Words on a Page

The past few months have been filled with activities revolving around the Portsmouth Authors Collective - all of which have have required lots of time and energy and organisation - things that are in short supply in my world. Hence, it 's been a shameful length of time since I posted my last author interview.   Forgive me. * The Portsmouth Authors Collective   seeks to put the spotlight on local talent who live in and/or take inspiration from the city and its surrounding areas. I was thrilled, therefore, to be asked to interview Richard Salsbury a couple of months ago at the launch of his debut novel Mute . Here, we reprise that interview for this blog and for the PAC website .    Author Bio: Richard Salsbury is a novelist and award-winning short story writer based in the south of England. His work has appeared in Artificium , Flash Fiction Magazine , World Wide Writers , Portsmouth News , the FairlightBooks website and on BBC Radio. He is an editor and websit...

None of these stories are to be trusted, for they are stories of the dead told by the living and the living always lie. Leafing through a box of postcards at a Parisian market stall, the narrator of Douglas Bruton’s exquisite novella finds a distinctive blue postcard which he recognises at once. The colour is International Klein Blue (IKB), created by the avant-garde artist Yves Klein, and the postcard is an invitation to a 1957 exhibition of his monochrome paintings. Such a seemingly simple postcard, but within it is a marvellously intricate meditation about the way memory reshapes itself over time and how truth is often found in fiction. Bruton weaves together three fragmented narratives to create a story filled with passions that are never fully realised: that of the narrator, and his fascination both with Yves Klein and the colour blue; the lonely tailor, Henri, who sews a string of twisted blue Tekhelet threads into a seam in every suit he makes to bring the wearer luck; and Yves ...