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Review: Eddie Chuculate's Cheyenne Madonna

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We are different people at different times in our lives, and the experiences we have and the lessons we take from them shape us into the people we become. In Eddie Chuculate’s debut collection,  Cheyenne Madonna , we dip in and out of the life of Jordan Coolwater, glimpsing some of his many identities: devoted son, runaway convict, gifted artist, and grief-ridden husband.  Galveston Bay, 1826 , which won the O. Henry Prize in 2007, gives historical context to Jordan’s life and provides the overall backdrop to the collection. Eager for adventure, Cheyenne chief Old Bull and his three companions set off on an equestrian road-trip to the sea – "the absolute end of the earth." Through the shimmering heat haze which rises off the desert, we watch the landscape change: herds of sand-coloured antelope springing in "long graceful arcs" and a wildfire which appears "like the bluffs of a red canyon, lapping and advancing with thirsty orange flames." When, after

Review: Sherman Alexie's Ten Little Indians

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Sherman Alexie had already published four collections of poetry by the time he gained national attention in 1993 by winning the prestigious PEN/Hemingway Award for Best First Book of Fiction for the short story collection The Lone-Ranger and Tonto Fistfight in Heaven .  In 1996, he was named as one of Granta’s Best Young American Novelists in recognition for his first novel Reservation Blues . Two years later, he won the Audience Award at the Sundance Film Festival for the screenplay of Smoke Signals .  In all, Alexie has published eighteen books and screenplays in sixteen years, making him one of the most prolific writers working in the United States today. But his multi-genre talents don’t stop there.  He’s also collaborated on an album with musician Jim Boyd and turned his hand at film directing, too.  And in his free time?  He does a spot of stand-up comedy as well.  * While much of Alexie’s earlier work explores small-town life on the Spokane Reservation where he grew up,

Review: Diane Simmons' The Courtship of Eva Eldridge

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A Story of Bigamy in the Marriage-Mad Fifties When she is made executor to the estate of family friend Eva Eldridge, the author comes into possession of a large collection of letters which Eva has carefully bundled up and stored away.  Kept with such conscientious orderliness, the letters and check stubs and notes scribbled on the backs of envelopes form a personal archive, and one gets the feeling that Eva, who never spoke to Simmons about the deep mysteries of her life, had saved these letters, purposely, so that one day someone might make sense of her life.  Eva’s story begins in 1958, when she is working in a cigar stand in the swanky Hotel Boise.  She is slim and attractive, and glamorous in the way that women of that era seemed to be: her long hair is swept into a roll at the back of her head, her dress is nipped in at the waist to accentuate her figure, and ‘open-toe, open-back high heels’ add to her statuesque beauty.  She is also ‘deeply, deeply in love’ with Vick,