekend, 1984 - Missing Words (Pt 2)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPsrLSfgEXuBCNuA1bnSXA4fhOFj1eFU3LGqLu08REfjnE0ni61ws7WrMjsV4fQ1JafHnIr-E0u-sG4BAoveRTrVEtc3ahHyPMULLV5LoZLtCMQCDwdYu_CedTULsYNN4BEYR345BS0e8nn7z-AuetRGEEgIELC-g-M8_6X2HLK20qNPpYR2hRgA/s800/Amanda%20Slater%20cc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPsrLSfgEXuBCNuA1bnSXA4fhOFj1eFU3LGqLu08REfjnE0ni61ws7WrMjsV4fQ1JafHnIr-E0u-sG4BAoveRTrVEtc3ahHyPMULLV5LoZLtCMQCDwdYu_CedTULsYNN4BEYR345BS0e8nn7z-AuetRGEEgIELC-g-M8_6X2HLK20qNPpYR2hRgA/w640-h480/Amanda%20Slater%20cc.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><b style="text-align: left;"><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b style="text-align: left;">Photo credit: <a href="https://www.flickr.com/photos/pikerslanefarm/3742716047/in/photolist-6GJp62-8KHfod-7Nj35m-2mepzhf-2mepzbo-2meutoc-mWM9ZJ-aYcGyP-dFouzr-fE4naV-6GP5zA-6GP2rW-2nk6YhD-6GK3xR-bkyevj-6GJZov-dFoqpR-6GJUNK-6GJWHg-ff2mtv-6GNZc9-dFtMue-2smJsX-5eGz1R-6vj26U-dFu57x-qybcXT-ff2hiX-dFzyCN-qpxYDW-e1XhoL-2mepL1E-2meuDPc-dFzybu-yaHfQ4-2mexi4u-e1RE1i-avWs8M-whmyvp-dFzxad-wwwUmQ-e1RDuZ-wy9X7N-e1RDok-e1REa6-cJWyvs-wyRj9a-m63eQ-e1X3su-e1XhT9" target="_blank">Amanda Slater</a> cc 2009</b></div><div><b style="text-align: left;"><br /></b></div><p>It's Sunday morning, and still the August Bank Holiday weekend. Jenny has spent the night at a B&B on the western edge of the Isle of Wight. She has just one more day to find Deborah, but is there, perhaps, something else she's looking for as well?</p><p style="text-align: center;">~</p><p class="MsoNormal" style="line-height: 150%; margin-top: 6pt; text-align: justify;"><span style="font-family: "Arial",sans-serif;">The old road from The Needles to
Freshwater Bay rolls along in waves as if the land were a solid sea, cresting
and falling with a frozen tide. The sea, itself, has turned a steely grey,
whitecaps punctuating its surface as it churns in the wind. As she joins the
A3055 again, following along the southern coast, she catches glimpses of the
chalk cliffs crumbling into the waves. The whole island, it seems, is being
consumed by the sea.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: 150%; margin-top: 6pt; text-align: justify; text-indent: 36pt;"><span style="font-family: "Arial",sans-serif;">She keeps to the edge of the road,
squeezed between the grassy verge and the last of the summer holiday traffic. Now
and then, as she climbs the long hill to the top of Military Road, moving
slowly in her lowest gear, cars grow impatient and push past too close. She keeps
her eyes focused on the tarmac and presses on, holding a straight line and
holding her nerve. A string of scooters follows her uphill, overtaking her,
one-by-one, and toot their horns in encouragement as they slowly pull past. Jenny
has learned to ride the hills now, learned when to shift down and when to shift
up, and how to use the momentum of the downhills to carry her up the next
incline. And with the wind behind her, she no longer needs to stop and push.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: 150%; margin-top: 6pt; text-align: justify;">
</p><p class="MsoNormal" style="line-height: 150%; margin-top: 6pt; text-align: justify; text-indent: 36pt;"><span style="font-family: "Arial",sans-serif;">As she reaches the top and picks up
speed, she shifts into a higher gear and soon she is racing along the top of
the cliffs. Nothing and no one passes her now. Over her shoulder, the Channel
spreads wide. Out there is France, and beyond France is Spain, and beyond Spain
is the whole continent of Africa. She tries to imagine these other worlds,
tries to imagine herself in them, on her own and with Simon. If she asked him,
would he go?</span></p><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; margin-bottom: 0cm; text-align: left;"><b style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; text-align: left;"><span style="font-family: Arial, sans-serif; font-size: 12pt;">Missing Words<br /></span></b><b><span style="font-family: Arial, sans-serif; font-size: 12pt;">First Published by <a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Fairlight Books</a> 2021<br /></span></b><b><span style="font-family: Arial, sans-serif; font-size: 12pt;">Copyright</span> © </b><b><span style="font-family: Arial, sans-serif; font-size: 12pt;">Loree Westron</span></b></div><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; margin-bottom: 0cm; text-align: left;"><b><span style="font-family: Arial, sans-serif; font-size: 12pt;"><br /></span></b></div><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; margin-bottom: 0cm; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt;"><b>~</b></span></div><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; margin-bottom: 0cm; text-align: left;"><span style="font-family: Arial, sans-serif; font-size: 12pt;"><b>Missing Words</b> can be ordered from all bookshops, both online and on the high street.</span></div><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-34765486062766280882022-08-27T20:09:00.002+01:002022-08-28T10:12:52.536+01:00August Bank Holiday Weekend, 1984 - Missing Words (Pt 1)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVu5oLMJbC3N5cNfdaEju-B6rVxUqywN2PnrA4-we3r_y3xD7c-WsyWjFcgs1CPGUYCHlLleplnQ422p2a_7CxvYIfXlgoxsqMKsPiVkyXu2Cv96oApVxTXrdsfT2xSttJI6KoW9d92oowwYQRu6mPa2gL_z63gCUQF3kQd3Puhlf-DT34h1lZHw/s799/5605736242_62335fb64a_c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="511" data-original-width="799" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVu5oLMJbC3N5cNfdaEju-B6rVxUqywN2PnrA4-we3r_y3xD7c-WsyWjFcgs1CPGUYCHlLleplnQ422p2a_7CxvYIfXlgoxsqMKsPiVkyXu2Cv96oApVxTXrdsfT2xSttJI6KoW9d92oowwYQRu6mPa2gL_z63gCUQF3kQd3Puhlf-DT34h1lZHw/w640-h410/5605736242_62335fb64a_c.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><b>Photo credit: <a href="https://www.flickr.com/photos/dominicspics/5605736242/in/photolist-9xmS5S-qXAp3d-4imECx-2m5YxV5-64dCJp-8i5tVj-64hRNm-DWfhb9-rUDto-ahctZ7-d1ftZj-7N4zbH-FPGKr-nvu5h-ah9Gtr-86fawJ-bw9iEQ-5mEaLm-8KtoEF-4NQScr-oBdvM4-oBdKvr-2ew3Wu3-C1SS7z-oTG7US-nvgfCC-oAv1tY-oQXNdy-RTvDi8-5fRryP-oBerjq-RTvFXM-2i83ufp-koHCX-8KhMMy-2cSjwTg-apxaHL-2jN6XX-3AzMr9-oBetus-8bE5Yo-36Agu1-odroHM-RV7Ke-amHDAe-21m1qxC-a7wMMP-36vBxn-6am89F-64hQTu" target="_blank">Dominic Alves</a> cc 2011</b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">It's the August Bank Holiday weekend, here in the UK, and in Portsmouth, the Victorious Music Festival is in full swing down on Southsea Common. Over on the island, it's the weekend of annual Isle of Wight International Scooter Rally, and yesterday hundreds of scooters made the ferry crossing from Old Portsmouth. On this very day, in 1984, Jenny crossed over with them - her last chance to find Deborah before the end of the month.</div><div class="separator" style="clear: both; text-align: center;">~</div><p></p><p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0.0001pt; text-align: justify;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">It is Saturday morning, the start of the bank holiday
weekend, and this time she is taking the car ferry to Fishbourne, a few miles
to the west of Ryde. A veil of fog hangs over the water, and the seam between
sea and sky, crafted anew each morning, is stitched so finely that from the bow
of the ship Jenny cannot tell where one ends and the other begins. Everything
is white and empty and thick with silence.<o:p></o:p></span></p><div class="separator" style="clear: both;">
<p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0.0001pt; text-align: justify; text-indent: 36pt;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">Lost in the mist somewhere off to
the right of the ship, a foghorn cries out. A moment later, a muffled reply
rises up on the left, and for a while they sing a mournful duet to the new day….<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0.0001pt; text-align: justify; text-indent: 36pt;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">She has cycled round half of the
island now, in search of Deborah. It has not been a thorough search, but she
has done the best she could. Her best, though, has never quite been good enough.
She could always have done better. Out there somewhere not far away, a girl
pines for her lover, lost to her forever for all she knows, and now it’s up to
Jenny to show her the way to go forward. She needs to give her hope. She needs
to give her purpose.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0.0001pt; text-align: justify; text-indent: 36pt;"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">A clutch of scooters circles round her
as the ferry glides into the dock at Fishbourne. When the ramp is lowered and
they are released on to the island the scooters rev their motors and overtake
her before her wheels have reached the tarmac. A thin stream of lorries and
Ford Escorts follows along behind, speeding up and shifting and flowing past
her as she grinds uphill through the long car park towards the road. When the
vehicles slow into the junction she stands on the pedals and slots into
position behind a transit van. Stuck to the van’s rear doors are the flags of a
dozen different countries, a bumper sticker from <i>The Best Little Campground
in Teesside</i>, a lumbering moose, a Spanish bull, the Eiffel Tower, <i>Surf’s up!</i> Inside, an Australian flag is
draped across the back window like a curtain, and as the queue of vehicles joins
the A3054 Jenny races after it.</span></p><p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0.0001pt; text-align: left; text-indent: 36pt;"><br /></p><div style="line-height: normal; margin-bottom: 0.0001pt; text-align: left;"><b><span face=""Arial",sans-serif" style="font-size: 12pt; mso-fareast-font-family: "Times New Roman";">Missing Words<br /></span></b><div style="line-height: normal; margin-bottom: 0cm;"><b><span face=""Arial",sans-serif" style="font-size: 12pt; mso-fareast-font-family: "Times New Roman";">First Published by <a href="https://www.fairlightbooks.co.uk/missing-words/" target="_blank">Fairlight Books</a>
2021<br /></span></b><b><span face=""Arial",sans-serif" style="font-size: 12pt; mso-fareast-font-family: "Times New Roman";">Copyright</span> © </b><b><span face=""Arial",sans-serif" style="font-size: 12pt; mso-fareast-font-family: "Times New Roman";">Loree
Westron<o:p></o:p></span></b></div></div><p class="MsoNormal" style="line-height: 150%; margin: 6pt 0cm 0.0001pt; text-indent: 36pt;">
</p><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; margin-bottom: 0cm; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt;"><b>~</b></span></div><div style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; line-height: normal; margin-bottom: 0cm;"><span style="font-family: Arial, sans-serif; font-size: 12pt;"><b>Missing Words</b> can be ordered from all bookshops, both online and on the high street.</span></div></div><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-26772331920432171282022-07-20T07:31:00.005+01:002022-08-28T10:15:08.734+01:00Missing Words<p> <span style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px;"> </span></p><div class="separator" style="background-color: white; clear: both; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwVhq9MJez1qMXXCEKmibI8Yjsidai9nld7kxVyM4vh9H8TNBYVMQ1bwTGVQ4Af85o51fuVvBOcsychkiYsz5mRb2Bg9N5UphfRubBOLPlRoqLjH9FWBkI7rpzz6NtZuq-0W406Lsg/s2048/Missing+Words+-+Loree+L+Westron-001.jpg" style="background: transparent; clear: left; color: #32c9f4; float: left; margin-bottom: 1em; margin-right: 1em; text-decoration-line: none;"><img border="0" data-original-height="2048" data-original-width="1277" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwVhq9MJez1qMXXCEKmibI8Yjsidai9nld7kxVyM4vh9H8TNBYVMQ1bwTGVQ4Af85o51fuVvBOcsychkiYsz5mRb2Bg9N5UphfRubBOLPlRoqLjH9FWBkI7rpzz6NtZuq-0W406Lsg/w139-h222/Missing+Words+-+Loree+L+Westron-001.jpg" style="border: 0px; height: inherit; max-width: 100%;" width="139" /></a></div><p style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px;"></p><p class="MsoNormal" style="background-color: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px;"><span face=""Arial",sans-serif" style="color: #363636; font-size: 12pt; letter-spacing: 0.4pt; line-height: 18.4px;">Jenny’s life is at a crossroads. Her </span><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 18.4px;">marriage has grown silent since the sudden death of her youngest daughter, and now her eldest and only child has begun pushing her away. Nobody at home seems to need her anymore. At the Royal Mail sorting office where she is the only woman to have stuck with the job, her position is equally precarious. Though her boss can’t fault her work, he has made it clear he wants her out. Undermined at home and at work, Jenny is desperate for something to change. <span style="color: #363636; letter-spacing: 0.4pt;">So, when a postcard from Australia, begging the recipient for forgiveness, but with an incomplete address on the Isle of Wight lands on her sorting table, she does the unthinkable – she slips it up her sleeve and sets off on her bicycle to deliver it herself. If she can’t save her own faltering relationships, perhaps she can help someone else save theirs.</span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #181818;"><o:p></o:p></span></span></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 14px; letter-spacing: 0.5px; line-height: 26px; margin: 0px 0px 10px;"></p><p style="background: white; color: #757575; font-family: Roboto, sans-serif; font-size: 15px; margin: 0cm;"><span face=""Arial",sans-serif" style="color: #363636; letter-spacing: 0.4pt;">Set in Portsmouth and the Isle of Wight during the turbulent summer of 1984, <i><b>Missing Words</b></i> captures Thatcher’s Britain at a moment of </span><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #050505;">national unrest and social change</span><i><span face=""Arial",sans-serif" style="color: #363636; letter-spacing: 0.4pt;">. </span></i><em><span face=""Arial",sans-serif" style="color: #363636; font-style: normal; letter-spacing: 0.4pt;">Loree Westron’s debut novel</span></em><i><span face=""Arial",sans-serif" style="color: #363636; letter-spacing: 0.4pt;"> </span></i><span face=""Arial",sans-serif" style="color: #363636; letter-spacing: 0.4pt;">is an ultimately uplifting story about love, loss, the importance of family and finding redemption.<o:p></o:p></span></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 14px; letter-spacing: 0.5px; line-height: 26px; margin: 0px;"><br /></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 14px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><br /></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: large;">What the Reviewers Say</span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: medium;"><br /></span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><a href="https://www.goodreads.com/book/show/58321144-missing-words?from_search=true&from_srp=true&qid=V4HO5Wcf0C&rank=1" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank"><span style="font-size: x-large;">GoodReads</span></a></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><br /></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: large;">*</span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: x-large;"><br /></span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: Roboto, sans-serif; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-family: helvetica; font-size: large;"><i>Missing Words</i> can be ordered from bookshops in the UK and in the United States, and from online book retailers.</span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: x-large;"><br /></span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: x-large;">Buy Now</span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: x-large;"><br /></span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><b><span style="font-size: x-large;"><a href="https://pigeonbooks.co.uk/" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Pigeon Books</a></span></b></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 14px; letter-spacing: 0.5px; line-height: 26px; margin: 0px;"><br /></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><span style="font-size: x-large;"><b><a href="https://www.amazon.co.uk/Missing-Words-Fairlight-Moderns-Westron/dp/1912054035/ref=sr_1_1?crid=14BEFS994GU0X&dchild=1&keywords=loree+westron&qid=1631955198&sprefix=Loree+Westron%2Caps%2C187&sr=8-1" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Amazon.co.uk</a> <a href="https://blackwells.co.uk/bookshop/product/Missing-Words-by-Loree-Westron-author/9781912054039" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Blackwell's</a></b></span></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><span style="font-size: x-large;"><br /></span></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><span style="font-size: x-large;"><b> <a href="https://uk.bookshop.org/books/missing-words/9781912054039" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Bookshop.org</a> <a href="https://www.waterstones.com/book/missing-words/loree-westron/9781912054039" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Waterstones</a> <a href="https://www.whsmith.co.uk/products/missing-words-fairlight-moderns/loree-westron/paperback/9781912054039.html" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">WHSmith</a></b></span></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><span style="font-size: x-large;"><b><br /></b></span></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: "Open Sans"; font-size: 15px; letter-spacing: 0.5px; line-height: 26px; margin: 0px; text-align: center;"><span style="font-size: x-large;"><b><a href="http://amazon.com/" style="background: transparent; color: #32c9f4; text-decoration-line: none;">Amazon.com</a> <a href="https://www.barnesandnoble.com/w/missing-words-loree-westron/1139582351?ean=9781912054046" style="background: transparent; color: #32c9f4; text-decoration-line: none;" target="_blank">Barnes & Noble</a></b></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-1019364206930589592022-04-22T10:53:00.003+01:002022-04-22T17:12:02.478+01:00I Am Writing Festival<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqwtk5LA1I4qJdGx9TVbjhyspi_7Q4hOSxh85lVgfDZStsQu3Oo5Tr-PaURGKECS88kfARNzmo02niuEe506AkJWTnwUrZWXICys3sf16bE90IMle1z9LFy-Mrf87O3AGDTZuUiehkAEEQjTKTlf6Wl-ucRneD0e8-fiSyRwlXJDEkp6nBr9NrHg/s1080/Poster%20-%20Helen%20Salsbury%20and%20Loree%20Westron.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqwtk5LA1I4qJdGx9TVbjhyspi_7Q4hOSxh85lVgfDZStsQu3Oo5Tr-PaURGKECS88kfARNzmo02niuEe506AkJWTnwUrZWXICys3sf16bE90IMle1z9LFy-Mrf87O3AGDTZuUiehkAEEQjTKTlf6Wl-ucRneD0e8-fiSyRwlXJDEkp6nBr9NrHg/w640-h640/Poster%20-%20Helen%20Salsbury%20and%20Loree%20Westron.png" width="640" /></a></div><p></p><div class="cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q" style="animation-name: none; background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;"><div dir="auto" style="animation-name: none; font-family: inherit; transition-property: none;"><p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">If you've attended the Winchester Writers' Conference in the past, you'll know what a fabulous opportunity it presented to make face-to-face connections with agents, publishers and other writers, as well as opportunities to learn more about the craft of writing and how to get your work noticed. While the conference has now been taken over by the good folks at <a href="https://www.iaminprint.co.uk/" target="_blank"><b>I Am in Print</b></a>, and has been redubbed the <a href="https://www.iaminprint.co.uk/iamwritingfestival/" target="_blank"><b>I Am Writing Festival</b></a>, it offers people the same chance to build their knowledge of the industry and make those valuable connections. <o:p></o:p></span></p><p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">I'm excited to be taking part in the inaugural year of the new Festival, working alongside novelist and short story writer <a href="http://www.helensalsbury.com/" target="_blank"><b>Helen Salsbury</b></a> as we lead a workshop on writing literary fiction. Space is limited, so we encourage people to sign up asap. And do check out all of the other workshops, discussions and events as well. To check out the full programme, click <a href="https://www.iaminprint.co.uk/iamwritingfestival/" target="_blank"><b>HERE</b></a>.<o:p></o:p></span></p><p class="MsoNormal"><span face=""Arial",sans-serif" style="font-size: 12pt; line-height: 107%;">To book tickets for our workshop on writing Literary Fiction, click <a href="https://iamwriting-iaminprint-co-uk.cademy.co.uk/helen-salsbury-and-loree-westron-what-is-literary-fiction" target="_blank"><b>HERE</b></a>.</span></p><div dir="auto" style="animation-name: none; font-family: inherit; transition-property: none;"><span style="font-family: inherit;">A number of packages are available for both online and in-person events, with prices for individual workshops at just £37.</span></div><div dir="auto" style="animation-name: none; font-family: inherit; transition-property: none;"><br /></div><div dir="auto" style="animation-name: none; font-family: inherit; transition-property: none;"><br /></div>
</div></div><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-68586929861668569702022-02-22T09:17:00.000+00:002022-02-22T09:17:41.908+00:00Book Launch Part 2: The United States<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi-8OYcvc3xlt2LDT-Hlbh3nNACbnzfWgpGpUIck-aTufF-nyc8YgONah8h9k2Btg75Wd6c1NRFEb-rkhRt0EzRv_ly23safENWi4D5B7DnO8Y9H12YRsfqz-5hAohQLpwCdf8SlOVuBkytgYk7b9G-bxyNNmUzVa28_elwBrLafXhDbaezCQFy1g=s1377" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1377" height="373" src="https://blogger.googleusercontent.com/img/a/AVvXsEi-8OYcvc3xlt2LDT-Hlbh3nNACbnzfWgpGpUIck-aTufF-nyc8YgONah8h9k2Btg75Wd6c1NRFEb-rkhRt0EzRv_ly23safENWi4D5B7DnO8Y9H12YRsfqz-5hAohQLpwCdf8SlOVuBkytgYk7b9G-bxyNNmUzVa28_elwBrLafXhDbaezCQFy1g=w640-h373" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Since <i><b>Missing Words</b></i> was launched in the UK last summer, time has sped by, with book signings, interviews, and plans to take part in a number of presentations and discussion panels including three events at this year's <a href="https://librariesandarchives.portsmouth.gov.uk/public-library-service/whats-on/events/portsmouth-bookfest-2022/" target="_blank"><b>Portsmouth BookFest</b></a>. <div><br /></div><div><div style="text-align: center;"><b><span style="font-size: medium;">And now we have the American release to celebrate.</span></b></div><div><br /></div><div>To mark the occasion of <i><b>Missing Words</b></i> heading across the pond, I've teamed up with fellow Fairlight Books author Debbi Voisey for a virtual book launch. Debbi's beautiful novella <i><b>Only About Love</b></i> will be published there on the same day.</div><div><br /></div><div style="text-align: center;"><b><span style="font-size: large;">Please join us on Saturday February 26th</span></b></div><div style="text-align: left;"><b><span style="font-size: large;"><br /></span></b></div><div style="text-align: left;"><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">2 p.m. - Pacific Time</span></p><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">3 p.m. - Mountain Time</span></p><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">4 p.m. - Central Time</span></p><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">5 p.m. - Eastern Time</span></p><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">6 p.m. - Atlantic Time</span></p><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">6:30 p.m. - Newfoundland Time</span></p><p class="MsoNormal" style="background-color: white; color: #222222; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 16.8667px; margin: 0cm 0cm 10pt; text-align: center;"><span style="font-family: Arial, sans-serif; font-size: 12pt; line-height: 18.4px;">10 p.m. - UK</span></p></div><div><br /></div><div>If you're on Facebook, please follow this link to say you're coming or to register your interest, and we'll send you a reminder and Zoom link at the end of the week: <a href="https://www.facebook.com/events/651369146099573" target="_blank"><b>Virtual Book Launch</b></a>.</div><div><br /></div><div>If you're not on Facebook, please send me a message and I'll make sure you get the Zoom link.</div><div><br /></div><div><br /></div><div><br /></div><div> <p></p></div></div><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-39521924495260982002022-01-01T10:37:00.000+00:002022-01-01T10:37:08.303+00:00Another Year is Over; Another Year Has Dawned<p> </p><div class="separator" style="clear: both; text-align: center;"><br /></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjWv7RAKh4q1Rvq2OONNGq6EINksKep5L0hyMrdMuI-w9Fh7nJAP35FzckOU67_jRthNUt1P4jEB3QWmuFJwbNfTNiakfgo9mEUYq6yzjgYqPgs_qrIy7mXekXN21326GRvfeFyjb05eumvRbN7M9jAWEx9iBmxXYHTKSiRBvcBRmWh1M_yVV6OFg=s4608" imageanchor="1" style="clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><img border="0" data-original-height="3456" data-original-width="4608" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjWv7RAKh4q1Rvq2OONNGq6EINksKep5L0hyMrdMuI-w9Fh7nJAP35FzckOU67_jRthNUt1P4jEB3QWmuFJwbNfTNiakfgo9mEUYq6yzjgYqPgs_qrIy7mXekXN21326GRvfeFyjb05eumvRbN7M9jAWEx9iBmxXYHTKSiRBvcBRmWh1M_yVV6OFg=s320" width="320" /></a></div><div style="text-align: justify;">As the old year passed into the new, last night, I celebrated by cycling along the seafront. It was a warm, dry evening, and half the city, it seemed, had turned out for a giant, midnight beach party. There were bonfires on the shingle, and family groups of revelers stretched out along the prom. In the minutes coming up to midnight, faces glowed in the darkness in phonelight anticipation as people checked the time. Then, in an unsynchronised fashion, rockets began shooting skyward over the sea. Across the Solent, as if in response, the sky above the Isle of Wight was filled with bursting bouquets of light. And at the stroke of twelve the boats in the black water that divided us from them sounded their horns in a discordant and mournful drone. Were they crying out in celebration? Or were they grieving over another lost year?</div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Once more, a new year has crept through the dark days of December and taken me by surprise. Only yesterday, it was Christmas. And a week before that it was Bonfire Night - another night of sky rockets and questionable celebrations. Time passes quickly these days, compressing and condensing until it seems there is barely any of it left. </div><p></p><p style="text-align: justify;">I know I'm not the only one who is gripped by bouts of melancholia this time of year. Perhaps it is just the lack of serotonin that makes me turn inward, or the fact that this second Covid winter is quickly heading into our third Covid year. But whatever it is that tries to pull me down during the long, dark evenings and often grey, damp days, it needs to be resisted. Yes, there is much in the world to mourn, but there is also much to celebrate. And so I choose to count my blessings. For despite lockdowns and lateral flow tests, the omnicron tsunami and reimposed mask mandates, there has been an abundance of blessings during the past year for which I have to be thankful. Just as I know there will be in 2022.</p><p style="text-align: justify;">Today, we start again, all fresh and clean, with high hopes for the year that lies ahead. I wish you all the happiest of new years!</p><p style="text-align: justify;"><br /></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-1760713168533730702021-08-29T10:43:00.000+01:002021-08-29T10:43:00.431+01:00Post-Publication Whirlwind<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdFO6Bp0LEreGbuLp1_r9QCVY53KM2G_DiMd67cVxgvpBY3KJPMRGJ8n9CDdTrXtQrrVjPSICvKpmhuT7kQbUkt6OTEojl8t83wJEkCwlOSWEe-3c21jF_QdUdnpn15oGDrJUXj10Q/s1518/Missing+Words+-+Endorsement_Alison_FB.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="759" data-original-width="1518" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdFO6Bp0LEreGbuLp1_r9QCVY53KM2G_DiMd67cVxgvpBY3KJPMRGJ8n9CDdTrXtQrrVjPSICvKpmhuT7kQbUkt6OTEojl8t83wJEkCwlOSWEe-3c21jF_QdUdnpn15oGDrJUXj10Q/w400-h200/Missing+Words+-+Endorsement_Alison_FB.jpg" width="400" /></a></div>The past few weeks, since the publication of <i><b>Missing
Words</b></i>, have been a bit of a whirlwind and I am struggling to keep up with everything
that is happening at the moment. A few days after the online launch with my
cohort from Fairlight Moderns I had my very first LIVE book signing at my local
independent bookshop – the fabulous <b><a href="https://pigeonbooks.co.uk/" target="_blank">Pigeon Books</a></b>. Even though Covid restrictions
have been almost entirely lifted here in the UK, many people – myself included –
are not ready throw themselves into a crowded indoor space just yet, so the
book signing was a good alternative to a full-on event with a book reading and
clinking glasses of champagne. For three hours, I sat as if enthroned in the comfy
chair in the window of Pigeon Books while a surprising number people trooped
through the door and asked me – ME – to sign copies of my book. It was a
wonderful day, with time to chat to friends I hadn’t seen since pre-Covid days,
including some I hadn’t seen for years. And more thrilling still were the
people I didn’t know who came into the shop to buy the book and have it signed.
Phil and Mel, the owners of Pigeon Books, have been immensely supportive and
have done a fabulous job of promoting my book to their regulars. How amazing is
that!<p></p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PHbwjcPAChC7AXpbKIPb2FY21A95fNc_1ZhC4JTQsnf5p-mPkM8ofQ7HbbwXrTPvzaupXXvBJ_w522KEjkNFqwlLh_97xOwttBmQmkMJ50JX9K2-n5Kp5ie8JxODO0SIg8mdVhmN/s782/236291642_2237816993022157_941457883103553632_n-001.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="782" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PHbwjcPAChC7AXpbKIPb2FY21A95fNc_1ZhC4JTQsnf5p-mPkM8ofQ7HbbwXrTPvzaupXXvBJ_w522KEjkNFqwlLh_97xOwttBmQmkMJ50JX9K2-n5Kp5ie8JxODO0SIg8mdVhmN/s320/236291642_2237816993022157_941457883103553632_n-001.jpg" width="262" /></a></div>The signing went so well, in fact, that halfway through the afternoon
we ran out of books, but Phil put in an order with his suppliers and a new
batch was promptly dispatched. When I popped into the shop the following day to
sign the fresh copies, I found Phil still at work promoting my book to one of
his customers<i>. </i>And that was one more copy of <i><b>Missing Words</b> </i>signed
and sold!<o:p></o:p><p></p>
<p class="MsoNormal">Since the signing, I’ve had a number of people approach me with
further opportunities to promote the book and my other writing, including the
good people behind the <a href="https://www.port.ac.uk/research/research-projects/portsmouth-literary-map" target="_blank"><b>Portsmouth Literary Map</b></a>. Would I like to have a marker
placed on the map at a location that features in my book? I didn’t hesitate – and
asked for the marker to be placed on the old Royal Mail Sorting Office on
Slindon Street. They also requested a video recording with a short reading, and
hopefully that, too, will soon be available on their website. <o:p></o:p></p>
<p class="MsoNormal">This weekend, the <b><a href="https://www.victoriousfestival.co.uk/" target="_blank">Victorious Festival</a></b> has descended on
Southsea, and the air along the seafront is buzzing with all types of music,
from acoustic folk/rock to R&B. Last night, Rag’n’Bone Man and the Streets
took the main stage, and tonight it will be Nile Rogers & Chic. But while folks
are enjoying the music, I’ll be at the opposite end of the festival grounds,
taking part in the Literacy Tent’s open mic session, with a short reading from <i><b>Missing
Words</b></i>. This was yet another opportunity that came up unexpectedly, and one
I couldn’t let pass me by. Wish me luck!<o:p></o:p></p>
<p class="MsoNormal">Then, in the October edition of the glossy lifestyle magazine, <b><a href="https://waterside-group.co.uk/waterside-magazine/" target="_blank">Waterside</a></b>, the
author spotlight will be turned on…wait for it…me! Yes, it’s all happening at the
moment. I have no idea how long the excitement of publishing my first novel will
last, but it’s been a thrilling ride so far and I’m determined to make the most
of it. </p><p class="MsoNormal">Thanks for coming along and being part of it.<o:p></o:p></p><p class="MsoNormal"><o:p></o:p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-37518511443246033802021-08-12T08:38:00.000+01:002021-08-12T08:38:21.802+01:00Review: Only About Love by Debbi Voisey<p style="text-align: center;"><i><span style="font-size: x-large;">Could he pull it off? This relationship thing? He could see
the future stretching out before him like a never-ending ribbon of time and he
wondered, for the first time, if he could navigate it and make it to the end,
and be happy along the way.</span></i></p><p class="MsoNormal"><o:p></o:p></p>
<br />
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHUmkgDjQyJM1pXfQgWOOHxACXXa9aZu3NXNAQCeq2CKc9uAM9eaHjXJm3wbXqYWfO2K_ju46ZVXjBfFnlze0JocEI5c15U2tUHE09c0SRh9NALjFzQjkr_nHfzhRHDUnvGyN7Fd0Q/s2048/Head+Shot+DEbbi+Voisey.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1229" data-original-width="2048" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHUmkgDjQyJM1pXfQgWOOHxACXXa9aZu3NXNAQCeq2CKc9uAM9eaHjXJm3wbXqYWfO2K_ju46ZVXjBfFnlze0JocEI5c15U2tUHE09c0SRh9NALjFzQjkr_nHfzhRHDUnvGyN7Fd0Q/w400-h240/Head+Shot+DEbbi+Voisey.jpeg" width="400" /></a></div><div style="text-align: justify;">Frank is the seemingly confident front man in a local
rock-n-roll band, but when he meets his future wife, Liz, he is momentarily
disarmed. Something about her is different from the groupies who clamber around
him at the end of his gigs. When things begin to look serious, Liz puts her
foot down. She won’t put up with any nonsense, she tells him. He’s going to
have to behave.</div><o:p></o:p><p></p>
<p class="MsoNormal" style="text-align: justify;">In chapters that move back and forth in time, Debbi Voisey’s
beautiful novella gives us snapshots of Frank throughout his life: as he will
be, as he was, and as he is now. In quick succession, we see him at the end of
his life – confused and infirm, followed by images of him as a much younger man
– vital and charismatic. We see him as a loving father to two young children, and
as a devoted husband to Liz. But we also see the frightened and lonely young
boy that Frank was at the beginning and how those early years shape the rest of
his life. Despite his confident appearances, Frank is broken beyond repair. <o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;">With his perfectly Brylcreemed hair, Frank continues to be
the centre of attention even when he settles down into a routine job to support
his family. And more than anything – more than the love and respect of his wife
and children – Frank craves attention. Time and again, he gives in to
temptation as he moves from one affair after another. <o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;"><i><b>Only About Love</b></i>, by Debbi Voisey is described as a
‘novella in flash’, with each chapter presented from the perspective of Frank,
Liz, or one of their children, John and Dawn, at various points in their lives.
We see the heartache and the trauma each character endures, their doubts and
disappointments, but despite Frank being the cause of that heartache, his family
remain loyal to the end. Yes, he is greatly flawed, but they never stop loving
him. <o:p></o:p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZzuc8nxt1NzoHwF5vSy4rgaRloICQplfert9eMbTwpMAEjXD-iP3uQ-9GTxlt5hIWsA0dxG7R8sVp69bheMdpWabGqDRCH-uhdPEdFtI77Crl9xhHpAWeA3K86sKv1BPrnfrVvOqp/s690/Only+About+Love+Cover+Reveal.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="690" data-original-width="437" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZzuc8nxt1NzoHwF5vSy4rgaRloICQplfert9eMbTwpMAEjXD-iP3uQ-9GTxlt5hIWsA0dxG7R8sVp69bheMdpWabGqDRCH-uhdPEdFtI77Crl9xhHpAWeA3K86sKv1BPrnfrVvOqp/s320/Only+About+Love+Cover+Reveal.jpg" width="203" /></a></div><div style="text-align: justify;">Though emotions sometimes run high (John and Dawn endure the
sounds their parents’ many breakups and makeups from adjoining rooms), events
are largely reported in a matter-of-fact tone rather than dramatized. Like a
crime report, this book documents the evidence and only touches lightly on the impact
Frank’s crimes have on his family. There is no climactic moment of
confrontation. No cross-examination. And Frank, himself, while acknowledging
his crimes, never questions himself, either. There is no introspection. No
self-analysis. No self-pity, and no real sense of guilt until it’s far too
late.</div><o:p></o:p><p></p>
<p class="MsoNormal" style="text-align: justify;">Midway through the book, the story jumps forward. Frank is
seventy-five now, and we see him struggling with tasks he has performed
effortlessly a thousand times before. There is a stark change in tone in this
part of the story as we view snapshots of Frank’s slow decline. His past
unfaithfulness is all but forgotten, now, and piece by piece the man he was is
disassembled. <o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;">The last few chapters are a tough read at times as the
details of dementia – what it does to the person, what it does to his family –
are laid out before us. As the disease advances, Frank’s fears and frustrations
become our own. Who of us does not fear this long, drawn-out erasure of the
self? At the very end, however, we are given a reprieve from the oppressiveness
of a life that lingers after the self has gone. Voisey leaves us with memories
of happier times, and the reassurance that in spite of everything else, Frank’s
story was really only ever about love. And that love endures.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;"><i><b>Only About Love</b></i> is a powerful story of familial love in all
its complexity and permutations. It had me in tears at times, and touched me
deeply. It’s a thoughtful and ultimately uplifting book.<o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;">*<o:p></o:p></p>
<p class="MsoNormal"><i><b><a href="https://www.fairlightbooks.co.uk/only-about-love/" target="_blank">Only About Love</a></b></i> by Debbi Voisey is published by <b><a href="https://www.fairlightbooks.co.uk/fairlight-moderns/" target="_blank">Fairlight Moderns</a></b>, an imprint of <b>Fairlight Books</b>.<o:p></o:p></p>
<p class="MsoNormal">For more information about Debbi, see my interview with her
<b><a href="http://loreewestron.blogspot.com/2021/07/an-interview-with-debbi-voisey-author.html" target="_blank">HERE</a></b>.<o:p></o:p></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1648288312525243173.post-41027811738375359792021-08-06T09:01:00.002+01:002021-08-06T09:07:30.522+01:00Book Launch: The Morning After the Night Before<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="background-color: white; color: #050505; font-size: 11.5pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAVmhf49gLBMndIjyzcWMfMKcmTa3imyIYa9qH50X-ZNaXG1354s72ELvW1uzeZGmUQfzZVPg3ww6ce04d_wBmqvKEu2lzub_V-5-vHiookzhNooWgcs_MW3j3K8AOvOw8BYlScZ0t/s1346/Fairlight+Moderns+2021.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="527" data-original-width="1346" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAVmhf49gLBMndIjyzcWMfMKcmTa3imyIYa9qH50X-ZNaXG1354s72ELvW1uzeZGmUQfzZVPg3ww6ce04d_wBmqvKEu2lzub_V-5-vHiookzhNooWgcs_MW3j3K8AOvOw8BYlScZ0t/w400-h156/Fairlight+Moderns+2021.JPG" width="400" /></a></div>I’m pleased to
announce that </span><b style="color: #050505; font-size: 11.5pt;"><i>Missing Words</i></b><span style="background-color: white; color: #050505; font-size: 11.5pt;"> was published yesterday, and last night it
was sent into the world with a fabulous (if virtual) book launch, hosted by
Emma Timpany, author of the award-winning novella </span><b style="color: #050505; font-size: 11.5pt;"><i><a href="https://www.fairlightbooks.co.uk/travelling-in-the-dark/" target="_blank">Travelling in the Dark</a></i></b><span style="background-color: white; color: #050505; font-size: 11.5pt;">.
All four of the authors published this summer by </span><b style="color: #050505; font-size: 11.5pt;">Fairlight Moderns</b><span style="background-color: white; color: #050505; font-size: 11.5pt;"> took part
in the event, reading from their books and answering questions. Covid has
changed a lot of things, and book launches are one of them. But you know what? Having
an online launch was okay. In fact, it was better than okay.</span><p></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Anyone who knows
me, knows that I’m not a schmoozer. I hate crowds, and I hate social events
where I’m expected to ‘mingle’ and make small talk. Worse yet, is talking about
my book (note to self: I <u>really</u> must get over that). So last night’s
virtual event came as something of a relief. Sure, I had to provide my own
champagne, but I was very happy to stay home where my internet could unexpected
go down if I started to panic. But the main thing that made the evening special
was that people from all over the country – and right across the world – could take
part. I live in Portsmouth, on the south coast of the UK, Douglas Bruton lives in
Edinburgh, and Debbi Voisey lives halfway between us. Meanwhile, JT Torres lives 3000 miles
away in Connecticut. That’s a lot of travelling we didn’t have to do. But what’s
more, the virtual launch allowed many people to attend who most probably wouldn’t
have been able to join us in person. I, for one, had friends and family Zooming
in from Finland, Newfoundland, New York and Idaho. And I’m sure the other
authors had equally far-flung support from people who otherwise wouldn’t have
been there. <o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Yes, I was
nervous, and yes, I tripped over my words a few times – that’s nothing new. But
in the end, I think the evening went well. And it was great to hear the other
writers speaking about their books. Douglas talked a bit about his writing
process, and astounded every writer present by revealing that <b><i>Blue Postcards</i></b>
took a mere six days to write. JT discussed identity and the Cuban diaspora in
the United States and how his Cuban heritage influenced his writing of <b><i>Taking
Flight</i></b>. Debbi spoke about her handling of real-life family events in <b><i>Only
About Love</i></b>, and how those events have a different <i>truth </i>for each
person who experiences them. And I talked about the relevance of bicycle riding
in <b><i>Missing Words</i></b>.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">It's a good
feeling to know that my story is finally ‘out there’ now, fully fledged and
launched into the big wide world. It’s taken me a while to get to this point,
but I’ve always felt the book would eventually find a publisher. Now I hope it
finds an audience.<o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 18pt; line-height: 115%;">*<o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">All four
novellas are now available in the UK from online and high street bookshops. <b><i>Taking
Flight</i></b> by JT Torres and <b><i>Blue Postcards</i> </b>by Douglas Bruton will be
published in the United States in October of this year. <b><i>Only About Love</i></b>
by Debbi Voisey and <b><i>Missing Words</i></b> by me, Loree Westron, will be
available in the States from 1<sup>st</sup> March, 2022.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Read more about
the authors and their books by visiting the <b><a href="https://www.fairlightbooks.co.uk/fairlight-moderns/" target="_blank">Fairlight Books</a></b> website, and
from interviews found here on this blog.<o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Interview with <b><a href="http://loreewestron.blogspot.com/2021/06/an-interview-with-douglas-bruton-author.html" target="_blank">Douglas Bruton</a></b><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Interview with <b><a href="http://loreewestron.blogspot.com/2021/06/an-interview-with-tj-torres-author-of.html" target="_blank">JT Torres</a><o:p></o:p></b></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Interview with <b><a href="http://loreewestron.blogspot.com/2021/07/an-interview-with-debbi-voisey-author.html" target="_blank">Debbi Voisey</a></b><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Segoe UI Historic",sans-serif" style="background: white; color: #050505; font-size: 11.5pt; line-height: 115%;">Interview with <b><a href="http://loreewestron.blogspot.com/2021/07/an-interview-with-loree-westron-author.html" target="_blank">Loree Westron</a></b><o:p></o:p></span></p><div class="blogger-post-footer">ororor</div>Unknownnoreply@blogger.com2