Words on a Page

One of the issues I’ve been grappling with since I began my research about a year ago is my concern (some might say my obsession) with cultural sensitivities. When she was at college in the 1960s, my mother, a blue-eyed blonde of Anglo/Celtic descent, was elected as the first historian of the newly-formed ‘Indian Club’. I grew up with many Nez Perce friends, and we attended the occasional powwow at the Nez Perce reservation at Lapwai. My mother was involved with civil rights politics, and with her, I waved my little fist at marches and rallies and demonstrations – on the rare occasion when these were held in north Idaho. In this ‘lefty’ household, cultural sensitivity was paramount, and my mother’s concerns about both centuries-old injustices and those of the present day became my own. At some point, however, our thoughts on the matter diverged. While I learned to carry a sense of inherited responsibility (inherited guilt?) for the poverty and social ills afflicting many Native Ameri

Had news this week that my novella, Gathering Fragments of Light, received an Honorable Mention in Carpe Articulum's novella competition.  Yet another near miss... 

Sherman Alexie had already published four collections of poetry by the time he gained national attention in 1993 by winning the prestigious PEN/Hemingway Award for Best First Book of Fiction for the short story collection The Lone-Ranger and Tonto Fistfight in Heaven .  In 1996, he was named as one of Granta’s Best Young American Novelists in recognition for his first novel Reservation Blues . Two years later, he won the Audience Award at the Sundance Film Festival for the screenplay of Smoke Signals .  In all, Alexie has published eighteen books and screenplays in sixteen years, making him one of the most prolific writers working in the United States today. But his multi-genre talents don’t stop there.   He’s also collaborated on an album with musician Jim Boyd and turned his hand at film directing, too.   And in his free time?   He does a spot of stand-up comedy as well.   * While much of Alexie’s earlier work explores small-town life on the Spokane Reservation where he grew up